Meh for me, and way too long, and not one i would ever bother watching again if i'm honest.
Yeah, it reminds me of the DC Universes suspension of disbelief where Clark Kent and Diana Prince can simply take off their glasses and KA-POW no one in that world recognizes them.
I did a timer on the pre-title sequence. Overall it was 24 minutes.
7 minutes for Madeleine’s prologue and 17 for the main Matera sequence.
Same, the past few movies, the music was "there" but not doing much. Bond films are usually more in your face with the music. Seemingly gone are the days of great soundtracks that you can listen to and follow the action in your head.As far as the music goes, Hans Zimmer's soundtrack only supports the film, never does it enhance it. The only real times it actually seems to come alive is when he cribs from the opening James Bond stinger theme, and the two times he adapts the much more memorable ''We have all the time in the World''.
It's like a bizarre aversion throughout to cut loose with bold trumpets, or any jazzy riffs...
I like Billie Eilish, but this wasn't a really great theme. In fact the ratio of ok/good to kinda poor has been noticeable since the Brosnan days. Cubby definitely had a much better ear for what made great theme songs
Ah, thanks for that. I typically avoid looking at my phone (the only watch I have anymore) when at the cinema, even if it's a film I'm bored by. Hell, I didn't even realize the sequence was lengthy until the title sequence began. I hadn't even realized we hadn't gotten to it yet because I was so engrossed by the film at that point.I did a timer on the pre-title sequence. Overall it was 24 minutes.
7 minutes for Madeleine’s prologue and 17 for the main Matera sequence.
There's no reason why they can't return, I agree, but I wouldn't be surprised if none of them do so. The film ended on a conclusive note for all of them so I imagine the next Bond era will begin on a clear slate.Interested to see where we go next, I like the current cast , M and Q, money penny...see no reason the same actors cannot be part of future bonds but still be standalone stories that dont refer back, they did it with Judi Dench after all.
I forgot to mention the portraits in my review but I really loved that nice touch (although it was Robert Brown we saw and it's odd we didn't actually see Bernard Lee). To me, it was nothing but a respectful tribute to the past Ms and nothing more. Continuity has always been a wonky thing in the Bondverse and I've never worried myself about it, except for in the confines of each Bond era (particularly Craig's).[/QUOTE]Also, interesting to see a painting of Bernard Lee which sort of suggests this bond was part of the same continuity in a way as the other bonds, but then its probably just an easter egg slipped in and left open for fans to make their own minds up.
Continuity between films has happened before, Roger Moore visiting the grave of his wife for one.
As far as the music goes, Hans Zimmer's soundtrack only supports the film, never does it enhance it. The only real times it actually seems to come alive is when he cribs from the opening James Bond stinger theme, and the two times he adapts the much more memorable ''We have all the time in the World''.
It's like a bizarre aversion throughout to cut loose with bold trumpets, or any jazzy riffs...
I like Billie Eilish, but this wasn't a really great theme. In fact the ratio of ok/good to kinda poor has been noticeable since the Brosnan days. Cubby definitely had a much better ear for what made great theme songs
I gotta completely disagree with both of you on this one. I spent about a week listening to the score on Spotify before I even saw the film and really enjoyed every bit of it. I thought it enhanced the film nicely without feeling overbearing. I will say that it's not Zimmer's strongest score even for this year but that's partially because he also produced the breathtakingly gorgeous Dune score, too.Same, the past few movies, the music was "there" but not doing much. Bond films are usually more in your face with the music. Seemingly gone are the days of great soundtracks that you can listen to and follow the action in your head.
I agree that "You Know My Name" is the best title track of the Craig era but I've loved all of them except the sheer awfulness that is Sam Smith's "Spectre." I really, really, really wish they used Radiohead's version instead.You Know my Name is the best title track of the Craig era, followed by Skyfall, the rest have been meh.
Old habits die hard and all of that. At least he later admitted that his one regret was pushing her away onto that train.@Evil Headhunter After Mathis you'd think Bond wouldn't automatically believe the bad guys when they said an ally was actually working for them!
How weird, I just rewatched Spectre and I don't remember her referencing that. When did that moment happen?NTTD has actually made Spectre drop in my estimation, if only because it retcons my personal head cannon (that it was Blofeld who young Madeline shot, dialogue in Spectre strongly implies this )
Ah, thanks for that. I typically avoid looking at my phone (the only watch I have anymore) when at the cinema, even if it's a film I'm bored by. Hell, I didn't even realize the sequence was lengthy until the title sequence began. I hadn't even realized we hadn't gotten to it yet because I was so engrossed by the film at that point.
There's no reason why they can't return, I agree, but I wouldn't be surprised if none of them do so. The film ended on a conclusive note for all of them so I imagine the next Bond era will begin on a clear slate.
And I say that as someone who wants Nomi as the lead of her own films as well as Paloma getting her own spin-off.
I forgot to mention the portraits in my review but I really loved that nice touch (although it was Robert Brown we saw and it's odd we didn't actually see Bernard Lee). To me, it was nothing but a respectful tribute to the past Ms and nothing more. Continuity has always been a wonky thing in the Bondverse and I've never worried myself about it, except for in the confines of each Bond era (particularly Craig's).
Ahhhh! I do remember those two individual moments now but I hadn't thought to connect them like that. I figured the latter scene was just Blofeld being snide to her, while I completely forgot the former happened until you mentioned it.(On the train I think) Madeline explains to Bond that when she was a child a man came to her house to kill her father, but she knew there was a gun hidden and she used it.
Flash forward to the first meeting of the three (I'm paraphrasing a little here)
Blofeld: I came to your house once when you were small.
Madeline: I don't remember that.
Blofeld: I do.
Maybe it's me reading too much into it. It just feels like Blofeld is more interested in torturing Madeline than Bond (at least before 007 blows his face off!).
Ahhhh! I do remember those two individual moments now but I hadn't thought to connect them like that. I figured the latter scene was just Blofeld being snide to her, while I completely forgot the former happened until you mentioned it.
Yeah, I was trying to puzzle all of that out while watching Spectre the most recent time. Your theory does make sense...until No Time to Die blew it up.As I say it might be me reading too much into it, or it might be a holdover from Logan's original script. Why does Blofeld send Hinx to kidnap her? Why does Hinx attack them on the train? (The only thing that makes any sense, other than Hinx has gone rogue, is that he's there to kill 007 and capture her) why does he torture her by showing her father's death? Why does the main focus of his torture of Bond actually seem aimed at her?
Same for Naomie Harris and even Rory Kinnear (albeit not on the same level as the other three and mostly on the television side of things).I hope for a full reboot and recast. I don’t have as much aversion to that as you guys seem to. But then again I honestly never expected Ben Whishaw and Ralph Fiennes to literally play their roles until they drop dead. Unlike Bernard Lee and Desmond Llewelyn they’re very prominent character actors that get a ton of other work and Bond is just another part of their career.
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