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Michael Dorn's performance

I asked a friend (who's a hardcore fan) how Worf knew so much about Klingon culture and why it was so important to him, being that he was raised human. My friend's response was similar to yours. According to his head cannon, the fact that Worf was raised by humans made him insecure about being a Klingon, so he over-compensated by emphasizing its importance to him.

And if much of Worf's knowledge of Klingon culture came from books, rather than experience, he might inadvertently subscribe to cliches. For example, when Worf proclaimed that Klingons don't laugh (a cliche) Guinan corrected him that Klingons do in fact laugh.

This is exactly the way I would have explained it too. He was too young to understand Klingon culture when he was rescued, and being surrounded by humans would have most likely made him feel insecure about his appearance, and all his other differences. To combat this insecurity, he overcompensated. Researching all he could about Klingons but most likely never meeting another Klingon in person until the episode "Heart of Glory" in season 1 of TNG. He does take part in the Klingon death ritual, and the Klingons tease Worf for being in Starfleet, which makes sense considering he's the first of his species to serve, and these Klingon characters don't support their society's peace with the Federation.

Worf often says "Klingons do not..." or a variation of this phrase to try and educate his human colleagues and sometimes to justify his own behaviour and choices. In this episode, he notably states that Klingons do not take hostages, as it is a cowardly act. This is likely a rule of official Klingon military conduct, however there are a few times where we see them blatantly disobey this stipulation, supporting the idea that Klingons often ignore their own honour based system for personal glory. The best one is "Klingons do not laugh!":klingon:

Worf is not a typical Klingon then, and he is better off for it. He understands and respects his people's code of honor more than pretty much every other Klingon he interacts with in TNG and DS9. At the same time, growing up and working with humans helped worf to understand human behaviour and values and made him more aware of the flaws of his own people. He often has to wrestle with these two sides of himself during moral dilemmas, but still manages to justify his "Klingon-ness" perfectly every time he needs to.

This is why I love Worf. Not just because he is inadvertently humourous and he always wants to fire phasers first, ask questions later. His storylines and character development showcase the rife hypocrisy of the "real" Klingon Culture and if anything, Worf follows his own by-the-book idealised version of their teachings...The Way of the Worf, if you will. :hugegrin:

His stalwart upholding of his own cultures ideals made him in many ways the perfect Klingon.

SPOILER ALERT

So much so that he almost became the Chancellor of the High Council, essentially the leader of all Klingons, when he killed Gowron in single combat. But worf was too cool for politics and yielded the position to Martok.

Worf is my favourite TNG character now
 
I feel there are some things that are so outright offensive to our values, that even if you can qualify with logic why an alien culture is a certain way, it would still be bad taste. And that's fair and is much more good than bad. Then there are other issues that aren't technically wrong in themselves, but will likely agitate people, whether justified or not. I guess if there is honest conviction that a certain message is important, and it is presented in a fair way, then I guess that is fine. Star Trek often leaves me critiquing issues. Addressing gender representation in authority structures in alien cultures could be tricky.

Personally love the first two Klingons that appeared. They were charasmatic and cunning, felt like true vikings. After that they felt sometimes too stoic. If Worf was meant to feel too Klingon for humans and too nerdy for Klingons, his performance was perfect. But still good anyway
 
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For all intents & purposes, the Klingon story arc is one of, if not the most defining of the whole series. Much like TOS focused on spotlighting Vulcans, as the alien culture to explore up close & personal, TNG took the movie franchise looking Klingons & did a deep dive into who they are, way more than any other alien race seen on the show.

In 7 seasons, I don't think we ever went to Vulcan or Betazed, & Troi was also a featured character, whose culture could've been explored. Bajor was the only other world to get a prolonged focus, toward the end (because it was setting up DS9)

Was the Klingon archetype a bit one dimensional? Yeah. That was kind of a Star Trek hallmark. Nevertheless, they managed some very interesting stories, that highlight the underlying truth of the "honor" society, where K'mpek's poisoning & Worf's discommendation showcase a contradicting truth. Even Worf's bad parenting rather shined an unflattering light on these people, who claim to pride themselves on their honor.

The other major story arc of TNG, which usually had a deliberate spotlighting each season was the Soong Android story. However, that story is more easily categorized as a character story about Data himself. As for ongoing culture exploration on TNG? Klingons were IT.
 
For all intents & purposes, the Klingon story arc is one of, if not the most defining of the whole series. Much like TOS focused on spotlighting Vulcans, as the alien culture to explore up close & personal, TNG took the movie franchise looking Klingons & did a deep dive into who they are, way more than any other alien race seen on the show.

In 7 seasons, I don't think we ever went to Vulcan or Betazed, & Troi was also a featured character, whose culture could've been explored. Bajor was the only other world to get a prolonged focus, toward the end (because it was setting up DS9)

Was the Klingon archetype a bit one dimensional? Yeah. That was kind of a Star Trek hallmark. Nevertheless, they managed some very interesting stories, that highlight the underlying truth of the "honor" society, where K'mpek's poisoning & Worf's discommendation showcase a contradicting truth. Even Worf's bad parenting rather shined an unflattering light on these people, who claim to pride themselves on their honor.

The other major story arc of TNG, which usually had a deliberate spotlighting each season was the Soong Android story. However, that story is more easily categorized as a character story about Data himself. As for ongoing culture exploration on TNG? Klingons were IT.
TNG went to both Vulcan and Betazed, just didn't stay there for an episode or even most of one. (Vulcan was visited, at least in "Sarek", "Unification I", and "Gambit, Part II". And Betazed, at least in "Menage a Troi".)
 
It is an alien culture and, therefore, should not be judged by the standards of human societies.
The TOS and TOS movie Klingons are treacherous and murderous scumbags who should absolutely be judged by all the vile things they do and refuse to apologize for. They're an intergalactic menace and make no bones about it. Trying to murder hundreds of civilian non-combatants in exchange for one Klingon, trying to poison food supplies, arming natives to conquer their rivals so they can become a Klingon subject world, etc etc.

The TNG and DS9 Klingons are not really much better, though as Dax pointed out are huge hypocrites on top if it. Worf was more a less a weeb following an idealized version that the other Klingons didn't really believe in, even if they gave it lip service.
 
The writers in the first year didn't know what to do with anyone. Dorn made out better than most.

“Heart of Glory” is the absolute best Klingon episode. Too bad they didn’t quit while they were ahead.
 
The writers in the first year didn't know what to do with anyone. Dorn made out better than most.
They knew what to do with Riker & Data. They just didn't know how to do it :guffaw:

As much criticism as I give Crosby for her awful portrayal on TNG, she wasn't entirely wrong about why she left. The show was on shaky ground. The women were suffering the bad writing the worst, the cast was bloated, & when the more interesting characters started rising to the top, hers wasn't going to be one of them.

Worf wasn't even in charge of anything yet, and was already sparking some of the heaviest interest, & yes, Heart of Glory was the main reason. It holds up as one of the season's best. It's Star Trek. The "alien" characters are always going to have an edge in interest. Data & Worf were almost guaranteed to catch on, even if no one knew that at the time.

This is why I don't think Sirtis had as much to worry about as I've heard her claim. The show needed women. McFadden was having a really tough go of it. Sirtis was gorgeous, (which they ultimately doubled-down on exploiting better by season 2) AND even though they were weak at writing for it, her character did have alien attributes that the show could play on. Having progressive or sci-fi aspects was a major boost to a character. It's mainly what kept Geordi around. Tasha & Beverly had none of that. Worf & Data had the most. They were always going to get a healthy share of featuring, & rightfully so
 
Dorn is excellent and grows as a character season to season. I would love to see a Worf series. I think it's the one series you could get away with not doing on a ship because the character is so captivating.
 
Dorn is excellent and grows as a character season to season. I would love to see a Worf series. I think it's the one series you could get away with not doing on a ship because the character is so captivating.
We've never had a Star Trek Ronin type show, have we? Ala, The Fugitive, Kung Fu, The Incredible Hulk, etc...

I could see putting Worf at the center of that
 
We've never had a Star Trek Ronin type show, have we? Ala, The Fugitive, Kung Fu, The Incredible Hulk, etc...

I could see putting Worf at the center of that
100%. He's got that big ass sword. He's basically a wandering Samurai at this stage. I see Disney taking so much inspiration from old Japanese sword fighting dramas with the Mandalorian. There's so much they could dive into and use for a Worf show in a similar vein.
 
Michael Dorn did a superb job in the role he was given and with the material he was provided. The cast around him helped, with the way they played on and off of him.
But getting sent prune juice by the case ("a warrior's drink") by fans got him a lot of uncomfortable questions from friends and family.
 
Dorn did an excellent acting job, considering not only how he was hampered by the inconsistent and evolving character development, but also because he had to act "around" the huge forehead. He couldn't use his brows for expression, so he had to rely more on his voice, eyes, and body language.

Of course, the same can be said about the many other actors who portrayed "forehead" aliens.
 
Dorn is an extremely good actor and was able to do a good job with whatever was thrown at him. So much changed about the character through his time on TNG and DS9 and yet he was able to roll with it all. I think to this day he remains the actor who has clocked the most time in the Trek universe.

That being said, I will admit that I did grow tired of the Klingons. I think they were overused and sometimes became caricatures as a result. I was a little tired of the "Klingon culture" stories by the end. None of which is any reflection on Mr. Dorn. Just a passing opinion of mine about Klingons in general.
 
He appeared in damn near every TNG episode and DS9 (seasons 4-7), and most of PICARD season 3. Between 280-290 episodes total, and 5 movies.

Outside of Majel Barrett, who voiced all Starfleet computers, was Chapel, and was Lwaxana... yes, Michael Dorn holds that record.
 
He appeared in damn near every TNG episode and DS9 (seasons 4-7), and most of PICARD season 3. Between 280-290 episodes total, and 5 movies.

Outside of Majel Barrett, who voiced all Starfleet computers, was Chapel, and was Lwaxana... yes, Michael Dorn holds that record.
Majel was also Pike's #1 in The Cage
 
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