It's as if someone came around suddenly and said "Sherlock Holmes of course never took place in our universe! It's ridiculous to think someone in our universe could be that smart and capable! The only logical conclusion is Sherlock takes place in an alternate universe with a different history and human-like aliens. That's just logic!"
It's stupid.
When we get to April 5th 2063, the gig is up. They'll either have to reboot or acknowledge it's an "Alternate Timeline". If I'm arguing about this on here when I'm 83, then please do me a huge favor and shoot me in the head. Thanks.
The point is, nobody has to say that because we know. Sherlock Holmes is a fictional character who inhabits his own fictional world. I'm pretty sure the word 'canon' as we use it derives from Holmes fandom. The books themselves form a 'canon' but things like the BBC show or the RDJ movies form their own little 'pocket' canons.
Sherlock Holmes is not a great example as Holmes fans were carving up and categorising a timeline for that world long before any of us were born. They just hadn't invented the literary term 'universe' yet.
Nobody has ever said "I'm in a parallel world!" in Star Trek either. They don't need to. Audiences are more than capable of enjoying something despite the knowledge that it's not real. In fact fiction relies upon a given audience making the unconscious decision to suspend disbelief.
I can watch Ghostbusters, read Spider-Man or marathon Brooklyn 99 or Friends. All take place in New York in a world that is nominally 'ours'. None of them have characters scream: "I'm in a parallel universe!".
They tell a story in a given setting and we accept that fictionally those two things fill different spaces in different worlds... and we do it unconsciously. Every time we sit down to watch a TV show or a movie, a book or a comic, that's what we do. It's automatic.
I don't see how knowing the show is not actually 100% a product of our exact world suspends suspension of belief. Every form of fiction we enjoy requires us to suspend that disbelief on a hairpin, so why is it necessary for Star Trek to do the exact opposite to every other fictional narrative that has ever existed?
Especially when imposing such a thing, and I believe it is an imposition as in effect doing so restricts what Star Trek can do, means that those who like their continuity have to tie themselves in knots in order to explain why things that are said to have happened... actually didn't happen... so that this arbitrarily applied rule can even work.
There were no Eugenics Wars. Edith Keeler was never born. Vulcans didn't invent Velcro. I like Star Trek. I like The Expanse. Both are in space and in the future and both of them are right because both of them are wrong, with the caveat being that there is no wrong in fiction. And I'm alright with that.
I tell you what though. If you use Star Trek as a roadmap for what the future will actually look like then through life you'll be increasingly wrong as various dates don't match up. Aren't the Bell Riots due to not happen soon? The if you try to plot it backwards you'll find not only small events that don't match up, but great big wars taking place that didn't happen too.
It's not only easy to accept Star Trek is set within it's own fictional universe, It's something that we do every time we sit and enjoy any kind of fiction at all. Trying to tie our world to Star Trek's world is what's stupid, because the years are already past the years in which Star Trek said things would happen, which did not occur.
Star Trek in it's own universe. It doesn't have to say it. No work of fiction does because the foreknowledge of how fiction works forms an implicit agreement between the narrative and the person enjoying it.
But saying "this universe is a parallel reality that's perfectly similar to ours, but NOT ours, because a predecessor show from the 60s got some predictions wrong" kicks me out of the story the same way like getting some real basic facts wrong (e.g. the new Hawaii five-0 making the Yakuza a Chinese crime organisation).
My point is that it doesn't have to be said. We know its not real and it doesn't matter.
I think we are getting tied up in the idea of a fictional "universe" being a new thing. It's been going on for centuries in fiction. It's only recently we started to apply that term. There is a 'canon' of things that have happened in Star Trek. That's the universe and it differs massively to ours.
I've never felt any crime show, drama romance or war movie is in "our" universe, therefore making it easier for me to accept Star Trek is not "our" universe. It's all called fiction for a reason. Because it isn't real.It should be "our" universe the same way any show (crime show, drama, romance, war movie) is set in "our" universe,
It's as if someone came around suddenly and said "Sherlock Holmes of course never took place in our universe! It's ridiculous to think someone in our universe could be that smart and capable! The only logical conclusion is Sherlock takes place in an alternate universe with a different history and human-like aliens. That's just logic!"
It's stupid.
Btw what kicks you out of your "suspension of disbelief" is entirely personal:
Personally, I can easily suspend my disbelief if a character talks directly to the camera, people suddenly start singing & dancing, somebody reads a generic fake newspaper, or there's a soundtrack in the background or camera effects.
But saying "this universe is a parallel reality that's perfectly similar to ours, but NOT ours, because a predecessor show from the 60s got some predictions wrong" kicks me out of the story the same way like getting some real basic facts wrong (e.g. the new Hawaii five-0 making the Yakuza a Chinese crime organisation). That's just bullshit for me.
GUINAN: Trouble sleeping?
PICARD: Something of a tradition, Guinan. The Captain touring the ship before a battle.
GUINAN: Before a hopeless battle, if I remember the tradition correctly.
PICARD: Not necessarily. Nelson toured the HMS Victory before Trafalgar.
GUINAN: Yes, but Nelson never returned from Trafalgar, did he?
PICARD: No, but the battle was won.
GUINAN: Do you expect this battle to be won?
PICARD: We may yet prevail. That's a conceit, but it's a healthy one. I wonder if the Emperor Honorious, watching the Visigoths coming over the seventh hill, truly realised that the Roman Empire was about to fall. This is just another page in history, isn't it? Will this be the end of our civilisation? Turn the page.
SPOCK: They do seem to have escaped the carnage of your first three world wars, Doctor.
MCCOY: They have slavery, gladiatorial games, despotism.
SPOCK: Situations quite familiar to the six million who died in your first world war, the eleven million who died in your second, the thirty seven million who died in your third. Shall I go on?
GILL: Planet fragmented. Divided. Took lesson from Earth history.
KIRK: But why Nazi Germany? You studied history. You knew what the Nazis were.
GILL: Most efficient state Earth ever knew.
SPOCK: Quite true, Captain. That tiny country, beaten, bankrupt, defeated, rose in a few years to stand only one step away from global domination.
KIRK: But it was brutal, perverted, had to be destroyed at a terrible cost. Why that example?
SPOCK: Perhaps Gill felt that such a state, run benignly, could accomplish its efficiency without sadism.
SPOCK: This is how history went after McCoy changed it. Here, in the late 1930s. A growing pacifist movement whose influence delayed the United States' entry into the Second World War. While peace negotiations dragged on, Germany had time to complete its heavy-water experiments.
KIRK: Germany. Fascism. Hitler. They won the Second World War.
SPOCK: Because all this lets them develop the A-bomb first. There's no mistake, Captain. Let me run it again. Edith Keeler. Founder of the peace movement.
KIRK: But she was right. Peace was the way.
SPOCK: She was right, but at the wrong time. With the A-bomb, and with their V2 rockets to carry them, Germany captured the world.
And so the only way I can suspend my disbelief in Star Trek is to imagine that it happens in an alternate universe than ours, since its creators were unable to keep it in our alternate universe.
That's just a mistake by the author.
A mistake means that it is unintentional, I'm pretty sure every plot point has intention by the author behind it. I don't expect a group of 25th century time travelers that includes a cybernetic person to be running around Southern California in a little less than two years. I seriously doubt the author expects it either.
Each person should just watch these things and decide for themselves. It has worked for Trek fandom for a good portion of the last 55 years.
For this being your key message, I can only repeat myself from earlier: Suspension of disbelief varies wildly from person to person. Your not wrong. We just have different opinions.
I watch/read fiction under the assumption that it's always meant to be set in "our" universe, unless specifically called out not to (like the MU, Marvel's multiverse or Tarantinos revisioned history).
I accept canon inconsistencies within fiction. I accept canon inconsistencies between fiction and "reality".
For me that's not a reason to put it in an alternate reality. That's just a mistake by the author.
KIRK: Yes, of course. The man who kills on sight. Morgan Earp.
MAN [OC]: This is the five thirty news summary. Cape Kennedy. The first manned Moon shot is scheduled for Wednesday, six am Eastern Standard Time. All three astronauts who are to make this historic
(Kirk signals it cut off)
Of course - this is what this whole thread has been about the whole time:
Before Trek was reasonably set in (a fictional version of) our universe. Where a lot of these "mistakes" piled up over the decades.
Now it looks like PIC is very intentionally set in an alternate universe.
For some, who never cared or thought so anyway, that is a minor point. For others - like me - this is a major retcon, in a worse direction.
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