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Hey, I never noticed that before....

“Obsession”

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After Kirk tells Garrovick to ‘circle around to the left’, Garrovick ends up at the same rock formations where the landing party was just standing. I guess he really went full circle. And a green and blue tree instantly bloomed on the left side of the screen cap.

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That rock formation with the green foliage is the one the cloud creature comes over yet somehow is also behind Garrovick when he fires his phaser and behind everyone when Kirk shows up after:
 
For years, I thought that the Romulan commander's outfit was just groovy. It's just a stylized white leaf motif with dark blue background. Really, really nice design - simple yet complex yet simple. :techman:

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It never surprised me that Bill Theiss always worked his magic when designing various TOS costumes, even during the 3rd season with its’ drastic budget limitations.
 
It never surprised me that Bill Theiss always worked his magic when designing various TOS costumes, even during the 3rd season with its’ drastic budget limitations.

The dude was legendary (and in good ways!). The Romulan Commander's was toward the top-tier list for ingenuity. Along with his Vulcan designs and the Eemorg outfits from "Spock's Brain" (bad plot, great costuming), but I've a thing for geometric angles. Which brings me to giving big brownie points for his TNG uniform design as well, for which early designs - as with anything production-related - showed an interesting evolution to what would later become greenlit for season one...
 
https://www.startrek.com/news/william-ware-theiss-in-out-of-uniform
(Cool history, with information also provided by Dorothy Fontana)

https://www.trekbbs.com/threads/favorite-william-ware-theiss-costume-design.130943/
(I should have realized, LOL. Gotta admit, Mea3's outfit is pretty cool. And even using dime store* plastic placemats got repurposes for Kryten and co. in “Elaan of Troyius” as a terrific cost-saver that (a) works (how'd he get the plastic to stay on under the hot studio lighting!) and (b) also foreshadows both 70s lapel (and yellow/orange palette!!) and 80s shoulder pad trends. Again, the guy had an angle... :devil: )

My TOS rewatch is long, long overdue. Sorry Steve and Jaime...


* Season 3's budget issues and how inexpensive prevalent plastic was in the late-1960s, on top of the creativity the 1960s had for these sorts of things, I am not using the term in any derogatory way, not even accidentally so
 
Speaking of Theiss, I never made this connection before; Green dress uniforms, green wraparound, green coveralls:


so the intended green uniforms too? There certainly weren't any yellow/gold coveralls (that I recall anyway.)

Fascinating! Although the last image in the phaser room had the yellow-ish (in the light) officer uniform too...
 
That was the "official" story. More likely a generous amount of double-sided adhesive tape was involved. The stuff is used so much in modeling and fashion photography that it's often called "fashion tape" or "boob tape."

William Shatner says as much in Star Trek Memories (1993). He has a production still of Leslie Parrish in a "ratty" bathrobe for on-set rehearsal with him, and he mentions the dress was affixed with double-sided tape that (supposedly) took off chunks of skin every time it was removed.

I doubt the skin thing was literally true, because it's well-known that she wore the same dress again in a episode of Mannix. That had to be her suggestion, or at the very least she could have vetoed the idea. She knew she looked good in that Grecian gown, and I don't think it was hurting her.
 
Fascinating! Although the last image in the phaser room had the yellow-ish (in the light) officer uniform too...
True but you can also see color changes due to lighting in that image. The waist of the crewman in back is washed out to a gray-blue by a side light, for example. And note how green Tomlinson's foreground sleeve looks outside of the spotlight.
 
True but you can also see color changes due to lighting in that image. The waist of the crewman in back is washed out to a gray-blue by a side light, for example. And note how green Tomlinson's foreground sleeve looks outside of the spotlight.

Yes, totally agree. I tried to acknowledge that by saying it was yellow-ish in the light but should've added green outside of the light.
 
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