I'll always defend a viewer's right to call TWOK a bad movie. I'll also insist on calling that viewer nuttier than a day-old deer turd and ridicule their misguided, silly take on the film.
IDIC.
IDIC.


Why I posted it: that some people can consider something bad in one regard but still enjoy it.There's no theme? To this movie?
Nothing about accepting consequences, facing mortality, appreciating your life?
No, Kirk and Spock don't sit around discussing why Khan is after them because - Terrell says it. And Kirk already knows. Not only that - KHAN tells him that he wants revenge. Kirk knows why.
Some of the shit she hits is ridiculous. I'm not even defending the film, I'm just wondering what she was doing when these things were spelled out on screen...
I get that and she's welcome to her opinion. But it still perplexes me. The film isn't a complex mystery box and she missed subtle clues. It's pretty clear.Why I posted it: that some people can consider something bad in one regard but still enjoy it.
Honestly, considering how frequently people on this very BBS write mistaken accounts of films and TV shows, it's hardly surprising that someone like her misses what seems obvious to you or me, and doesn't see what we might see as a theme as a theme.
Y'know, on the "Kirk knows" thing, that's always bugged me. Terrell tells Kirk that Khan blames him for the death of his wife. Kirk says, "I know what he blames me for." How? Khan didn't say anything to Kirk about his wife during the encounter with the Reliant. And they just found Terrell and Chekov, neither of whom has had time to tell Kirk what has happened. How does Kirk know that McGivers is dead, let alone that Khan blames him for her death?No, Kirk and Spock don't sit around discussing why Khan is after them because - Terrell says it. And Kirk already knows. Not only that - KHAN tells him that he wants revenge. Kirk knows why.
He knows Khan wants revenge. That's all he conclusively knows. He could have simply been shutting Terrell up because he didn't want to hear that he may have made a shitty decision. At the very least, Kirk know Khan wants revenge for leaving him on Ceti Alpha V. That's all he needed to know.Y'know, on the "Kirk knows" thing, that's always bugged me. Terrell tells Kirk that Khan blames him for the death of his wife. Kirk says, "I know what he blames me for." How? Khan didn't say anything to Kirk about his wife during the encounter with the Reliant. And they just found Terrell and Chekov, neither of whom has had time to tell Kirk what has happened. How does Kirk know that McGivers is dead, let alone that Khan blames him for her death?
I just figure Kirk worked it out in his head after not seeing McGivers on the Reliant or not picking up any non-Augment life form readings on the ship. "Oh, no, Lieutenant McGivers died after we left. He's blaming me."Y'know, on the "Kirk knows" thing, that's always bugged me. Terrell tells Kirk that Khan blames him for the death of his wife. Kirk says, "I know what he blames me for." How? Khan didn't say anything to Kirk about his wife during the encounter with the Reliant. And they just found Terrell and Chekov, neither of whom has had time to tell Kirk what has happened. How does Kirk know that McGivers is dead, let alone that Khan blames him for her death?
Correct. Kirk is not going to indulge in Khan's blame game. He's got a job to do.He knows Khan wants revenge. That's all he conclusively knows. He could have simply been shutting Terrell up because he didn't want to hear that he may have made a shitty decision. At the very least, Kirk know Khan wants revenge for leaving him on Ceti Alpha V. That's all he needed to know.
I just figure Kirk worked it out in his head after not seeing McGivers on the Reliant or not picking up any non-Augment life form readings on the ship. "Oh, no, Lieutenant McGivers died after we left. He's blaming me."
I agree with that. My only issue is that Kirk seems oddly irritated with Terrell for telling him what Khan blames him for. I get it that Kirk is just concerned with defeating Khan at that moment, but Terrell had just gone through a horrific experience (and was still going through it, unbenknownst to Kirk but knownst to us). No reason for Kirk to be snippy with him.I don't really think Kirk cared what Khan's motivations were in the moment, unless they were somehow going to help him defeat Khan. Khan had already attacked the Enterprise, killed at least one person and cripplied the ship, was looking for Genesis and clearly wasn't done with Kirk and/or the Enterprise yet. Stopping him was the priority; understanding him was relatively irrelevant.
Especially when the threat is still out there.Kirk was often short-tempered on the original show. Why he should be any different in this situation is beyond me.
As a kid in the early days where internet access was dial-up and internet Trek talk focused on Berman Trek, I never had any idea that Wrath of Khan was supposed to be the "greatest Trek film of all time" (TM). Even when I started hearing more about hit TOS movies, it was more along the lines of "Voyage Home" making the most money or something like that.I'll always defend a viewer's right to call TWOK a bad movie. I'll also insist on calling that viewer nuttier than a day-old deer turd and ridicule their misguided, silly take on the film.
IDIC.![]()
My only issue is that Kirk seems oddly irritated with Terrell for telling him what Khan blames him for.
I don't even really consider Spock's death to be a plot twist...but it's been so long since I was surprised by it. His expression before he goes down to Engineering, and then his nerve-pinching McCoy, tells you everything you need to know. A plot twist would have been if he'd survived (shudder). And you kind of hope he will, even on a rewatch, because it is a bit gut-wrenching to watch Spock enter the chamber knowing what he's doing.It's interesting that the most cited best films in the 2 big sci-fi franchises are the ones that have some plot twist at the end (Spock dying and Vader revealing he's Luke's father). I do wonder if that's what influences these opinions. Modern directors have gone overboard in super-secrecy around films and trying to recreate these shock moments, only for them to fall flat.
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