I loved it too. I'm a woman, but not a mom.Are you a girl or a mom?![]()
I watched yesterday in Rome.
Jeez. It's a movie. People pay the ticket, someone enjoys it, someone doesn't.I feel bad for the cast but also for people who are new to Superman, because what they're getting is a caricature
Jeez. It's a movie. People pay the ticket, someone enjoys it, someone doesn't.
And then there are the someones who don’t for … shall we say, idiosyncratic reasons.Jeez. It's a movie. People pay the ticket, someone enjoys it, someone doesn't.
Barbie's appeal was to all the kids (girls and moms) who were happy to see Barbie's first big screen movie and having big name actors like Margot Robbie and Ryan Gosling attached. Plus all the free promotion it got from "Barbieheimer". Also, no one knew when it and Oppenheimer would be on streaming, which is a major reason why folks go to movie theaters anymore if they're not sure how long they'll have to wait.
Clark better hope there's not a second half to that message.
This Be The Verse
By Philip Larkin
They fuck you up, your mum and dad.
They may not mean to, but they do.
They fill you with the faults they had
And add some extra, just for you.
My evidence?Where is your evidence reaching a hard conclusion that the film only appealed (as implied in your quote) "...to all the kids (girls and moms)". Again, cite the evidence.
All the promotion in the world cannot make a film soar anywhere near or past a billion dollars, as we are seeing with Gunn's Superman, and months ago with Captain America: Brave New World (both films with ubiquitous promotional campaigns in the respective month before their release), etc.
I know it pains some, but Nolan's Oppenheimer was a massive success due to interest in seeing the subject and the fact it was a Nolan film when it was released, and in addition to word of mouth. The undeniable power of Nolan's work easily captured the attention of moviegoers (Oppenheimer is now the most successful WWII-associated film in history, replacing the previous title holder, Nolan's own Dunkirk from 2017). Your exaggeration that moviegoers only made the two films in question a success because they did not know when either would be available on streaming is nonsensical, and code to argue against why audiences will show up to actually sit in a theater if the films are considered great, as opposed to many of the recent era Marvel Studios underperformers or historic flops, which--from the earnings results--suggest moviegoers felt they were not worth a theater visit. Yeah, everyone knows where you were going with that little theory.
Marvel fanatics will never own up to the fact that so many of their recent movies have been the sh@ts. Not to mention that in their heyday, Marvel attracted MANY girls and moms. I still remember the kids who packed the theaters to see that first Avengers movie, which I made a point to go see many times. It was that good. The audience experience was also nice because the first time they pop on screen you hear a kid go "Ironman!" or "Captain America!"Where is your evidence reaching a hard conclusion that the film only appealed (as implied in your quote) "...to all the kids (girls and moms)". Again, cite the evidence.
All the promotion in the world cannot make a film soar anywhere near or past a billion dollars, as we are seeing with Gunn's Superman, and months ago with Captain America: Brave New World (both films with ubiquitous promotional campaigns in the respective month before their release), etc.
I know it pains some, but Nolan's Oppenheimer was a massive success due to interest in seeing the subject and the fact it was a Nolan film when it was released, and in addition to word of mouth. The undeniable power of Nolan's work easily captured the attention of moviegoers (Oppenheimer is now the most successful WWII-associated film in history, replacing the previous title holder, Nolan's own Dunkirk from 2017). Your exaggeration that moviegoers only made the two films in question a success because they did not know when either would be available on streaming is nonsensical, and code to argue against why audiences will show up to actually sit in a theater if the films are considered great, as opposed to many of the recent era Marvel Studios underperformers or historic flops, which--from the earnings results--suggest moviegoers felt they were not worth a theater visit. Yeah, everyone knows where you were going with that little theory.
And a streaming sensation based on how many times my wife watched it.Warner's DCEU billion dollar movie was..... Aquaman.
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