Now that you mention it, it does look vaguely like Cattlecar Gigantica.
Not vaguely. Just turn the book upside downNow that you mention it, it does look vaguely like Cattlecar Gigantica.
Possible it was another Blish adaption. I checked "Private Little War" and "Friday's Child" since they featured stories I though might have the reference, but not there either.Thanks. I checked online, and there's a site that thinks it was in Blish's adaptation, so I took them at their word. So I guess we can lay this all at the feet of the Okuda Chronology.
It's weird Blish decided to change Decker's fate, I wonder if there was something about it being essentially a suicide/kamikaze attack?Again, that's still not a note from Blish about "The Doomsday Machine." And, since I've seen all the drafts of the outline and script, it's easy to conclude that the major changes he made to that story were not made because they were found in a draft of the script.
Nah, it was definitely a deleted line from "Day of the Dove."Possible it was another Blish adaption. I checked "Private Little War" and "Friday's Child" since they featured stories I though might have the reference, but not there either.
You sure? You sure there haven’t been drafts that were junked that no longer exist? Trek wasn’t exactly a priority for Paramount in the late-60’s/early-70’s and the three out a lot of stuff during that time. Since in Trek 12 he also mentions that he only made changes if something worked for TV but it didn’t work in prose. A name wouldn’t be something that would work in TV but not work in prose. And in the 1991 25th Anniversary Season 2 collection of the Blish stories, David Gerold even mentions that Blish was using different scripts (I.e. first draft for one episode, final draft for the next episode) but he would stick to the script and he had talked with Blish in the 70’s and that is what Blish had told him.Again, that's still not a note from Blish about "The Doomsday Machine." And, since I've seen all the drafts of the outline and script, it's easy to conclude that the major changes he made to that story were not made because they were found in a draft of the script.
Nah, it was definitely a deleted line from "Day of the Dove."
The fanboys remained in a tizzy even after being proven wrong.I remember people trying to find/debunk/discuss this line when "Enterprise" first started. Don't recall the result.
Supposedly Blish didn't even have a TV, though by 1970 he'd gone to the BBC to view a few prints.The pregnancy tag for “Who Mourns for Adonais?” was in the shooting script and was filmed. They just cut it during editing.
Decker died in every iteration of “The Doomsday Machine” written until Blish’s version. That’s a detail he made up, not something that came from an early draft.
“Spectre of the Gun” was written and filmed as “The Last Gunfight.” The title was changed after filming.
I’ve often read that Blish was working off of early draft scripts, but I wonder how much of this is actually true? Someone needs to visit his papers and see if they clarify the matter.
You sure? You sure there haven’t been drafts that were junked that no longer exist? Trek wasn’t exactly a priority for Paramount in the late-60’s/early-70’s and the three out a lot of stuff during that time.
Yup. That's where I was quoting from.I remember people trying to find/debunk/discuss this line when "Enterprise" first started. Don't recall the result.
Aha! Memory Alpha has this in the "Talk" page:
It's not in the Blish adaption, McCoy's line when they enter the turbolift is "Chekov may be right. The Klingons claim to have honored the truce - but there have been incidents! ... raids on our outposts..." Kirk responds with "We've never proved the Klingons committed them, Bones." To which McCoy says, "What proof do we need? We know what a Klingon is!" McCoy then leaves the elevator and we get Spock's line about the log tapes.I remember people trying to find/debunk/discuss this line when "Enterprise" first started. Don't recall the result.
Aha! Memory Alpha has this in the "Talk" page:
"The First Draft script for 'Day of the Dove' by Jerome Bixby (dated August 9, 1968) has the relevant dialogue from Dr. McCoy.
"After Kang and Mara and the rest of the Klingons are taken from the transporter room, Kirk, Spock, McCoy, and Chekov also leave the transporter room, chatting while walking down the corridor and then continuing their conversation in the turbo-lift.
SCENE 26 INT. LIFT - FOUR
Doors close -- lift starts motion.
McCOY (sour) Fifty years -- eyeball to eyeball with the Klingon Empire. They've spied -- raided our outposts -- pirated merchant lanes. A thousand provocations, and the Federation has always managed to avoid war. Now, this crazy business could pull the trigger!
SPOCK Our log-tapes will indicate our innocence in the matter. Unfortunately, there is no guarantee they will be believed.
KIRK One party -- with violent ideas -- and the willingness to defend them to someone else's death. (pointed) The essence of war, Mister Chekov ...and of prejudice.
Chekov's expression is stubbornly unrelenting.
"The line doesn't survive in the final episode--and McCoy's dialogue in Scene 26 in the turbo-lift as ultimately shot doesn't have any cutaways. So it's not like the line was filmed but then trimmed out somehow at some point.
"I think it's this line that survives in James Blish's adaptation of the episode in the Star Trek 11 book that people "heard" in their imaginations while reading.
"I don't know how canon to consider early drafts of scripts. But it's not like the '50 years of conflict with the Klingons' notion is purely mythical. GSchnitzer 04:34, May 22, 2010 (UTC)"
We use essential cookies to make this site work, and optional cookies to enhance your experience.