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Star Trek TOS Re-Watch

I can't place it, but I saw another anecdote somewhere about GR supervising a woman's hem length, demanding it be shorter and shorter, and William Ware Theiss being very unhappy about it because it wasn't going to look right. This might be from Inside Star Trek by Justman and Solow. It might have been Marianna Hill, if her costume is any indication.

That same year of 1966, in One Million Years B.C., Raquel Welch made sure her own costume was as short as it could possibly be, but she knew what she was doing and it looked great. She came across as the model cave woman, that all cave women should aspire to.
The only time I heard this story it was in regards to Garr. Marianna Hill's Trek skirt is no shorter than Nichelle's or Grace Lee's. I don't even know how they could be. Joan Marshall had a longer than usual hem in Court Martial, I imagine because we had to take her more seriously as an attorney.
 
Was this the only episode where the main bridge viewscreen was rigged for rear-projection?
Yes and no. It was the only time they had a moving, dynamic starfield and changing display but Mar Daniels did have a stationary starfield up there for The Doomsday Machine that Kirk walked across a couple of times. But I don't know if that was projected or just a backdrop placed there (which would be cheaper and less time intensive).
 
Yes and no. It was the only time they had a moving, dynamic starfield and changing display but Mar Daniels did have a stationary starfield up there for The Doomsday Machine that Kirk walked across a couple of times. But I don't know if that was projected or just a backdrop placed there (which would be cheaper and less time intensive).
I think "The Doomsday Machine" starfield was a painting. It doesn't look luminous to me.
 
Given that the means were right at hand to project images on the main viewing screen, or even use that starfield backdrop, it's unfortunate they only did it two times. Instead they elected to keep the big screen out of sight except for dedicated insert shots with the matte process, even when it meant cheating like crazy.

The white screen shot in "The Enemy Within" was probably composed by mistake. Maybe the director overestimated what could be done in post production. Maybe that's why he wasn't hired back after that.
 
"The Enterprise Incident" by D. C. Fontana

I remember this one fondly. Let's see how it holds up.

Well! Surprisingly, it opens with McCoy updating his medical log. He's concerned about the captain. We see Kirk on the bridge being rather grumpy. He orders the ship into and through the Neutral Zone, where they find themselves surrounded by Romulan ships (2 of which look like Klingon ships). The Romulan commander invites Kirk and Spock to the main vessel, sending over 2 Romulan officers as reciprocal hostages.

Kirk tries to tell the Commander that it was ship malfunction that led them into Romulan space. Spock initially declines to say anything. The Commander accuses them of spying and being after their new cloaking device (which they are!). She seems fascinated by Spock, commenting on the shared heritage of Romulans and Vulcans. Spock eventually states that Kirk ordered them into Romulan space and that "He is not sane." Alone, she starts questioning Spock about why he doesn't have his own command and basically offers him one with the Romulans.

Kirk is taken to the brig, where he injures himself on their forcefield. McCoy is called over to take care of him. The Commander asks McCoy his professional opinion of Kirk's status. Kirk lunges at Spock and is taken down by the "Vulcan Death Grip" and declared dead. McCoy takes him back to the Enterprise. Chapel notices he's actually alive and McCoy has her help him surgically transform Kirk into a Vulcan. I loved the bigass grin Scotty gave when he saw him!

Meanwhile, the Commander and Spock have dinner. They flirt and she changes from her uniform into a gorgeous dress. Kirk beams back to the Romulan ship and Kirk-Fus a few guards, stealing the cloaking device. She looks extremely unhappy when Subcommander Tal interrupts she and Spock. There was some serious foreplay happening!

Spock buys time for Enterprise to install the cloaking device by rambling a statement for 20 minutes(!). Chekov manages to lock onto Spock and beam him back to Enterprise - but the Commander noticed the beam out and went with him!

Kirk tries to get Tal not to fire on them by showing he has the Commander, but she orders Tal to fire. Just as he's doing so, Enterprise "disappears". I was pleased that Tal ordered them to plot the heading and fire anyway and also pleased Kirk immediately changed direction. Nice little bit of intelligence on both sides.

Spock takes the Commander to quarters (not the brig). As they talk, it's obvious that they both felt something for each other.

Later, Kirk goes back to sickbay to be un-Romulanized.

The episode moves briskly and kept me glued to the screen. As fun as the plot may be, the real draw here is watching Nimoy and Joanne Linville. Their chemistry is off the charts and she's sexy and cool AF. Their flirting and growing intimacy is a joy to watch. I absolutely love all their interactions, especially the end.

SPOCK: Deck two. It is regrettable that you were made an unwilling passenger. It was not intentional. All the Federation wanted was the cloaking device.
COMMANDER: The Federation. And what did you want?
SPOCK: It was my only interest when I boarded your vessel.
COMMANDER: And that's exactly all you came away with.
SPOCK: You underestimate yourself, Commander.
COMMANDER: You realise that very soon we will learn to penetrate the cloaking device you stole.
SPOCK: Obviously. Military secrets are the most fleeting of all. I hope that you and I exchanged something more permanent.
COMMANDER: It was your choice.
SPOCK: It was the only choice possible. You would not respect any other.
COMMANDER: It will be our secret.

So, I still like the episode. It's definitely one of the highlights of season 3.
 
She had a fantastic presence. Damn sexy, too.

Definitely was among my favorite women of TOS while growing up.
Star Trek Continues has a two-parter called "To Boldly Go" (2017) that brings back the Romulan commander. I mention it because the first time I saw it, I was flabbergasted that Joanne Linville had not aged a day in 49 years. No exaggeration. She was still young and smoking hot.

I was in a state of confusion: it was her, and yet that was impossible. I had to stop the show and look it up. Turns out it was Linville's lookalike daughter Amy Rydell. And everything about Amy seemed a perfect match.

Anyone who liked Joanne in the original should check out Amy's impersonation.
 
This is one of my silver bullets when people say "There is nothing good in season 3!"

This is also my response when people (Herb Solow's book, Snopes.com, I think it's in Chushman's books - certainly in his season 2 book) say that Alexander Courage left Star Trek because Roddenberry screwed him over royalties for the theme song. Hello "Music by Alexander Courage!" (Never mind the AMAAAAAAZING library music he wrote for season 2.)

I would love to have gotten more details on Fontana's original "less black and white" script where the Federation's espionage is far more suspect. (OTOH let me know when Kirk and Co. start blowing up Romulan border outposts.) What do we need Section 31 for when we can send one of the Federation's 12 most recognizable Starships? :brickwall:

Fontana HATED the romance. She had no time for a Romulan starship captain who dropped her... guard just because Leonard Nimoy batted his eyes at her.

But it's a hoot of an episode. It has a little bit of that over the top "Batman" feel of season 3. But it's got solid Star Trek bones holding it up. It also feels like it cost more than $1.99.

Do you realize that this and Balance of Terror are the only two episodes with actual Romulans? That puts them only a little higher on TOS appearances than the Gorn! (Sorry, Jim Ignatowski.)
 
This is one of my silver bullets when people say "There is nothing good in season 3!"

This is also my response when people (Herb Solow's book, Snopes.com, I think it's in Chushman's books - certainly in his season 2 book) say that Alexander Courage left Star Trek because Roddenberry screwed him over royalties for the theme song. Hello "Music by Alexander Courage!" (Never mind the AMAAAAAAZING library music he wrote for season 2.)

I would love to have gotten more details on Fontana's original "less black and white" script where the Federation's espionage is far more suspect. (OTOH let me know when Kirk and Co. start blowing up Romulan border outposts.) What do we need Section 31 for when we can send one of the Federation's 12 most recognizable Starships? :brickwall:

Fontana HATED the romance. She had no time for a Romulan starship captain who dropped her... guard just because Leonard Nimoy batted his eyes at her.

But it's a hoot of an episode. It has a little bit of that over the top "Batman" feel of season 3. But it's got solid Star Trek bones holding it up. It also feels like it cost more than $1.99.

Do you realize that this and Balance of Terror are the only two episodes with actual Romulans? That puts them only a little higher on TOS appearances than the Gorn! (Sorry, Jim Ignatowski.)
While season 3 is the weakest one of the three, it certainly had its share of wonderful episodes.

"THE ENTERPRISE INCIDENT"
"IS THERE IN TRUTH NO BEAUTY?"
"THE EMPATH"
"THE THOLIAN WEB"
"DAY OF THE DOVE"
"WHOM GODS DESTROY"
"ALL OUR YESTERDAYS"
 
"The Paradise Syndrome" by Margaret Armen

Kirk, Spock, and McCoy appear on a beautiful planet (which just happens to be just like Earth). They're there to deflect an asteroid from it that would destroy it. They find a large alien obelisk with some form of writing on it. It's resistant to scans. Checking out the people of the area, they see "American Indians," "a mixture of Navajo, Mohican, and Delaware." Out of sight of the others, Kirk falls through a trap door into the obelisk, where he is knocked out by an energy charge. Spock and McCoy search for him but can't find him and need to leave to get to where they can deflect the asteroid.

This makes me wonder if someone on the Agents of S.H.I.E.L.D. writing staff was a Trekkie:

MCCOY: Typical human reaction to an idyllic natural setting. Back in the twentieth century, we referred to it as the Tahiti Syndrome. It's particularly common to over-pressured leader types, like starship captains.

Kirk wakes up with no memory of who he is or how he got there. As he stumbles out of the obelisk, two women approach. They kneel, but Miramanee, the Tribal Priestess, isn't afraid and goes up to Kirk. They think he's a God. Kirk is brought before Elder Goro and Medicine Chief Salish, who want proof he's a God. A young boy who was drowning is brought in and Salish claims him dead. But Kirk performs CPR and saves the boy, which gets him declared Medicine Chief. We find out later that Miramanee was promised in marriage to Salish, but now that he's no longer Medicine Chief, she is to marry Kirk. Salish asks if she would otherwise choose him and she wisely doesn't answer. Salish, having lost his fiancée and his job, really hates Kirk.

Spock is pushing the engines, annoying Scotty, but when they get to the asteroid, they don't have enough power to deflect it. They later try cutting it like a diamond, but fail there too and damage the warp drive. It will take almost 2 months on impulse power to get back to the planet, with the asteroid right behind them.

Kirk finds out that The Wise Ones brought these people to the planet a long time ago, and left the obelisk in the care of the Medicine Chiefs to help when "the sky darkens." However, Salish's father died without telling his son the secret of the obelisk.

I love Miramanee trying to figure out how to get Kirk's uniform off. :)

KIRK: All I can tell you is that I'm happy and peaceful here. I'm not sure, but I think I've never felt that way before.

Salish attacks Kirk, trying to stop the wedding and fails. Kirk (or Kirok as they call him) marries Miramanee. I think this is the only time he married, except for the short-term arrangement in the novel of TMP. Kirk has dreams of people he feels he should be with, but is otherwise happy. As time passes, and Kirk's hair and sideburns get shaggy, Miramanee tells him she's pregnant. Shatner's expression of joy and wonder is just beautiful.

I loved Kirk coming up with irrigation and the lamp.

Strong winds blow and the sky darkens. Miramanee, Goro, and Salish tell Kirk it's time to get to the temple and be godly.

Spock partially deciphers the markings on the obelisk. It is an asteroid deflector built by the "Preservers", an ancient race that resettled various endangered humanoid populations on other planets in order to ensure their survival. Spock surmises that the deflector has malfunctioned, not knowing that no one on the planet now knows how to operate it.

Kirk can't get into the temple/obelisk. Salish is thrilled and gets the people riled up into a mob that starts throwing stones and Kirk. Miramanee joins him and they both get stoned. Spock and McCoy beam down, which scatters the mob. McCoy starts taking care of Kirk. Spock uses Vulcan "mind fusion" to get Kirk's memory back. Kirk manages to open the temple by repeating the words he said just before he fell into it before. Spock manages to activate the deflector with moments left.

Sadly, Miramanee sustained internal injuries and is dying. Kirk stays with her until the end. I actually teared up a bit. He really loved her. And, just like Edith, she dies.

A bit better than I remembered. Shatner and Sabrina Scharf sell the romance and happiness well. Miramanee is smart, fun, and brave. It's not the greatest episode (Shatner goes a bit over the top with his "I AM KIROK" bit at the end) but it's perfectly watchable and the Spock/McCoy bits are good, as is Scotty moaning over his "wee bairns."
 
This makes me wonder if someone on the Agents of S.H.I.E.L.D. writing staff was a Trekkie:

MCCOY: Typical human reaction to an idyllic natural setting. Back in the twentieth century, we referred to it as the Tahiti Syndrome. It's particularly common to over-pressured leader types, like starship captains.

It IS a magical place.

Yes, Shatner gets too big. Which is too bad because there are a lot of parts of this where he's perfect. Shatner was always fearless, but if he could have learned to calibrate he would have been twice the legend that he is.

The part of this that blew my mind was when I was old enough to realize that they blew the warp drive and that the episode actually spends three months with the Enterprise at sublight.

(You do wonder though if there might have been another starship that was only TWO months away at warp.)
 
Checking out the people of the area, they see "American Indians," "a mixture of Navajo, Mohican, and Delaware."
I wonder how Spock was able to discern the natives' ethnic mix just by watching them briefly from a distance.

Spock is pushing the engines, annoying Scotty, but when they get to the asteroid, they don't have enough power to deflect it. They later try cutting it like a diamond, but fail there too and damage the warp drive. It will take almost 2 months on impulse power to get back to the planet, with the asteroid right behind them.
Technically the asteroid was in front of them -- with the Enterprise moving in reverse! I half expected to hear the "beep-beep-beep" sound.

Miramanee joins him and they both get stoned.
And not in the good way. (Sorry, couldn't resist.)
 
My head canon is that the baby was a daughter.


I wonder how Spock was able to discern the natives' ethnic mix just by watching them briefly from a distance.

Recognizing symbols on clothing, perhaps?
 
TPS is one of my favorite episodes. The outdoor scenes, the romance, Kirk and Miramanee looking so good in tailored buckskins, the stunning Obelisk, and especially the music score. It all works for me.

My childhood memory of this one is Scotty saying "My bairns, my poor bairns," and my teenage sister walking by saying "Scotty's parents are onboard?"

That was Lucy. She was also passing through the room when Nomad flung Scotty across the bridge, and McCoy says "He's dead, Jim." Lucy was shocked and said "Is this the one where Scotty died?" I miss her. She passed away in 2019.
 
Not really looking forward to this one. I hope I can manage to watch at least semi-objectively.

"And the Children Shall Lead" by Edward J. Lakso

Responding to a distress signal, Kirk, Spock, and McCoy beam down to a research colony on Triacus. They find several dead bodies. One man gets up briefly and Kirk recognizes him as Professor Starnes, but Starnes doesn't seem to recognize Kirk and he collapses, dead. They determine that the dead committed mass suicide. Then the children of the colony come out. They are laughing and playing like nothing's happened. This continues as Kirk, Spock, and McCoy bury the bodies and then beam the children onto the ship. Spock speculates an outside force may be involved. Kirk feels a strange anxiety when entering the cave the children were playing in.

Later, the children are sent to bed, but instead chant and summon their "friendly angel." The "angel" lays out the plan - the children are to manipulate the crew and ship to go to a populous planet, where it will command millions and they will be its generals.

Spock managed to get logs from Starnes' tricorder and plays them for Kirk. Just as the last one is playing, the oldest child, Tommy, comes onto the bridge and stops it from working. Gradually, using illusions and the crew's fears, the kids take over the ship and send it where they want it to go. Spock breaks himself free and helps Kirk do the same.

Kirk eventually plays back the chant to summon what he suddenly calls the Gorgan and confronts it. Spock plays back footage from Starnes' tricorder showing the children laughing and playing with their parents, then the footage of them all dead. The children start crying, releasing the Gorgan's hold and showing it as the ugly, nasty thing it really is. It disappears and everyone is freed from the illusions and control.

So, the Gorgan is "the evil embodiment of an ancient group of space-warring marauders released by Starnes's archaeological survey." Weird, but Trek.

The episode is surprisingly watchable, up until they summon the Gorgan on the bridge and Sulu sees swords in space and Uhura sees herself old and sick. George and Nichelle do fairly well in those scenes. Belli is terrible throughout and his monologues are too long, destroying the mystery of the story on his first appearance. Shatner goes way overboard when his fears take control of him, but otherwise is fine. The kids were all pretty decent, especially when they finally react to their parents' deaths.

I won't go as far as others and say it's the worst TOS episode, but it definitely falls apart after the first half. I found the episode oddly resonant given current events in the world.
 
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