I'm recusing myself from casting a vote on this opus, because I tend to avoid outright tragedy, whether in prose, in poetry, or in theatre. There's enough of it in real life. And this perfectly fits the classical definition of tragedy, right down to the requisite ending that is not merely sad, but disastrous.
To be fair, I'm not all that hot on a number of the multi-book arcs that have come down the pike in recent years.
I was expecting (on the assumption that (non-canonical) Hobus and (equally non-canonical) Eisn are indeed being conflated) some mention of "red matter" (who comes up with these terms!), and of the Jellyfish. I also expected to see the pull-quote on the front flap of the dust-jacket somewhere in the text. What I got was Karel Capek's R.U.R. Although, to be fair, I did get tantalizing hints that the supernova, and the Romulan suppression of the truth, had been engineered by malicious parties unknown, and that Mars had perhaps been engineered as a means of stopping the relief effort (with overwhelmingly extreme prejudice). And I saw a lot of people in high places paralleling those currently in the driver's seat of the Republican Party.
To be fair, I'm not all that hot on a number of the multi-book arcs that have come down the pike in recent years.
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