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Star Trek TOS Re-Watch

I don't mind the fight scene, but I kept waiting for Spock to say something like, "I knew it was you because you put the ship first." I was disappointed.
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"The Mark of Gideon" by George F. Slavin and Stanley Adams

Captain's log, stardate 5423.4. We are orbiting the planet Gideon, which is still not a member of the United Federation of Planets. The treaty negotiations have been difficult because Gideon has consistently refused the presence of a delegation from the Federation on its soil, or any surveillance by the ship's sensors. They have finally agreed to a delegation of one. They insisted it be the Captain of the Enterprise. I am, therefore, beaming down at once.

Kirk beams down... but appears to still be on the Enterprise. But there's nobody else on the ship.

Meanwhile, the Ambassador from Gideon wants to know where Kirk is. Spock has Uhura contact Star Fleet. Gideon will not let them search. Snarky things are said about diplomacy and diplomats. :lol:

Kirk seems to have some missing time and a bruise on his arm. He finds Odona on the ship. She's obviously enjoying the space. She claims to not know where she's from or how she got there.

The people of Gideon have no sickness or death and so are crowded together so much they're miserable. They infect Odona with a disease from Kirk's blood so she'll die. They plan to keep Kirk to make more and hope Odona will inspire volunteers.

Spock breaks orders and beams down to the fake ship. He finds Kirk and they take Odona to the real sickbay and cure her. She will use the pathogens in her blood to help her people.

This is not a good episode. Spock thinks they built the duplicate Enterprise to confuse Kirk and make him more susceptible to their plans, but it really doesn't make sense. OK, sterilization isn't an option because the people's organs regenerate. But then Kirk brings up contraception and the Ambassador gives this BS:

HODIN: But you see, the people of Gideon have always believed that life is sacred. That the love of life is the greatest gift. That is the one unshakable truth of Gideon. And this overwhelming love of life has developed our regenerative capacity and our great longevity.

So they'd rather kill people than practice birth control? Absolutely insane! (I wonder if my attitude was influenced by this episode as a young'un :lol:).

The crowds looking in the viewscreens and in the hallways are creepy af and work quite well though. David Hurst is good as the Ambassador. Sharon Acker is fine as Odona/The Love Interest.

Also the planet is so full that people have absolutely zero personal space but the government builds a huge replica of the enterprise. Lol. Also the people just stand next to each other all the time? No homes? No privacy. I shudder to think of how they use bathroom facilities. Is there a small space carved out for that in each living area? Do they all sleep standing up? In top of eachother? What if someone wants to sleep when no one else os sleeping? How do people continue to have relations? Why doesnt Kirk offer transport ships gor people that want to go off world? Wouldn't this kind of over population cause people to die after a while since there is no room to live. How dont they eat? Are there stores and restaurants? Do many more questions. Badly written.
 
It might have been a better episode if it was about a people who long ago went inside the walls of a city for safety and shelter, only to be so afraid to leave that there's plenty of space, but they'd rather suffer than risk spreading across the planet. And supposedly even death would be better than risk. So space travel and colonies aren't even necessary for them yet - they just have to appreciate the wide-open world they have already.
 
Watching Enterprise Incident for the first time in forever, explaining to someone why they are Klingon ships and not the Bird of Prey from season 1..... (Remastered)..... And OMG they added one!! so fucking cool!!! I geeked out. Lol.

Funny that they are acting like the cloaking device is new again, when they already saw one in BoT.

other observations - a romulan doesn't realize that Kirk is NOT in the command chain on top of him? LOL. Their doctors believe that a neve pinch (death grip) was real? Did they not run basic scans? Fun episode, but doesn't make sense. By the end, the Romulans know it was Star Fleet orchestrated, no "just Kirk" to blame.... all things considered, the Romulans seem very diplomatic and .. logical, and not at all treacherous, during their initial reactions at the beginning of the episode.
 
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other observations - a romulan doesn't realize that Kirk is NOT in the command chain on top of him? LOL. Their doctors believe that a neve pinch (death grip) was real? Did they not run basic scans? Fun episode, but doesn't make sense. By the end, the Romulans know it was Star Fleet orchestrated, no "just Kirk" to blame.... all things considered, the Romulans seem very diplomatic and .. logical, and not at all treacherous, during their initial reactions at the beginning of the episode.
My head-canon has a "man (or Vulcan? :vulcan:) high up on the inside" to help the Federation spies (Kirk and Spock); I vote for Sub-commander Tal. :rommie:
 
"Elaan of Troyius" was written and directed by John Meredyth Lucas

Ah, the old "arranged marriage for peace" story. With a few twists. I'm pretty sure, even as a kid, I got the "Helen of Troy" joke. (For those who don't, Helen was said to be the most beautiful woman in the world. She was given as a trophy to the Trojan, Paris, for choosing Aphrodite as the Fairest in a contest of Goddesses. Helen was already married and her husband raised an army of Greeks to get her back, leading to the decade-long Trojan War.) However, I don't think I was old enough to realize this steals quite a bit from The Taming of the Shrew.

The influences and retellings are interesting for sure.

What stood out to me the most, though, was the acting - France Nuyen and Jay Robinson easily steal the show with superb acting of the material.

The Enterprise picks up Elaan, the Dohlman of Elas, to take her to Troyius, where she is to be married to their king in order to stop the two peoples from killing each other. Ambassador Petri of Troyius is along to teach her Troyius' culture. She is haughty and imperious and it's obvious she really doesn't want this. She has 3 guards with her, the lead of which is Kryton. The Enterprise travels at slow impulse to give the Ambassador time to do his job.

In ways, there's casual sexism, but I also sat in the last rewatch and fathomed if Elaan was a dude. I don't think it's always sexism as it is just a level of decorum or the idea of a leader acting like a preschooler, even if the story is rough around the edges, also trying to be comedy that - even in 1968 - may not have landed.

Also being a discussion on speciesism/racism, Kirk's got a great line about prejudice. If not ironic at times as Kirk, despite being ordered to be a taxi service, didn't read up on the Elaasians at all.

A Klingon ship is following, but doesn't appear to want to attack. No one knows why they would want this system.

It's a terrific mystery, hidden in plain sight as the dilithium reveal is later in the story. The use of "top secret mission" at the start ensures the crew are just as much unaware as the audience, and who would have guessed that the stones deemed most precious in one scene was deflection from another necklace, whose "commonplace" stones were of the very dilithium at the crux of all this. That subplot definitely is a positive.

Petri is having a hard time dealing with Elaan. After Kirk gives him bad advice, Elaan stabs Petri, who survives but wants nothing to do with the Dohlman now. Kirk takes over as her teacher. She throws a "why does nobody like me" fit and cries, which Kirk wipes away. Elasian women's tears have a biochemical that acts like a super love potion on men. Kirk falls for her quickly.

The Dohlman not realizing the need, I'm a little amazed that there was this much going on for a diplomatic mission.

Meanwhile, Kryton sabotages the warp engines and contacts the Klingon ship. When captured, he kills himself. Elaan says that he was in love with her and against the marriage. It turns out Kryton rigged the ship to blow up if it went to warp. The dilithium crystals are burnt out and so the Enterprise has no warp and no weapons as the Klingons attack. Elaan appears on the bridge, but Kirk sends her to Sickbay as it's the safest area of the ship.

The plot thickens. It's nice that Kryton was doing this not as much to help the Klingons by direct help (would he care about any visitor from another star system unless they offered some assistance, so he too was likely being used), but because he wanted the Dohlman and loathed the idea of her and some other guy in an arranged marriage. I wonder if Kryton had been inflicted with the teardrop secretion as well. I wonder what the Troyian leader was expecting or why we see nothing of their system, apart from the ambassador. Would he be nonplussed or would he be upset over this arrangement as well.

It did bug me that Scotty said that the whole assembly was burnt out and irreparable, then immediately in the next scene it's all of a sudden "We need crystals and then it'll work". A slight rewrite would have fixed that, but it's a small thing. Especially considering how well the construction of the subplot hiding the dilithium as being a big factor was handled.

In Sickbay, Ambassador Petri begs Elaan to accept a necklace of Troyian royal jewels. Elaan accepts and goes back to the bridge. Spock detects strange energy readings from some of the jewels; Elaan describes them as common stones. The stones are actually dilithium crystals, which explains the Klingons interest in this star system. Scotty and Spock jury-rig the necklace into the warp drive. Enterprise manages to shoot photon torpedoes at the Klingon ship, damaging it and driving it away.

A great reveal and largely great action scene. The nitpick is using warp drive a little too much, given how fast warp speed is. Trying to scare Kirk into jumping to warp was a brilliant start. Even more brilliant if Kirk made the order and the Enterprise exploded, thus requiring a pair of sunglasses, sunblock, and a nice glass of Piña Colada to down in the process.

Elaan leaves for Troyius, giving Kirk a dagger as a memento. McCoy finds an antidote to the tears, but "The Enterprise infected the Captain long before the Dohlman did."

That ending where Kirk's adrenaline is so sappily glossed over. Oh, he loves the ship more. Being humanoid still means some substances won't always have the same effect. Unless that was the intent, to not use that exposition because "Kirk is so much male that his adrenal glands produce the cure for everything. yes, everything." Ugh.

Elaan may be a spoiled brat, but I totally understand her not wanting to be used as "a bribe to stop a war." I'm undecided if she cried on purpose to manipulate Kirk or if she was just crying from frustration and infected him. She seems genuinely sad to leave him in the end.

+1 There is far more complexity to Elaan than what's hinted at, and we get nothing on the Troyians except an assumption.

I love how it's left ambiguous as, in both cases, there's a reasonable explanation.

I think she was smitten by Kirk's brilliance; it falls in line with the episode's catering to the leader-types (who are important!) but denigrating everyone else in the process (Scotty too has a rather needed purpose as the lead expert in Engineering.)


60s Sexism: "Mister Spock, the women on your planet are logical. That's the only planet in this galaxy that can make that claim."

That one is utter cringe. It's there possibly to appease the censors of the time, but even then, I doubt it. But it made Kirk's line about prejudices stand out more in the other scene. I wonder which line came first when the script was developed. Well, Kirk's line about prejudice is said first in the story, but in the scriptwriting process did that line lead to that line to Spock by intent.

I liked that Uhura gave up her quarters for Elaan. The set dresser did a nice job of having various African objects around the room.

Ditto. I noticed the details as well. As little as Uhura gets in dialogue this episode, what little she does say, and her quarters' backdrop, still get to say a lot about her and that's a big plus.

Shatner does a nice job this episode, especially when he's being vulnerable with Elaan and when he's struggling to not be distracted by her. France Nuyen does a great job playing our "shrew". Character actor Jay Robinson is excellent as Petri.

Ditto. The acting is excellent all around, uplifting what could have been a shambles.

Costuming: I like the initial purple outfit. I wonder if Perez was inspired by it when drawing Starfire's original costume in the comics. The silver outfit does nothing for her. The marigold dress is quite nice, but the blue wedding dress (completely open on the sides) is a stunner.

Definitely nice! TOS always had great costuming, especially for the newness of color TV. Whoever was at the wheel, the color wheel, knew their color theory eminently well in this show. It's a uniquely 60s thing, but it's great how much time they took to balance every conceivable palette and not sticking to just a simple one (e.g. teal/orange/red). Also, William Ware Theiss never ceases to amaze, and considering season 3's budget cuts, finding cheap plastic placemats repurposes for the security guards (who also get to show off their legs) are fairly convincing. They also predate the late-80s shoulder pad fad, but I'm not complaining, which is sad as I love to complain...

It's a B or B+ for me. Not the best of TOS or of season 3, but remove the obvious sexist bit and then thinking through what isn't due to sexism but general behavior, as well as the terrific handling of the diplomatic mystery, and it's almost underrated.
 
My review of Elaan from some time back in this thread:

Elaan of Troyius ***½

Another goodie with some fun interaction between Ambassador Petrie and Kirk. Elaan is a strong presence, if a little annoying, but she's entertaining to watch. i love how she tricks Kirk into touching her tears and the look on her face when he does. She is manipulating him, but the damned power of Kirk won her over nonetheless and it backfires. She falls for him herself. In the end, Elaan is a tragic character, trapped in a role she doesn't want, is ill suited for with a man she doesn't love. While the object of her "entrapment" gets to shake it off and go on.

I really wish this episode was run before the next two episode showing the Klingon ships, because it a great introduction to the model. Yeah, the battle is nothing but stock shots of the Enterprise intercut with the new D7 footage, but it works beautifully. The editing, pacing and score, along with the great Lucas direction (off his own script) make this one of my favorite classic Trek space battles. I compared it to the TOS-R version and what the CGI gains in more realism it lacks in energy. Sped up stock shots of the Enterprise and intercutting have a lot more power than slow turning starships and a Klingon tailgating the Enterprise. I respect the TOS-R versions have their fans but I will be one of them.

Insane score by Fred Steiner, his Klingon theme is excellent. Really strong episode which would have worked just fine in the second season.

[Update] Having Kirk cut in warp drive is funny in these more detailed times. "We'll pivot at warp 2 and bring all tunes to bear" is incredible. The Enterprise should be ot the other end of the star system after that pivot or something - just "some place farrrrr away" (yes, that will do). But back then, regardless of the "formula" Warp Drive was just "really really fast" or "really fast" or simply "fast" depending on the need. No hyperspace or warp bubble. Just speed. They actually had to slow down instead of "pop" out of warp space. I also think they use the warp engines for powering other defenses rather than simply the engines. At least, that's the implication I got.

Great episode.
 
My review of Elaan from some time back in this thread:

Elaan of Troyius ***½

Another goodie with some fun interaction between Ambassador Petrie and Kirk. Elaan is a strong presence, if a little annoying, but she's entertaining to watch. i love how she tricks Kirk into touching her tears and the look on her face when he does. She is manipulating him, but the damned power of Kirk won her over nonetheless and it backfires. She falls for him herself. In the end, Elaan is a tragic character, trapped in a role she doesn't want, is ill suited for with a man she doesn't love. While the object of her "entrapment" gets to shake it off and go on.

I really wish this episode was run before the next two episode showing the Klingon ships, because it a great introduction to the model. Yeah, the battle is nothing but stock shots of the Enterprise intercut with the new D7 footage, but it works beautifully. The editing, pacing and score, along with the great Lucas direction (off his own script) make this one of my favorite classic Trek space battles. I compared it to the TOS-R version and what the CGI gains in more realism it lacks in energy. Sped up stock shots of the Enterprise and intercutting have a lot more power than slow turning starships and a Klingon tailgating the Enterprise. I respect the TOS-R versions have their fans but I will be one of them.

Insane score by Fred Steiner, his Klingon theme is excellent. Really strong episode which would have worked just fine in the second season.

[Update] Having Kirk cut in warp drive is funny in these more detailed times. "We'll pivot at warp 2 and bring all tunes to bear" is incredible. The Enterprise should be ot the other end of the star system after that pivot or something - just "some place farrrrr away" (yes, that will do). But back then, regardless of the "formula" Warp Drive was just "really really fast" or "really fast" or simply "fast" depending on the need. No hyperspace or warp bubble. Just speed. They actually had to slow down instead of "pop" out of warp space. I also think they use the warp engines for powering other defenses rather than simply the engines. At least, that's the implication I got.

Great episode.

Great points on the warp scene, and Lucas's direction (music as well, season 3 does freshen things up with new scores that are very much 1968 but work very much, period). And in a way, now that I'm thinking about it, computer-controlled ships operating at warp and still being cornered still has a thrill.
 
That was always my complaint, but really the cloak in EI is a much better cloak than in BoT. Spock cracked the first one almost as soon as he saw it.
I know that is the answer, but it is just very poorly conveyed in dialogue. I dislike having to fanon the exact same excuse every single time we see a cloaking device.
 
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I know that is the answer, but it is just very poorly conveyed in dialogue. I dislike having to fanon the exact same excuse every single time we see a cloaking device.
The phrasing in "The Enterprise Incident" is a bit vague, but it's there. If we recall in "Balance of Terror" the crew of the Enterprise just call it an invisibility screen, and they are mostly able to track the Bird of Prey with their sensors. The Romulans do call it a cloaking system.

In "The Enterprise Incident" the relevant dialogue would be:

KIRK: The design of the ship is the same. Mister Spock, you said you had a theory on why your sensors didn't pick up the new ships until they were upon us.
SPOCK: I believe the Romulans have developed a cloaking device which renders our tracking sensors useless.
KIRK: If so, Romulans could attack in Federation territory before we knew they were there, before a vessel or planet could get even begin to get their defences up.
SCOTT: They caught us right enough.

Credit to http://chakoteya.net/StarTrek/59.htm
 
I know that is the answer, but it is just very poorly conveyed in dialogue. I dislike having to fanon the exact same excuse every single time we see a cloaking device.

It's accurate enough and it explains the plot point of an episode that aired on a show that aired two years ago that people might not have seen again in re-runs. (THE re-run? It wasn't syndicated yet.)
 
"That Which Survives" by John Meredyth Lucas (based on a story by D.C. Fontana under the pseudonym Michael Richards)

Well, I had forgotten nearly everything about this one! A creepy episode, with mystery upon mystery. A planet that shouldn't exist, sudden deaths, the ship and planet seemingly disappearing from each other, and finally, a computer defense system working long after its people are dead.

The Enterprise discovers a planet whose young age is inconsistent with its atmosphere and biology. Kirk, Sulu, McCoy, and geologist D'Amato beam down to check it out. As they beam out, a woman appears in the transporter room and kills the technician.

On the planet, there's a tremendous "earthquake" and it seems the ship has disappeared. Kirk sends Sulu and D'Amato to look for food and water, but the vegetation is poisonous and there's no water. The woman appears before D'Amato and kills him.

Enterprise thinks the planet has disappeared, but then realize they've been flung 990.7 light years away. Spock orders the ship back to the planet. Dr. M'Benga determines the cause of the transporter officer's death to be complete cellular disruption.

On the planet, trying to cut a grave leads the party to realize it's artificial. On the ship, the woman appears in engineering, killing a technician and sabotaging the warp drive.

The woman appears to Sulu and attempts to touch him, but only brushes his shoulder. Sulu's screams of pain bring Kirk and McCoy. The woman touches Kirk without effect. They conclude that she can only kill the person she says she is for.

The ship begins to accelerate too much. Scotty comes up with a way to fix it and does so with no time left to spare before they'd explode.

The woman says she's for Kirk, but McCoy and Sulu block her physically. She is Losira, the station commander, and her job is to defend this outpost. Searching the area, they find a secret door which leads to a computer. 3 Losiras appear, one for each of them. Spock and a redshirt arrive and destroy the computer, getting rid of the Losiras. A message from the real Losira is triggered. A disease wiped out the people there and the computer was set to defend the station.

This episode piles on the weird and ratchets up the tension, especially when Scotty is trying to make the Enterprise not go boom. The effect for Losira turning into a line and then disappearing is pretty cool. There's a few holes - like how the computer could effect them so far away and how Losira seemed to know a lot about her victims - but I was engaged enough not to care much. Spock has several good lines and Nimoy is in some ways at his maximum Spockishness here. Shoutout for Lt. Rahda (Naomi Pollack) at helm. She has good reactions and appeared to me to be Indian, with the red dot on her forehead. With McCoy on the planet, we hear from M'Benga again and a Doctor Sanchez is mentioned, so there are more doctors around than Bones. Lee Meriwether does a fine job as Losira, showing how enough of her personality is there that she gets bothered by Kirk's questions. A pretty good episode.
 
I guess the common complaint about this episode is that Spock is written out of character and is kind of a dick, and that's probably true but I find it amusing anyway.
Funny you mention that, because that is something my wife mentioned to me when she watched TOS. (It was her one and only time of watching it.) She didn't really like TOS (mostly because she just doesn't like movies/shows older than the late 70s), but even she noticed Spock was acting out of character. She kept thinking the episode would explain it, or that it did and she wasn't paying attention. I told her, "No, you're spot on about Spock acting out of character."
 
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