There were slight differences in the star streaks.TNG, DS9, VOY and ENT all had the same warp effect.
There were slight differences in the star streaks.TNG, DS9, VOY and ENT all had the same warp effect.
There were slight differences in the star streaks.
Also, marketing. The miniatures in Orville and The Mandalorian are used far less than the publicity implies, and their biggest practical use is probably defining the look for the CG artists (and I do believe the style is the fundamental problem in the newer Trek shows; someone really likes high-contrast, faux lo-fi, blacklight-poster space effects).All comes down to money, time and emphasis.
Neither do the different warp FX mean a different type of warp.And there were slight differences between the three Enterprise-D models; doesn't mean they were different ships.
TNG had a rainbow effect, but DS9, VOY, ENT, FC, INS, NEM all had the same one, or at least so similar that differences aren't noticeable.TNG, DS9, VOY and ENT all had the same warp effect. It was standardised for almost 20 years. Now we have Discovery not even having the same warp effect between individual seasons![]()
It does say that, yes, but in the context of the episode Geordi uses the holodeck to recreate the laboratory in which the Enterprise-D's engines were designed (specifically the warp core, based on the graphics on the set and all the dialogue about power generation, modifying the the dilithium articulation, and aligning the matter and antimatter streams). When he first enters the simulation Geordi looks out the window at the Galaxy-class ship outside, in which we can see welding flares flickering amongst the exposed framework, and muses "right back where it all started". The strong implication is that the ship is the Enterprise herself, still under construction.
Has @Ihlecreations weighed in anywhere on the fact that his design is now being fully canonized?
Has @Ihlecreations weighed in anywhere on the fact that his design is now being fully canonized?
Ihle left this site long ago because he felt guilt that everyone who had submitted arguably better designs than he did lost.
And his design wasn’t really canonized. It was the STO version that they created based on his design that is being shown on screen. Unlike, say, Torangeau’s Titan, which was shown exactly as Sean designed it.
Canon or not, it is an ugly ship. Like the Enterprise B or the Dauntless from Prodigy.
What do you think of the design of the ships from Nu-Trek so far?The USS Voyager was the last pretty looking ship in the vein of Matt Jefferies; they were just pure beauty but can be dangerous however these ships were written. I would dream of being inside these vessels but since 1701-E it killed the fantasy; they're so unappealing. I was rooting for a design which resemble 1701-D, so Picard could command a ship one last time with his crewmates in their positions.
I specifically put "most of the time" because I knew someone would be a pedant.The Inquiry class was neither of those.
Canon doesn't make lovely ships. More often than not they are built to someone else's standards of beauty and practical limitations of the art form. Most do their job well as a vehicle of adventure. Few make me go "ohh...Pretty."Canon or not, it is an ugly ship. Like the Enterprise B or the Dauntless from Prodigy.
https://fantastic-plastic.com/orville.htmlI wish there were model kits of The Orvill or Krill ships
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