Have you seen 1942? I'm a huge Spielberg fan and I barely made it 20 minutes into it. I don't know what the hell went wrong there, but something definitely did.
I liked Cowboys and Aliens.
Have you seen 1942? I'm a huge Spielberg fan and I barely made it 20 minutes into it. I don't know what the hell went wrong there, but something definitely did.
I found it very exciting.To be fair, that's why I said "worst Spielberg movie that I've ever seen", because I figured that there might be worse stuff out there.
To be fair, Close Encounters is useful as a cure for insomnia, which might put it over Temple of Doom since at least it does something useful, while Temple is just painfully annoying. Still, Harrison Ford is still good as Indy even in a bad movie, which is why I'd still say Close Encounters is a worse movie for me.
I found it very exciting.![]()
The Mummy is what Raiders would have been with Tom Selleck.Nope, the Brendan Fraser one. I love Rachel Weisz and John Hannah in it, but Fraser is...meh.
None taken.Ha, ha, it's funny because family trauma explains away a seeming plot hole! Meaningless franchise extension prevails!
... No, actually, that's just as awful an idea as an adventure movie starring Sr. (No offense.)![]()
I love all that-- it's just that the aliens should have been space aliens, not interdimenional whatevers.The way I look at is the whole thing a is a natural progression: Going into the 50's brings the Cold War in lieu of the Nazis, the styling goes from pulp fiction to b-movies, and with that change of styling, aliens with the real-life fable of crystal skulls as the MacGuffin is a clear fit.
You're a fan of his episode of The Young Indiana Jones Chronicles ("Princeton, February 1916"), then?I'm not particularly disappointed that Spielberg has opted not to direct Indy 5, and while I think Mangold will be fine I'd rather have seen Joe Johnston behind the camera.
You're a fan of his episode of The Young Indiana Jones Chronicles ("Princeton, February 1916"), then?
Well, at least we got something good out of it in the end then.Without 1941 we don't get Raiders in its current form. Spielberg had to prove he could shoot a movie under budget and ahead of schedule, after the excesses of 1941. To pull it off Speilberg storyboarded 80 percent of the film ahead of time. 14 days ahead of schedule and spending only 20 million dollars (which I once read was half his approved budget).
You really don't like cerebral movies do you?To be fair, Close Encounters is useful as a cure for insomnia, which might put it over Temple of Doom since at least it does something useful, while Temple is just painfully annoying. Still, Harrison Ford is still good as Indy even in a bad movie, which is why I'd still say Close Encounters is a worse movie for me.
You really don't like cerebral movies do you?
I find it a little ironic since a movie I consider one of the best sci-fi movies of the last 20 years is literally just four people sitting around in a house talking, until the shit hits the fan in the last 15 or 20 minutes. I have major respect for anyone who can figure out what movie I'm talking about.
The way I look at is the whole thing a is a natural progression: Going into the 50's brings the Cold War in lieu of the Nazis, the styling goes from pulp fiction to b-movies, and with that change of styling, aliens with the real-life fable of crystal skulls as the MacGuffin is a clear fit.
OK, maybe cerebral was the wrong phrase for Close Encounters, maybe character focused would work better.That's a really arrogant, pretentious thing to say. "You just don't like smart movies" is an insulting statement, especially about this movie. Close Encounters isn't "cerebral", its a boring slog where absolutely nothing fucking happens. So, if cerebral in this context means "Boring, pretentious shit that would have bombed if it came out even a few years later", then yeah, I don't like "cerebral" filmsEven 2001 A Space Odyssey has more of a claim to being a "cerebral" film then this does, and that movie is even worse then Close Encounters. I'd personally apply the term cerebral to stuff like a lot of Nolan's non-Batman work (Inception, Memento, etc), and I like those two movies, because they could be cerebral and actually have things happen.
I'd avoid calling people stupid for not liking a movie that you like, personally. It doesn't reflect well on you![]()
OK, maybe cerebral was the wrong phrase for Close Encounters, maybe character focused would work better.
No way was that film budgeted for $40 mil. Remember how outrageous TMP's reported $45mil budget was just 18 months earlier? I vaguely recall something like the movie's approved budget was $20mil (then considered highish) and it came in at closer to $18mil.Without 1941 we don't get Raiders in its current form. Spielberg had to prove he could shoot a movie under budget and ahead of schedule, after the excesses of 1941. To pull it off Speilberg storyboarded 80 percent of the film ahead of time. 14 days ahead of schedule and spending only 20 million dollars (which I once read was half his approved budget).
We're in complete agreement here. For me, THE LAST CRUSADE is the best Indy movie with RAIDERS OF THE LOST ARK (yes, a classic) in second place. THE CRYSTAL SKULL in third, and....well.....THE TEMPLE OF DOOM.....as much as I tend to enjoy older movies over newer stuff, this one......well, there ARE exceptions to every rule after all.Temple of Doom is the worst Indiana Jones movie in my opinion, probably the second worst Spielberg movie I've ever seen after Close Encounters of the Third Kind, and Crystal Skull is almost as bad. Personally I consider The Last Crusade to be the best Indy movie, with Raiders a distant second, but I'd never put Cyrstal Skull or especially Temple of Doom over Raiders, which is a very good movie (I just consider TLC to be better in basically every way).
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