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Superman

I'm sorry, but I find it weird that fans cannot accept Superman or Batman killing a villain, but have yet to express a complaint about Wonder Woman, Captain America, Aquaman or any other comic book hero/heroine doing the same. Why Superman and Batman? Why are those two not allow to kill a bad guy, regardless of the situation? I never understood that. In a way, I'm glad that Snyder had written that particular scenario for "Man of Steel". I've always felt that a person takes up the mantle of a vigilante, he or she might end up in a situation in which killing the bad guy is necessary. There is always a chance that situation might pop up.

In addition to what others have said about Superman, I would just say that I don't think Batman should ever kill because it is an essential part of his psychology. Batman's entire fixation is on the idea of preventing anyone else from ever dying as his parents died. To that end, he will do just about anything and break any rule... except killing. It's not a question of what I think is appropriate for a Batman story (since I do think Batman stories can get darker than Superman stories yet still be appropriate to the character), bur rather a question of what I think the central facet of his psychology is. Batman is obsessed with preventing death. That's his thing. Even if not killing someone is not particularly rational, he should not be written as being capable of doing it.

The thing is, few wanted to see a return to the Salkind's version of Superman, either, which is one of the many reasons Superman Returns was viewed as a major disappointment, turning off anyone wanting to see the character again. The Salkind's versions were so hard-wired to a semi-campy interpretation, which had long lost whatever appeal it had before the turn of the century.

The problem with Superman Returns was not that people had some sort of dislike of the Reeve movies. The problems with Superman Returns were that 1) it was tonally dissonant from the Reeve movies (you don't market your movie as a continuation of the Christopher Reeve version of the story and then give us a sad depressed emo Superman who's also a deadbeat dad who's lost the love of his life to another man), and 2) it also just wasn't very good.

Of course, in retrospect the fact that Superman Returns was directed by one sexual predator and co-stars another sexual predator as Lex Luthor doesn't help it any.
 
That is my point. Just because two things take place in the same world doesn’t mean they have to be of a piece tonally, or that they need to follow the same narrative rules.
Ah, yes, quite so. Riker and Troi are realized as cartoons with over-the-top delivery in LDS and as live action in PIC with... somewhat less than over-the-top delivery.
 
Batman is obsessed with preventing death. That's his thing. Even if not killing someone is not particularly rational, he should not be written as being capable of doing it.
He’s kind of failed in that respect having let Joker get away so often.
 
In addition to what others have said about Superman, I would just say that I don't think Batman should ever kill because it is an essential part of his psychology. Batman's entire fixation is on the idea of preventing anyone else from ever dying as his parents died. To that end, he will do just about anything and break any rule... except killing. It's not a question of what I think is appropriate for a Batman story (since I do think Batman stories can get darker than Superman stories yet still be appropriate to the character), bur rather a question of what I think the central facet of his psychology is. Batman is obsessed with preventing death. That's his thing. Even if not killing someone is not particularly rational, he should not be written as being capable of doing it.



The problem with Superman Returns was not that people had some sort of dislike of the Reeve movies. The problems with Superman Returns were that 1) it was tonally dissonant from the Reeve movies (you don't market your movie as a continuation of the Christopher Reeve version of the story and then give us a sad depressed emo Superman who's also a deadbeat dad who's lost the love of his life to another man), and 2) it also just wasn't very good.

Of course, in retrospect the fact that Superman Returns was directed by one sexual predator and co-stars another sexual predator as Lex Luthor doesn't help it any.

Unless new information has come to light, and what I'm about to say is what I learned years ago. The Boy who had sex with Bryan Singer was a legally sexually active Adult in his home state at the age of sixteen and was thrown out of home for being gay. He crossed state lines and became a child again until he turned 18. He was invited to a party and had sex with Bryan in a hot tub at the age of 17 which is statutory rape. Obviously having sex with some one close to age of consent is problematic and having sex with someone half your age is disgusting, even if it's legal.

Kevin tried to fuck a 14 year old who was asleep. Spacey can go to hell.

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Now what I actually wanted to say...

Batman of the Future: The Joker Returns.

Bruce is slow and old.

He can't quite get the job done, but he's out there every night.

The Joker is being a dick.

He sees a gun on the ground.

Picks it up, points the barrel at his target, and thinks about shooting the joker.

Accepts that this is why he is not Batman any more, and retires.

:)
 
Ah, yes, quite so. Riker and Troi are realized as cartoons with over-the-top delivery in LDS and as live action in PIC with... somewhat less than over-the-top delivery.

Just because the rest of Star Trek takes place in the Lower Decks universe, does not mean that Lower Decks takes place in the Star Trek universe.
 
Ah, yes, quite so. Riker and Troi are realized as cartoons with over-the-top delivery in LDS and as live action in PIC with... somewhat less than over-the-top delivery.
And next year we'll be getting to see Boimler and Mariner in live action.
 
I understand where you are coming from, and I agree. I started reading in the 70s and, even then, the fifties and sixties version of the character had been left behind. Schwartz, Bates, and Swan were the names at the time--but I don't still hold to Curt Swan's Superman is the only valid version because that was the one from MY childhood.

Agreed--it should be about what works for the character in the world he inhabits, and for a very-integrated world like that of DC's, the silly, Weisinger type of characterization does not work. Further, the pro-1950s / Weisinger Superman people are at odds with late Silver Age readers--and DC's PTB--who reached that rational conclusion in the late 60s, where Superman was an active participant in titles (e.g. Justice League of America or guest spots in other titles) which were evolving into what readers wanted to see in their comics.

I enjoyed Superman Returns for what it was--but back then we still had to take what was offered because content was sparse.

Well, in the 80s and 90s, Marvel live-action content was sparse, but the Lundgren Punisher (1989), Salinger Captain America (1990), or the Hasslehof Nick Fury: Agent of S.H.I.E.L.D. TV movie (1998) were still rightly perceived as terrible. Batman Begins (2005) was the seismic force / writing on the wall that certain older, misguided versions of comic book characters were not the way fans viewed their heroes / reflective of the comic book changes which had been taking place for over three decades at that point. Superman Returns--or rather Singer--learned nothing from those changes, instead, thinking the world wanted to pick up where Superman II left off, and despite the more "mature" themes in the film, it was still inhaling the fumes and approach of something that felt out of place less than a decade after its theatrical release.



And Lower Decks is part of the same universe as other Star Trek.

That may be the case, but it does not mean it will work, or was the right decision, since LD is a send-up, which ST--as a concept--is not
 
Superman Returns--or rather Singer--learned nothing from those changes, instead, thinking the world wanted to pick up where Superman II left off, and despite the more "mature" themes in the film, it was still inhaling the fumes and approach of something that felt out of place less than a decade
Worse, SR was practically a word-for-word remake of the 78 Superman movie at various points. That drove me nuts!
 
I did like the movie's themes of whether the contemporary world still wanted or needed that type of Superman.

Kor
 
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