I think it's time to stop relying on Trek as that optimistic tone that TOS was. TNG put that to rest.
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I think it's time to stop relying on Trek as that optimistic time that TOS was. TNG put that to rest.
writing dystopia is lazy, writing utopia is boring. TOS managed to find a hopeful middle and it worked. SNW is trying, and doing pretty well. Season 1 shook off the ghosts of Discovery and made it very apparent that it was going to be nothing like PIC. Which is good.I think it's time to stop relying on Trek as that optimistic time that TOS was. TNG put that to rest.
I meant "What are the people who are so over Star Trek because it's old, stale, and can't do anything good anymore doing here in this thread?"
The snag is that modern Trek writers are still deliberately anchoring themselves to it - the speech given by Gooding's holodeck character in the latest SNW episode, for example.I think it's time to stop relying on Trek as that optimistic time that TOS was. TNG put that to rest.
Yes, it is stupid to destroy them the way the did.Nope.
What you think in this matter is irrelevant to me. As for your taste, maybe you should watch Baywatch or something similar instead of Star Trek.Travis Mayweather on his worst days was still far more interesting than Kes ever was. She was a dead weight character who was thankfully removed. It's near universally believed that Voyager was improved, ever so slightly, by the replacement of her with Seven of Nine.
So what? I like those characters and what you think is irrelevant for meThat image you posted is like playing a game of which one of these things is not like the other?
I have.Maybe in your opinion. I have no problem connecting Enterprise to The Original Series.
They are ruined and the destruction was unnecessary, a stupid move by some ego-maniac producer who should have tried to make something better of that gloomy, gory mess which was PIC.What makes it a necessary. It's a story point. Sometimes cultures change, sometimes not by choice. That's what happened to the Romulans.
Who says they were ruined. Again, they were mustache twirling villains. They weren't very interesting. By destroying Romulus, they actually added something interesting to their development.
Who are you to question my opinions?Clear evidence points to the contrary.
"Things can and should change"? What a stupid statement!It's a developing narrative. Things can and should change. Otherwise, things get stale and boring, much like a lot of Voyager.
No, they have become a sad mess and so have the Vulcans too. A lukewarm mess-up. The destruction of two species which were great and interesting.But they're not destroyed. The situation has changed but there are still Romulans!
Thanks, finally a decent person to discuss with!I like Kes.
What you think in this matter is irrelevant to me.
As for your taste, maybe you should watch Baywatch or something similar instead of Star Trek.
But that started in TNG. It got rid of the idea to a level that growth idea with technology. The Borg represented a different sort of dark tone, not just philosophically but technological. It was technology run Amok not able to be understood but simply destroyed.Obviously a lot of people love DS9 so it's just my opinion, but I reckon there's a significant subset of fans and casual viewers who associate Star Trek strongly with optimsitic futurism. Goldsman used the line when announcing SNW.
I just have to show some of my distaste for sneak attacks on a character I like in a thread which has very little to do with that character.Then why reply? Replying proves the opposite.
Watching Star Trek is not proof of intelligence.
I just have to show some of my distaste for sneak attacks on a character I like in a thread which has very little to do with that character.
I agree that watching Star Trek is not proof of intelligence. But I still assume that those who watch Star Trek may have some intelligence.
My problem with DS9 is that the Federation doesn't feel like a logical extension of the Federation as seen in TOS or TNG. I don't have a problem with dark plots about wars or conflicts or scary enemy races, but rather with the way the Federation were written - the "ooh-rah" stuff and taking war trophies from corpses, and the back-slapping macho military stuff that's indistinguishable from 20th-century war films, and the S31 plot is clearly just leaning into X-Files type stories about the modern American deep state.Wolf 359 was a bit of a loss of innocence for the Federation. The optimism was colored by uncertainty. Deep Space Nine doubled down on the conflicts, rooting the initial contact with the new lead to that watershed moment. It carry forward conflicts from TNG, and added to the shades of gray of Federation policy.
Not really. Stupid implies without thinking but the thought is for dramatic potential which is what Trek does.Yes, it is stupid to destroy them the way the did.
It's an entertainment franchise not an intelligence test. Poor assumption.agree that watching Star Trek is not proof of intelligence. But I still assume that those who watch Star Trek may have some intelligence.
We saw them deal with it.My problem with DS9 is that the Federation doesn't feel like a logical extension of the Federation as seen in TOS or TNG. I don't have a problem with dark plots about wars or conflicts or scary enemy races, but rather with the way the Federation were written - the "ooh-rah" stuff and taking war trophies from corpses, and the back-slapping macho military stuff that's indistinguishable from 20th-century war films, and the S31 plot is clearly just leaning into X-Files type stories about the modern American deep state.
I'd be really interested in how the TNG-era Federation do respond to a massive-scale conflict, and can reasonably see a situation where their utopianism does start to crack, but DS9 didn't feel like that story to me. The DS9 writers seemed to think that just writing modern miltiary and political thriller tropes into the setting was a good way of showing "the darker side" of the Federation, but it didn't work for me.
This is also where some nuTrek falls down for me on the same grounds - I don't have a problem with Klingon Wars and spore drives and whatnot, but the organisation we see in Discovery doesn't really feel anything like Starfleet to me, so my engagement with the show starts to slip.
My problem with DS9 is that the Federation doesn't feel like a logical extension of the Federation as seen in TOS or TNG. I don't have a problem with dark plots about wars or conflicts or scary enemy races, but rather with the way the Federation were written - the "ooh-rah" stuff and taking war trophies from corpses, and the back-slapping macho military stuff that's indistinguishable from 20th-century war films, and the S31 plot is clearly just leaning into X-Files type stories about the modern American deep state.
I'd be really interested in how the TNG-era Federation do respond to a massive-scale conflict, and can reasonably see a situation where their utopianism does start to crack, but DS9 didn't feel like that story to me. The DS9 writers seemed to think that just writing modern miltiary and political thriller tropes into the setting was a good way of showing "the darker side" of the Federation, but it didn't work for me.
This is also where some nuTrek falls down for me on the same grounds - I don't have a problem with Klingon Wars and spore drives and whatnot, but the organisation we see in Discovery doesn't really feel anything like Starfleet to me, so my engagement with the show starts to slip.
That's not how I feel about it, sadly! To me, it felt more like we saw Behr transplant a load of war films into the setting with minimal changes, and Moore practice his nuBSG ideas. The DS9 Federation very rarely felt like a logical extension of the TNG Federation to me, but rather like a generic military sci-fi outfit you'd see in any other series, obviously based on 20th-century America.We saw them deal with it.
I always wish TNG leaned into this aspect more - there's a sense at times that the Federation are becoming the Metrons, not wanting to muddy themselves by helping "less-developed" civilizations, and so high on their own morals that they've become cold and cruel. There's a fantastic story somewhere in there.The TOS gang was explorers and could admit when they made mistakes and misread a particular situation. SEE: "Arena", "Devil in the Dark", "Errand of Mercy" among others. The later shows became about the characters being missionaries singing the praises of humans and the Federation.
Twas referring to TNG.That's not how I feel about it, sadly
Ah, don't worry.My problem with DS9 is that the Federation doesn't feel like a logical extension of the Federation as seen in TOS or TNG. I don't have a problem with dark plots about wars or conflicts or scary enemy races, but rather with the way the Federation were written - the "ooh-rah" stuff and taking war trophies from corpses, and the back-slapping macho military stuff that's indistinguishable from 20th-century war films, and the S31 plot is clearly just leaning into X-Files type stories about the modern American deep state.
I'd be really interested in how the TNG-era Federation do respond to a massive-scale conflict, and can reasonably see a situation where their utopianism does start to crack, but DS9 didn't feel like that story to me. The DS9 writers seemed to think that just writing modern miltiary and political thriller tropes into the setting was a good way of showing "the darker side" of the Federation, but it didn't work for me.
This is also where some nuTrek falls down for me on the same grounds - I don't have a problem with Klingon Wars and spore drives and whatnot, but the organisation we see in Discovery doesn't really feel anything like Starfleet to me, so my engagement with the show starts to slip.
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