• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

DC Movies - To Infinity and Beyond

The sad thing to me about Tim Burton's "monstrous" reinvention of the Penguin is that Danny DeVito would've been perfect for a more comics-authentic version of the Penguin, a small and comical figure whose innocuous facade masks a ruthless criminal mastermind. He wouldn't have needed any more makeup than a prosthetic nose extension like Burgess Meredith had.

These days, when I try to think of someone who'd be good as the Penguin, my thoughts tend toward Patton Oswalt, Matt Lucas, or maybe Toby Jones.
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.

:techman:
 
James Gunn has confirmed that Jimmy Olsen will be in Superman: Legacy:

https://twitter.com/JamesGunn/status/1648463483657424896

Once upon a time, this would have been a given, but after Snyder's use of him only for a bloodthirsty "joke," and his complete absence from Superman & Lois, James Bartholomew hasn't gotten a lot of live-action love in recent years (though I did enjoy Mehcad Brooks's take on Supergirl). Looking forward to seeing what Gunn does with him.

The sad thing is that Snyder's idea of making Jimmy a secret CIA Operative pretending to be a Planet Employee would've been a really welcome new twist on his character. But he got wasted (literally).
 
But will he be a redhead?

At least a couple of recent animation productions have followed Supergirl's lead in making Jimmy black (the Battle of the Super Sons animated movie and the upcoming My Adventures with Superman series), so I wonder if that's going to become the permanent practice now, like it was with Nick Fury. Or at least something that's done more often than not, as with Martian Manhunter since the Justice League animated series.
 
I rewatched Superman '78 tonight (in the three-hour "Extended Cut" that was released a while back), and I gotta say: Even after 45 years, James Gunn has his work cut out for him. Still the hands-down, no-contest greatest superhero film ever made, and it's hard to imagine a more perfect big-screen adaptation of the Man of Steel.

But sincere good luck to Gunn, with hopes that even if he can't surpass Donner's classic, he can at least accomplish a modern update worthy to stand alongside it.
 
I rewatched Superman '78 tonight (in the three-hour "Extended Cut" that was released a while back), and I gotta say: Even after 45 years, James Gunn has his work cut out for him. Still the hands-down, no-contest greatest superhero film ever made, and it's hard to imagine a more perfect big-screen adaptation of the Man of Steel.

But sincere good luck to Gunn, with hopes that even if he can't surpass Donner's classic, he can at least accomplish a modern update worthy to stand alongside it.

I... can't agree. I like the film but I don't think it's the greatest. Sure, the Krypton and Smallville sequences are excellent and set a certain tone... that gets chucked out the window when we hit the Metropolis/Superman setting. To me, it's like if Batman Begins switched in tone and style to Batman Forever at the one hour mark.
 
Eh, I've encountered folks who dislike the humor in the film, but personally, I like to laugh. And I think it's usually folly for comic book movies to take themselves too seriously.
 
I rewatched Superman '78 tonight (in the three-hour "Extended Cut" that was released a while back), and I gotta say: Even after 45 years, James Gunn has his work cut out for him. Still the hands-down, no-contest greatest superhero film ever made, and it's hard to imagine a more perfect big-screen adaptation of the Man of Steel.

But sincere good luck to Gunn, with hopes that even if he can't surpass Donner's classic, he can at least accomplish a modern update worthy to stand alongside it.

The problem I have is that once Luthor shows up it the movie completely devolves and never recovers.
 
Seeing the Krypton sequence back in the day in an old-school theater ( big screen, red carpet and all ) was definitely something.
I was thinking tonight while rewatching the film what great design and conceptual work went into that sequence. It's quintessential '70s movie sci-fi, more THX-1138 or Logan's Run than the pulp magazine Krypton of the comics up to that point. And of course, it's informed impressions of the planet across all media ever since.
The problem I have is that once Luthor shows up it the movie completely devolves and never recovers.
Don't see it even a little, sorry. Hackman's Luthor is a complete awesome fucking blast. Again, why are people such grumps about comedy in these movies? :shrug:
 
Sure, the Krypton and Smallville sequences are excellent and set a certain tone... that gets chucked out the window when we hit the Metropolis/Superman setting.
The Krypton scenes and the Smallville scenes are two different tones already. The Krypton, Smallville, and Metropolis sections were intentionally designed to alter the tone of the film.

...For better or worse, YMMV, etc. ;)
 
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top