Started my rewatch this evening and I'm three episodes in. Even knowing how things play out, it's hard not get swept up in the emotions of Will's disappearance and what actually happened to him. After all of the wonderfully nostalgic touches to the 80s (and Durham in particularly, which I share an upbringing with the Duffers), the most outstanding aspects of the first season are how well it handles El's and Joyce's own personal traumas, between El's confinement and enforced experiments and Joyce's overwhelming sense of grief and inability to find Will. It's not there yet beyond little hints, but Hopper's trauma of losing his daughter is also a major highlight and I know I'm going to be swept away by that, too.
And then there's Barb. Hard to believe she was only in two episodes plus the opening minutes of the third but she left such a lasting impact, not just on Nancy but also on all of us. I know we got closure for her death in the second season but I can't help but wonder if there's more...(I know there isn't but still).
The show really gets the 80s right. There are some sayings I don't recognize, but that probably comes down to geography. What it does get right are things like the casual use of "gay" as an insult which was so common when I was a kid.
Yeah, that's really rough...but it's also authentic. I remember that pretty clearly and I was guilty of using such slurs as a kid before I knew better.
Added to original post: The other thing I noticed this time around is that Steve doesn't come across as as much of an a**hole as he did the first time I watched it. Sure, he was a jerk but his confrontation with Jonathan when he breaks Jonathan's camera is pretty justifiable considering the content of the pictures.
Yeah, that stood out to me the first time I rewatched the first season but it still stands out now. From his perspective, he was justified in his anger...even if it hurts for me to see him break that camera.
The Dark Room scenes: Back in the day, developing film in the the dark room at school with a pretty girl (or guy) was the most intimate experience for those of us who were not in the popular groups. Kids today a really missing out.
Gods, yes. I
really miss working in a dark room. I keep saying that one of these days when I have a place with enough space, I'll build one of my own. It's such a wonderful experience that [old man] kids these days have no idea what they're missing out on! [/old man]
Indeed I've had a pet theory since season 1 that the entire upside-down is in it's way, a living organism. A universe sized Lovecraftian nightmare beast, and most of what we've seen thus far (demogorgons, the mind flayer, the spores etc.) has been an immune response to the wound of opening a breach and the infection of our reality into it's.
I love that theory and I think it's one that has held up pretty well up to this point. But I think the presence of Vecna this season may upheave that notion if he's a fully sentient being with direct malice.
It's entirely possible that the whole thing is a creation of El's psyche. That her mind touched a plane if reality that instantaneously shaped itself into a reflection of her subconscious, and coming to terms with the reality that all this time she's essentially been fighting herself; a manifestation of her mental illness--her own literal demons--will be necessary to round out the series and bring her story to a close.
That also makes a lot of sense until, again, Vecna.
Clearly there's a direct connection between El and the Upside Down even if it's just how she caused a rupture between the two worlds. I know all of this is not based in science but it does seem a bit of stretch that Brenner's experiments on Terry and then El were powerful enough to create a mind that could cause such a rupture. Which makes me think that there might be more to the Upside Down's existence and how it's connected to our world. Maybe El's mind helped begin that rupture but then the Upside Down (Vecna or something else) helped greatly from their end?