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Why the hate for Disco?

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I for one, don't hate Disco. I think it's a fine series in spite of its flaws which are no worse than the flaws of all the other series. I've just watched TOS' the alternative factor and that's probably one of the worst pieces of trash ever produced. For one thing, it doesn't make any sense. There ought to be a breathalyzer test before any writer is allowed to write a script for an ST series!!!

Yeah if I had to rate DIS against the other series I would put it equal to VOY, below TNG, DS9 and PIC, above ENT.
 
It's interesting you say that cause I think DS9 and DIS have more differences than similarities. DS9 storytelling was very macro with it's world building and quadrant sized wars, DIS on the other hand couldn't be more micro with its storytelling focus mostly on individual struggles. DS9 had an ensemble style with no character getting too much screen time, DSC is all about Michael Burnham. DS9 explored societal issues like religion, discrimination, etc. whereas the issues DIS explores are more related to mental health.

I think DIS is closer to TOS than anything else.
DSC is mainly about Burnham, not all about Burnham. A slight but distinct difference.

I think DSC is closer to TOS than DS9 too, especially in that they expect you to connect with the characters fast, and having to figure out how to think outside the box, but I think DS9 and DSC have more in common than Niners realize.
 
DSC is an interesting combination of DS9 and TOS, with the serialized storytelling and TOS which had a bit more of focus on Kirk and Spock, than others.
 
DSC is an interesting combination of DS9 and TOS, with the serialized storytelling and TOS which had a bit more of focus on Kirk and Spock, than others.

I don't really see a level of writing that can compare it favorably to DS9 or TOS in any capacity.

It's all in the eye of the beholder - that's why these discussions are ultimately pointless. What is interesting for one, is trash to another.To me DSC (and the rest of the Secret Hideout/Bad Robot produced stuff) is the latter, but i do not begrudge other fans what they like nor attempt to make them see it my way. Do I hope that things will change to appeal to my tastes? Of course. Until then I have reruns of 5 shows (and plenty of other well written sci-fi tv) to hold me over.
 
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I don't really see a level of writing that can compare it favorably to DS9 or TOS in any capacity.
It's not a matter of writing. It's matter of approach.

As to the rest of your point it's a matter of preference. No Star Trek compares to another. There is a not a strong continuity of writers from TOS to TNG to DS9 to VOY all the way to DSC and Picard and LD. Each show is written based upon those writers, their vision and their desired story. That's why I find comparison a rather fruitless endeavor-TOS will be nothing like DSC in terms of production values, story approach, and writing style. When I say it is closer to TOS and DS9 it is because it has a serialized approach with a more action/adventure feel. DSC is still its own thing, and doesn't compare. Nothing does.
Why? Isn't one TOS enough?
Nope. Nor is one TWOK.

More's the pity.
Kirk should be an ensign around that time, maybe we'll see a short appearance.
Hopefully not.
 
IMHO the core element of DS9 as a show that set it apart among Trek shows was it was a character-focused ensemble show. By late in the series, you had entire episodes focused on characters who didn't have main billing (like It's Only A Paper Moon, which was a Nog/Vic Fontaine outing).

In contrast, Discovery is pretty relentlessly focused on Michael, though it does come up for air occasionally. You can perhaps argue Kirk was an overwhelming presence in TOS as well, but he was quite often subject rather than object - he was the one the story was happening to, but the story wasn't about him. Also, the biggest let-down for me regarding the show was I was expecting character-based writing (what with the deep focus on Michael) but instead the show has continually decided to focus on plot-based writing.
 
In contrast, Discovery is pretty relentlessly focused on Michael
Good.

Though Saru, Stamets and Culber, as well as Pike and Georgiou all get their time to shine. That's why it reminds me of TOS. It isn't an ensemble piece like DS9. You have different characters who come in an out, but the core remains, with Kirk and Michael, respectively. I like ensemble shows but Discovery was never an ensemble show.
 
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