Fing Fang Foom from "Iron Man," both "orientalized villains" to that list while you are at it.
Fin Fang Foom is an alien dragon.
Dial it back, GWR.
Fing Fang Foom from "Iron Man," both "orientalized villains" to that list while you are at it.
Shiwam Khan was one of four recurring Shadow villains, two of whom were American, and the other was (I think) from the Caribbean.[/quote]Shiwan Khan of "The Shadow,"
and evidently some major calamity will nullify the inevitable emergence of China and India as world powers, since you never see them represented in most SF. But then, what do you expect, since most significant SF has its roots in North America, and most aliens still speak fluent English!!!
This is a legitimate discussion on "People of Color and the Future."Fing Fang Foom from "Iron Man," both "orientalized villains" to that list while you are at it.
Fin Fang Foom is an alien dragon.
Dial it back, GWR.
It is more likely that non-caucasians are apt to watch a show with an all-caucasian cast than the majority of caucasians will tune into watch a show with a predominantly non-caucasian cast.
This is a legitimate discussion on "People of Color and the Future."Fing Fang Foom from "Iron Man," both "orientalized villains" to that list while you are at it.
Fin Fang Foom is an alien dragon.
Dial it back, GWR.
The OP made this thread, and like any free citizen of a democratic nation I myself am expressing my right and opinion to voice my views on this very relevant social issue.
Captain Sulu and Ensign Kim do count as supporting characters, but in terms of the traditional male lead who is handsome, admired by women, and gets the girl in the end (or, in this case, from the beginning of the film.), Tony Leung is the only modern westernized Asian male lead that I have seen this happen in a caucasian film production in The Lover (1992), which usually goes to someone like Brad Pitt, Johnny Depp, Tom Cruise, Mel Gibson., and George Clooney.Captain Sulu and Ensign Kim don't count?
I got it.I'm talking as an admin, not the forum mod. Your behavior in general has gotten particularly tiresome lately, and so I'm telling you officially to dial it back.
You can discuss the issue in a civil manner.
I was just wondering...
America elected a black president in 2008. How will that affect the future of how blacks are reflected on TV in general, and speculative fiction specifically?
We already see that, according to SF, society will still be stratified along racial lines (how else can one explain all those white folks in Starfleet, when most of the folks in the world are black or brown?), Hip-Hop and R 'n' B/Soul music will cease to exist somewhere in the near future, and evidently some major calamity will nullify the inevitable emergence of China and India as world powers, since you never see them represented in most SF. But then, what do you expect, since most significant SF has its roots in North America, and most aliens still speak fluent English!!!
Will we see more black folks in SF roles on TV? In the real world, enough whites voted for Mr. Obama to get him into the White House...so doesn't this mean that when it comes to fantasyland, they would probably accept the idea of a black man/ woman as the protagonist of a TV show?
But then, I'm old enough to remember when Roots came out in the late 70s, and how the ratings were so strong. I thought then that this would open the doors for blacks on TV and in the movies. Then a funny thing happened: Reagan got elected and everything reset to the 50s.
So, will there be a backlash against blacks now?
I wonder how those who propose all sorts of silly arguments to explain why there aren't more blacks on TV and the movies already will justify the status quo if there is no change?
Captain Sulu and Ensign Kim do count as supporting characters, but in terms of the traditional male lead who is handsome, admired by women, and gets the girl in the end (or, in this case, from the beginning of the film.), Tony Leung is the only modern westernized Asian male lead that I have seen this happen in a caucasian film production in The Lover (1992), which usually goes to someone like Brad Pitt, Johnny Depp, Tom Cruise, Mel Gibson., and George Clooney.Captain Sulu and Ensign Kim don't count?
As I grew up in Orange County, California and my media choices have been the same as any other American who grew up and lived through the 80's, 90's, 00's (NBC, CBS, ABC, FOX, MTV, VH-1, E! Channel, etc.), I honestly have not watched much Korean television while growing up or even currently.Generally media reflects it's audience. Most of the people in the US are white, so most of it's media is white. It's kind of like if you look a Korean tv show, most of the actors areKOREAN!
I actually liked seeing a fellow Korean American, as well as an Indian American, in lead roles in those 2 films.What do you think of Harold and Kumar? Americanized enough for you or does their heavy drug use invalidate their entry?
I am American raised in Orange County, California.How often do Caucasians star in Asian cinema? That crappy movie Dragon Wars has a mostly American cast. For that matter, why do you care so much about what Hollywood does when Asian cinema is so readily available to you? Is it that big a deal that Brad Pit's mom wasn't born in Thailand?
How blatantly ignorant of you.I do agree that in the past the typical Asian was often stereotyped and villianized in "white Hollywood", but not always, and I don't think you have anything to compare to blacks in hollywood. At least your guys kicked some ass, blacks just served lunch and spoke poorly.![]()
We already see that, according to SF, society will still be stratified along racial lines (how else can one explain all those white folks in Starfleet, when most of the folks in the world are black or brown?),
DS9's "Far Beyond the Stars" sheds a light on why this is the case 60 years ago, and how its politics (and policies) still applies in today's mass media market.We already see that, according to SF, society will still be stratified along racial lines (how else can one explain all those white folks in Starfleet, when most of the folks in the world are black or brown?),
Because white people watch Star Trek. And you obviously have never watched DS9.
The depiction of non-whites in sci fi on TV and movies follows lockstep with the demographic makeup of the audience. There's only one color that counts: green.
Trek is also shown internationally to audiences where white people are the minority and the culture isn't Mid-Western America. If the cast of a Trek show is mostly white and Trek is meant to break down color barriers, then Trek has failed in it's job by that demographic.We already see that, according to SF, society will still be stratified along racial lines (how else can one explain all those white folks in Starfleet, when most of the folks in the world are black or brown?),
Because white people watch Star Trek. And you obviously have never watched DS9.
The depiction of non-whites in sci fi on TV and movies follows lockstep with the demographic makeup of the audience. There's only one color that counts: green.
We already see that, according to SF, society will still be stratified along racial lines (how else can one explain all those white folks in Starfleet, when most of the folks in the world are black or brown?),
Because white people watch Star Trek. And you obviously have never watched DS9.
The depiction of non-whites in sci fi on TV and movies follows lockstep with the demographic makeup of the audience. There's only one color that counts: green.
Speaking of period films, it is funny how the Hollywood western film genre is as far out of this world and should be in the realm of pure fantasy considering most cowboys that encompassed "the wild west" of the 19th century were actually blacks and Mexicans.But the assumption that the future will be just like today is stupid. It's the kind of stupidity that makes you wonder why people like that want to make scifi, until you remember that people expect scifi to be stupid. Even more to the point, making the future as white as the audience is just as political a point as changing the skin colors in period dramas would be. Except that people miss it in scifi because they seem to turn their brains off.
After the publication of an interview in Playboy magazine in January 1979, Brando was accused of anti-Semitism in regard to his opinion on double-standards set by Jews in Hollywood: "You've seen every single race besmirched, but you never saw an [unfavorable] image of the kike because the Jews were ever so watchful for that—and rightly so. They never allowed it to be shown on screen. The Jews have done so much for the world that, I suppose, you get extra disappointed because they didn't pay attention to that."[24]
Brando made similar allegation on Larry King Live in April 1996, saying "Hollywood is run by Jews; it is owned by Jews, and they should have a greater sensitivity about the issue of — of people who are suffering. Because they've exploited — we have seen the — we have seen the Nigger and Greaseball, we've seen the Chink, we've seen the slit-eyed dangerous Jap, we have seen the wily Filipino, we've seen everything but we never saw the Kike. Because they knew perfectly well, that that is where you draw the wagons around." King replied, "When you say — when you say something like that you are playing right in, though, to anti-Semitic people who say the Jews are — " at which point Brando interrupted, "No, no, because I will be the first one who will appraise the Jews honestly and say 'Thank God for the Jews.'"
A period drama set in Africa would be expected to have a majority of Africans on screen---and it would be noticed if the Africans don't get any lines in such flicks.
To certain white Americans who do not allow race to be the primary focus of political positions and issues and who consider the best qualified person for the job -- irregardless of race or gender -- should be commended.I just don't see this as such a defining moment as the OP suggests. But that is, perhaps, my deeply engrained cynicism setting in.
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