The Empath (**½)
This was the first episode of TOS I chose to watch. I had seen other episodes like Amok Time and The Trouble with Tribbles, but those were episodes that others chose to watch while I was in the room, this was the first time that I decided that I was going to watch a TOS episode. I was 21, and it was late on a Friday night when this episode came on BBC2, and with nothing else to watch I decided to give it a shot. What I got reinforced all the stereotypes about TOS. It’s slow, it’s weird, it’s low budget, and it has plenty of Shatner haminess.
But it was interesting enough to keep me watching. Which is odd as there’s plenty of boring bits in the episode, wordless sequences of Gem trying to express herself with modern dance, or scenes that are unnecessarily drawn out. Even the core premise of the episode is pretty flimsy when you get down to it. But there’s also some good material for the main trio, and the episode’s heart is in the right place. It was enough to convince me that I should give TOS a full watch-through, which I got around to doing this following year.
All of this is to say that I have a strange sort of nostalgia for this episode. Had I not first watched it in the way that I did then I’d probably be more harsh with it than I’m being. Like Spectre of the Gun, I actually like the surrealness of the setting that was forced by the budget constraints, and the musical score gave the episode some extra flavour. It’s not an episode I’m in any hurry to rewatch, but it’s something I can tolerate and find reasonably interesting in infrequent doses.