"Small and cramped" was the vibe they were going for, and I think they succeeded.
Specifically I seem to recall they wanted the Defiant to have a "submarine feel".
"Small and cramped" was the vibe they were going for, and I think they succeeded.
e.g., the protein Titin has an IUPAC name which "starts methionyl... and ends ...isoleucine, containing 189,819 letters"
Oh, most of those guys pronounce it al-yu-min-ee-um.For example, is it transparent aluminum (a-loom-i-num) or transparent aluminium (al-i-min-yum)?
Kurtwood Smith is the best Federation president, yes.
"Aluminium" is a UK thing. Americans don't prnounce it like that. Over here it's always "Aluminum."
Kind of like the word "billion" meaning different things. In the UK it's a million million, in the US it's a thousand million. Which still confuses the hell out of me.![]()
Ellenstein's Prez demoted Kirk and gave him a POS starship even the Miracle Worker had trouble fixing.Robert Ellenstein would like a word.![]()
That's not controversial on TrekBBS.My controversial opinion:
Picard, Season 3 was absolutely terrible.
I love TMP. It's the closest to pure science fiction any Trek film's ever gotten and the only one that feels genuinely mysterious, tense and eerie and challenges the audience to contemplate the wider nature of the universe. Other Trek movies are more fun and engaging on an emotional level but TMP remains peak cinematic Star Trek in the terms of bold science fiction storytelling.
I’m quite happy to have lived to see the day when this stopped being such an incredibly rare viewpoint. For a good twenty years at least, it was virtually de rigeur for TMP to be universally dumped on — but I remember someone at a Creation con (I want to say Allan Asherman?) saying to a crowd (which laughed in response) that the day would come when Star Trek: The Motion Picture would be revered, and happily he was right.I love TMP. It's the closest to pure science fiction any Trek film's ever gotten and the only one that feels genuinely mysterious, tense and eerie and challenges the audience to contemplate the wider nature of the universe. Other Trek movies are more fun and engaging on an emotional level but TMP remains peak cinematic Star Trek in the terms of bold science fiction storytelling.
I don't mind Neelix at all as a character, which may be controversial. He's a magnificently flawed character - petty, thin-skinned, insecure as all hell, papering over a lifetime worth of trauma and existential dread. He has the sort of complexity that other Trek characters dream of.
The only issue with Neelix is that, for some reason, the EPs thought he was funny, when, of course, he was not. His relationship with Kes was incredibly ill-thought-out, though. It seems like it was created for the pilot, and then the writers realized after that they fucked up tremendously by having this creepy middle-aged dude who was "dating" a two-year old, and walked it right back. Like, they had separate quarters on the ship, and Elogium seemed to strongly infer they had never boned. There was very little sign they has anything beyond a platonic relationship, other than Neelix's jealousy regarding Tom Paris.
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