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The Classic/Retro Pop Culture Thread

"For Lovin' Me," Peter, Paul & Mary
This is one of the songs on that Ten Years Together album that I used to listen to endlessly when I was a kid.

"Lemon Tree," Trini Lopez
This song is also on that album, but this is obviously a very different version. Not bad, not great.

"Little Things," Bobby Goldsboro
Also not bad. I'm not sure if I've heard it before.

"The Birds and the Bees," Jewel Akens
This is a cute one.
 
50 Years Ago This Week

Wiki said:
January 20 – The Greater London Council announces its plans for the Thames Barrier at Woolwich to prevent flooding (the barrier opens in 1981).
Mark Lewisohn's The Beatles Day by Day said:
January 20 – John and Yoko have their hair cropped short in Denmark. Back in England the Daily Mirror comments on 'the most sensational scalpings since the Red Indians went out of business'.
Wiki said:
January 21
  • Pan American Airways offers the first commercially scheduled Boeing 747 service from John F. Kennedy International Airport to London Heathrow Airport.
  • Five lifeboatmen are killed when a Fraserburgh, Scotland vessel, The Duchess of Kent, capsizes.
The Beatles Day by Day said:
January 22 – All 14 of John's lithographs go on display at the London Gallery in Detroit, USA. There are no confiscations. Around this date, Paul begins recording sessions for his first solo album.
The End of Hard Day's Nights is nigh....
Wiki said:
January 23 – Joseph Fielding Smith becomes the 10th President of The Church of Jesus Christ of Latter-day Saints.



Selections from Billboard's Hot 100 for the week:
1. "Raindrops Keep Fallin' on My Head," B.J. Thomas
2. "Venus," Shocking Blue
3. "I Want You Back," The Jackson 5
4. "Someday We'll Be Together," Diana Ross & The Supremes
5. "Whole Lotta Love," Led Zeppelin
6. "Leaving on a Jet Plane," Peter, Paul & Mary
7. "Don't Cry Daddy" / "Rubberneckin'", Elvis Presley
8. "Without Love (There Is Nothing)," Tom Jones
9. "Jam Up and Jelly Tight," Tommy Roe
10. "I'll Never Fall in Love Again," Dionne Warwick
11. "Jingle Jangle," The Archies
12. "Midnight Cowboy," Ferrante & Teicher
13. "Early in the Morning," Vanity Fare
14. "La La La (If I Had You)," Bobby Sherman
15. "Thank You (Falettinme Be Mice Elf Agin)," Sly & The Family Stone
16. "Holly Holy," Neil Diamond
17. "Winter World of Love," Engelbert Humperdinck
18. "Na Na Hey Hey Kiss Him Goodbye," Steam
19. "Arizona," Mark Lindsay
20. "Hey There Lonely Girl," Eddie Holman
21. "Down on the Corner" / "Fortunate Son", Creedence Clearwater Revival
22. "Come Together" / "Something", The Beatles
23. "She," Tommy James & the Shondells
24. "Ain't It Funky Now (Part 1)," James Brown
25. "Wonderful World, Beautiful People," Jimmy Cliff
26. "Walk a Mile in My Shoes," Joe South & The Believers
27. "Evil Woman, Don't Play Your Games with Me," Crow
28. "Walkin' in the Rain," Jay & The Americans
29. "No Time," The Guess Who
30. "Eli's Coming," Three Dog Night
31. "Blowing Away," The 5th Dimension
32. "Cold Turkey," Plastic Ono Band

34. "A Brand New Me," Dusty Springfield
35. "She Came in Through the Bathroom Window," Joe Cocker
36. "Baby Take Me in Your Arms," Jefferson

38. "Psychedelic Shack," The Temptations

43. "Friendship Train," Gladys Knight & The Pips

45. "Up on Cripple Creek," The Band

48. "The Thrill Is Gone," B.B. King

50. "One Tin Soldier," The Original Caste
51. "Take a Letter Maria," R.B. Greaves
52. "Oh Me Oh My (I'm a Fool for You Baby)," Lulu

55. "Honey Come Back," Glen Campbell

57. "Look-Ka Py Py," The Meters

59. "Didn't I (Blow Your Mind This Time)," The Delfonics

62. "He Ain't Heavy, He's My Brother," The Hollies
63. "Rainy Night in Georgia" / "Rubberneckin'", Brook Benton

71. "Evil Ways," Santana
72. "Give Me Just a Little More Time," Chairmen of the Board

83. "Ma Belle Amie," The Tee Set
84. "Come Saturday Morning," The Sandpipers

97. "Always Something There to Remind Me," R.B. Greaves


Leaving the chart:
  • "Backfield in Motion," Mel & Tim (14 weeks)
  • "These Eyes," Jr. Walker & The All Stars (13 weeks)
  • "Yester-Me, Yester-You, Yesterday," Stevie Wonder (14 weeks)

New on the chart:

"Always Something There to Remind Me," R.B. Greaves
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(#27 US; #3 AC; #50 R&B)

"Evil Ways," Santana
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(#9 US; #19 AC)

"Ma Belle Amie," The Tee Set
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(#5 US)


And new on the boob tube:
  • Mission: Impossible, "The Falcon: Part 3"
  • Rowan & Martin's Laugh-In, Season 3, episode 18
  • That Girl, "That Metermaid"
  • Ironside, "Beware the Wiles of a Stranger"
  • Get Smart, "Rebecca of Funny-Folk Farm"
  • The Brady Bunch, "The Undergraduate"
  • Hogan's Heroes, "The Softer They Fall"
  • Adam-12, "Log 14: S.W.A.T."

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This is one of the songs on that Ten Years Together album that I used to listen to endlessly when I was a kid.
This song is also on that album, but this is obviously a very different version. Not bad, not great.
The folk revival pops back on the radar a bit...but folkies beware, the Electric Dylan controversy is coming! ( :lol: that it has its own Wiki page!)

Also not bad. I'm not sure if I've heard it before.
It's only because he's capable of putting out occasional upbeat pop like this that my hobgoblin got a foothold with Bobby.

This is a cute one.
A minor oldies radio classic.
 
"Always Something There to Remind Me," R.B. Greaves
This is a little embarrassing. How did I not know that the Naked Eyes song was a cover?

"Evil Ways," Santana
Classic, of course.

"Ma Belle Amie," The Tee Set
I actually love this a lot. It's one of those songs that really takes me back to a sunny day in the 60s.

The folk revival pops back on the radar a bit...but folkies beware, the Electric Dylan controversy is coming! ( :lol: that it has its own Wiki page!)
Luckily I was young enough to miss that. It's all groovy as far as I'm concerned.

A minor oldies radio classic.
Yeah, it's always pleasant to listen to.
 
50 Years Ago This Week

Around this date, Paul begins recording sessions for his first solo album.

Smart man. He would create a song that is arguably one of the best of the solo songs among any of the ex-Beatles, but what's also interesting is that tracks such as the eternal classic "Maybe I'm Amazed" sounded more like a Beatles song than some of the tracks on Abbey Road.

"Evil Ways," Santana
(#9 US; #19 AC)

Such a sound of the times. Great out of the gates,

"Ma Belle Amie," The Tee Set
(#5 US)

Odd track, one that ended up getting a minor revival (or recognition) on Rhino's Super Hits of the '70s: Have a Nice Day, Vol. 2, CD collection released in 1990, during a period of growing nostalgia for early/mid 1970s pop culture.
 
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55th Anniversary Viewing

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12 O'Clock High
"The Albatross"
Originally aired January 15, 1965
IMDb said:
Lt. Kane is a dashing young film star who has completed his 25th mission and is ready to rotate back to the States and his movie career, when Gen. Savage, short on crew, asks him to fly one more mission. During the flight, Kane suffers severe burn damage to his face. Confronted with the prospect of suddenly being "ugly", he loses his composure and retreats into a cocoon of self-pity. Savage feels responsible and tries anything to rekindle Kane's confidence, not realizing the true source of his resentment.

Lt. Joey Kane (Robert Drivas) gets roped into that additional mission by Savage as a personal favor. When the bomber suffers an oxygen pressure loss, he goes back to check the tanks and another hit causes a burst of flames, which injures his face.

In the infirmary, Kane acts pretty messed up over what's happened. He gets a private room and won't see anybody but Savage, and won't go out when Kaiser thinks he's ready and should be pursuing his options with plastic surgery. When Savage is leaving the base for a meeting in London, Kane has an episode in which he goes berserk and barricades himself in his room, causing the general to be called back from the gate.

Kane's buddies try to throw a luau for him at the Officers Club to get him out of his shell, but he turns it into a pity party. He ends up performing a version of the Hamlet soliloquy while playing off of the roast pig.

Savage convinces his girlfriend Angie (Janine Gray) to try to see him despite his refusals at her earlier attempts, and finds that she seems to have already emotionally detached herself from him. (It comes up that he'd been about to go back to the States without her anyway.) When she does visit Joey and he finds out that Savage sent her, he runs out and takes off solo in a bomber. On the radio, Savage confronts him with the truth that he's come to realize--that Kane's been playing up to his audience, including Savage. Thus the general turns off the radio to deny him that audience. Kane reacts by having an episode of rage in which he puts the plane into a dive, but he ultimately lands it.

In the Epilog, Joey seems to have gotten himself together and is willing to pursue the surgery. He sees Savage without his bandages, though we're never given a good look at the injured side of his face.

Maybe they were trying not to gross out the audience, but they were also playing up in-story how his injuries weren't so severe that he couldn't be seen in public without bandage. Even early on when half of his face was bandaged, close-ups were shot in such a way that you could see quite a bit under them, with no sign of burns. I was half expecting them to pull a John Byrne Doctor Doom thing and reveal that his disfigurement was surprisingly minor.

Overall, this one was pretty meh...I couldn't get too invested in the guest character when he was such a scenery chewer even before the accident.

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Gilligan's Island
"Plant You Now, Dig You Later"
Originally aired January 16, 1965
Wiki said:
Gilligan uncovers a treasure chest while digging a pit for Mr. Howell. A court is held, with the professor as the judge to decide rightful ownership.

Gilligan's digging a barbeque pit specifically...and Skipper actually discovers the chest, though Gilligan did most of the digging. The castaways have trouble breaking the chains around the chest to open it. Three pairs of castaways get the idea to try picking the lock at the same time, and all try to sneak their way to the chest at night only to find each other.

The Skipper and Mr. Howell are going to settle the matter with a game of poker--each initially hiding his skill at the game, though Howell shows off his card sharp mojo once they sit down at the table. But they're interrupted before the game actually begins when the Professor returns from the other side of the island and insists on a court trial. Skipper serves as Gilligan's lawyer and coaches his testimony, while Howell tries some trickery to undermine Gilligan's case, including sending in Ginger and attempting to bribe the Professor.

After some in-court hijinks, the Professor judges that the chest is a natural resource of the island to be divided among all of the castaways...and then, prior to breaking it open via dropping it from being hung to a palm tree, Howell buys the chest from them all with his inaccessible millions. But when the chest is finally opened, they find that it's full of old cannonballs.

In the coda, we find that the castaways have put the balls to use by building a bamboo bowling lane.

_______

This is a little embarrassing. How did I not know that the Naked Eyes song was a cover?
Pretty sure I did know back in the day--probably from Casey--though I wasn't familiar with the earlier versions of this Bacharach/David composition...which go back to 1964, when Lou Johnson (#49 US, #12 R&B) and Sandie Shaw (#52 US, #1 UK) did it. Dionne Warwick also got a charting B-side out of it in 1968 (#65 US). It's unusual for me to prefer an '80s cover over a '60s original, but I think the Naked Eyes version brings in that little something extra that the song needed to really pop.

Classic, of course.
Such a sound of the times. Great out of the gates,
Nice to have classic Carlos back on the weekly playlist.

RJDiogenes said:
I actually love this a lot.
TREK_GOD_1 said:
Odd track
A decent little minor classic. I'd actually managed to miss this one in earlier layering of songs from this era into my collection, so it's a new purchase for me, though quite familiar from oldies radio. Also, sounds like the reggae sound is catching on.

RJDiogenes said:
It's one of those songs that really takes me back to a sunny day in the 60s.
You mean the very early '70s, right? It came out in December of '69. Are we potentially exiting the "sounds like the '50s" era in 55th Anniversaryland, only to face years of "sounds like the '60s" business in 50th Anniversaryland? :p

Luckily I was young enough to miss that. It's all groovy as far as I'm concerned.
I'm in Bob's corner on this one. :techman:

He would create a song that is arguably one of the best of the solo songs among any of the ex-Beatles,
Ya had me...
but what's also interesting is that tracks such as the eternal classic "Maybe I'm Amazed" sounded more like a Beatles song than some of the tracks on Abbey Road.
...then ya lost me. The studio original of "Maybe I'm Amazed" from McCartney is my favorite song...the ex and I danced to it at our wedding...but I can't agree with it being used to take a swipe at Abbey Road.
 
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He ends up performing a version of the Hamlet soliloquy while playing off of the roast pig.
Haha. Ham. Roast pig. Never mind.

I was half expecting them to pull a John Byrne Doctor Doom thing and reveal that his disfigurement was surprisingly minor.
Once again, you anticipated my response from the first sentence in the paragraph.

"Plant You Now, Dig You Later"
:rommie:

After some in-court hijinks, the Professor judges that the chest is a natural resource of the island to be divided among all of the castaways...
It may be Gilligan's island, but it's really the Professor show.

Pretty sure I did know back in the day--probably from Casey--
Speaking of Casey, we've got a station here that re-runs old Casey on Saturday mornings. Yesterday was a week from 1975, one of my favorite years for music. It's pretty cool.

It's unusual for me to prefer an '80s cover over a '60s original, but I think the Naked Eyes version brings in that little something extra that the song needed to really pop.
I like both versions, although the Naked Eyes version was never one of my favorite songs or anything. I'll have to see if YouTube has Dionne.

You mean the very early '70s, right? It came out in December of '69. Are we potentially exiting the "sounds like the '50s" era in 55th Anniversaryland, only to face years of "sounds like the '60s" business in 50th Anniversaryland? :p
In this case, you're probably right. We moved from Dorchester to Weymouth in the late Fall of 1970, so my associational memories would be mostly from the Summer of 70 (and maybe some linked other Summer memories after all these years). I associate Dorchester with the 60s, but my life and the decades are a little bit out of sync. :rommie:
 
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50th Anniversary Viewing

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The Ed Sullivan Show
Season 22, episode 16
Originally aired January 11, 1970
As represented in The Best of the Ed Sullivan Show

Ed said:
...opens right now with the exciting Ike & Tina Turner Revue and they are wonderful!
Tina sings the Revue's distinctive rendition of CCR's "Proud Mary" (single charts Jan. 30, 1971; #4 US, #5 US) accompanied by three dancers, with Ike and the band in the background.
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Overall, a very energetic performance.

Ed said:
The comedy of Flip Wilson!
Flip's routine involves his reverend's wife claiming that the Devil made her buy expensive dresses.
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Ed said:
Now here's Tiny Tim with the all-girl rock group who call themselves the Enchanted Forest, so let's have a WONDERFUL welcome...!
Tim and the Forest give us a rendition of '50s classic "Earth Angel" that starts relatively straight and gets spoofier as it goes on, ending with Tim lying on his back and kicking up his legs. Note that Tim had just married Miss Vicki on The Tonight Show on Dec. 17, 1969.

Ed said:
Sonny James!
Sonny does a country cover of "It's Just a Matter of Time," written and originally recorded by Brook Benton in 1959. Sonny's version charts the week of Jan. 24, 1970, reaching #87 US, #31 AC, and #1 Country.

Ed said:
Sword balancer--he's sensational--Vino Venito!
Venito balances a flaming chandelier on a pair of swords joined tip to tip, with one of the hilts in his mouth, then climbs a freestanding ladder and sways it back and forth from the top, all while maintaining the chandelier's balance.

The Best of edit concludes with Ike & Tina returning to perform the funky Ike original "Bold Soul Sister" (charted Dec. 20, 1969; #59 US, #22 R&B).

Also in the original episode according to tv.com:
Music:
--Sonny James - "Free Roamin' Mind"
--Tiny Tim sings a medley of old-fashioned love songs to his wife, Miss Vicki.
--Karen Wyman (17-year-old singer from New York) - "Time and Love."
Comedy:
--Jerry Stiller and Anne Meara (comedy team)
Also appearing:
--Carter & Lynn (Adagio dance duo, from Detroit, Michigan)
--Audience bows: Miss Vicki's parents, Tiny Tim's parents, and The Kessler Twins.

_______

Mission: Impossible
"The Falcon: Part 2"
Originally aired January 11, 1970
Wiki said:
The wedding is halted when Francesca shoots herself dead…or does she?
The drive-in theater speaker in the six-minute recap said:
...a different, slightly condensed version of what it said last week.

Picking up from last week's balcony-hanger, Paris isn't seen and manages to get back into his own window. With Tracey's help he proceeds to prepare a mask of his own face over a mask of Nicolai's. Meanwhile, Vargas plots with Captain Buccaro (Jack Donner) to do away with Sabattini. Elsewhere, Barney falls through the bottom of his crawlspace into the tombs and is knocked unconscious. When he wakes up, he discovers that he's blind. He radios Jim, who guides him via map.

Away from the palace, Willy stalls the bishop by giving him a lift in his buggy to the wrong destination. Zastro plays prima donna, insisting on performing on schedule even though the wedding hasn't taken place yet. With the help of a vanishing trick involving two curtained booths, Paris replaces Nicolai and Sebastian replaces Paris as Zastro. Fake Nicolai serves as Faker Zastro's plant in the audience, allowing for Zastro and Madame Vinsky to give a scripted performance.

The bishop finally arrives and Francesca has her gun and pill ready. Fake Nicolai "notices" her gun, and a struggle ensues in which two shots are fired--one real, stray bullet, and one blank that seems to kill her, with the help of the pill and some fake blood. (She picks this IMF shit up fast--maybe we'll be seeing her in the portfolio!) Fake Nicolai has Francesca hastily buried, but the plan requires Barney to hook her up with some air. She wakes up in the tomb and starts to freak out, then passes out. Despite his handicap, Barney comes through in the nick of time, and his eyesight kicks back in right after. Barney proceeds to show Francesca his crawlspace, helping her escape from the tombs.

Because of something Vinsky said that foreshadowed Francesca's actions, Vargas starts listening to what she has to say about Sabattini. He dismisses Zastro from the palace and has Vinsky stick around. Influenced by her, he insists to Sabattini that they now have to take the government by force. As Zastro's show is packing up, Willy smuggles Real Nicolai out of the palace in an equipment box, and Barney and Francesca crawl up into the vanishing booths.

Jim shows up at the palace gate with one of the real crown jewels (swapped out by Barney last week); Sabattini and Vargas quickly check and discover that the crown jewels have been replaced by fakes. Jim's story involves persuading info about the location of the rest of the jewels from Prince Stephan...if only he were alive to be persuaded. Sabattini arranges it. Vinsky calls Vargas, tells him that she knows where the jewels are, that Sabattini plans to have him killed, and not to accompany Sabattini and Jim to the prison. When Sabattini and Jim leave the palace, she confers with Vargas, asserting that Sabattini's list of untrustworthy officers in his safe has Vargas's name on it. Meanwhile, Fake Nicolai busts into the safe and transmits the combination to Vinsky via her earpiece so that she can appear to divine it with her mental powers. The To Be Continued card comes up as Vargas and Vinsky are approaching the room with the safe and Fake Nicolai is in the process of loading it with his forgery.

Note that the character of Sebastian only has lines when he's disguised as Paris, hence Frank da Vinci not being credited.

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Rowan & Martin's Laugh-In
Season 3, episode 17
Originally aired January 12, 1970
The Wiki list of guest appearances said:
Peter Wintonick, Jonathan Winters

Gary Owens has been referencing the Farkels in his announcements lately, and no longer seems to be referencing Morgul, the Friendly Drelb.

And speaking of the Farkels....The skit is briefly revisited after the commercial.

The news song motif appears to be Shirley Temple:
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Note how News of the Future mentions the Native American occupation of Alcatraz.

Ernestine learns who she's been calling:
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There's another Ernestine piece later in the episode.

Big Al covers a Swiss cheese throwing competition.

The Fickle Finger of Fate is back, and it's going to the Air Force.

Laugh-In salutes the American tourist:
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Jonathan Winters's Maude Frickert meets Wolfgang.

I had to look up who Peter Wintonick was, and I didn't notice anybody resembling him in the episode.

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Get Smart
"House of Max: Part 2"
Originally aired January 16, 1970
Wiki said:
After surviving an attack by a wax werewolf, Max covertly infiltrates the wax museum. He poses as a wax sculpture of Hitler in order to catch Duval in the act of bringing his waxworks (some of which include W.C. Fields and Laurel and Hardy) to life in order to kill.

The onscreen title is actually "House of Max: Conclusion". Chief Inspector Sparrow narrates the 5-1/2 minute recap. The recap is so long that Decades played one of their brief post-opening-credits spots before proceeding to the opening credits!

Picking up from last week, Sparrow shoots the werewolf and Max assumes it was a hippie.

Sparrow: First Jack the Ripper, who terrorized London at the turn of the century...and now the werewolf. Who'll be next to drive the women of England mad?
Max: Engelbert Humperdinck?​

As Max assumes the position of the Hitler dummy, Sparrow accidentally gets handcuffed to him, so they send 99 in disguise to delay Duval at a restaurant. When Duval gets back, he decides to send his Hitler figure after Max...and as we were reminded in the recap, his serum will kill a human. Max comes to life proactively and goes into a Hitler routine, which distracts Duval's German KAOS contact, Auerbach (Kurt Kreuger). Duval then sends other figures after Max...first Laurel and Hardy (Jim MacGeorge and E.J. Schuster), then W.C. Fields (Bill Oberlin), all of whom talk so they can go into character-appropriate routines. Eventually Max is caught but manages to escape from being dropped into a cauldron of boiling wax, and 99 and Sparrow show up, having nabbed Duval in the meantime off-camera.

All of the wax figures in this two-parter are actually actors trying to stand perfectly still in their poses when not brought to life.

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The Brady Bunch
"Mike's Horror-Scope"
Originally aired January 16, 1970
Wiki said:
Carol reads Mike's horoscope, which tells of a strange woman entering his life. Mike is besieged by fussy and eccentric client Beebe Gallini (Abbe Lane), the head of a cosmetics company, who monopolizes his time, which disrupts family activities. Beebe visits the Brady home and dictates impossible design specifications, but Mike ultimately loses the deal after the children's interruptions anger Beebe. Mike realizes losing the deal has saved his firm from a nervous breakdown.

Guest star: Joe Ross as Duane Cartwright (uncredited)

Ms. Gallini wants Mike to design her new factory...and she wants it to be pink. (Duane is her assistant.) Lane is basically doing a Zsa Zsa thing. After she's hired Mike, she calls him at home on a Saturday and he has to bow out of taking the boys on a fishing trip...so Alice takes the girls riding and Carol takes the boys fishing--oh noes, divided family! The fishing trip does turn out to be a disaster for Carol.

Beebe wants the factory to have a distinctive appearance, so she tells Mike to make it the shape of a powderpuff, in spite of his protests that a factory needs to be designed with practical considerations in mind. When he comes up with a sketch for it (which looks like a UFO), she tells him that she wants it to look "fluffier". As the project continues, Mike is away from home a lot, unable to spend time with the family.

When Beebe comes to the house wanting Mike to change the design he's been working on to one of a compact, she gets hit by Peter's model airplane and caught in a squirt gun crossfire between Bobby and Cindy. She refers to the children as "creatures" and immediately fires Mike. I think they missed an obvious opportunity to have Mike lose the contract by standing up to her.

_______

Hogan's Heroes
"Fat Hermann, Go Home"
Originally aired January 16, 1970
Wiki said:
To retrieve museum pieces the Nazis have been looting, Marya convinces Schultz to play the part of Hermann Göring.

This is Nita Talbot's sixth of seven appearances as Russian agent Marya. She recruits Schultz to impersonate Göring ostensibly as a double for the reichsmarschall's own safety. This is specifically for Fake Göring's visit to Stalag 13, which doesn't make a lot of sense considering that everyone knows who Schultz is there. The prisoners have their own half-baked plan to kidnap Göring to get at the art, so Marya modifies their plan to entail having access via Schultz, who has the train that's carrying the art brought to the Stalag.

Following the robbery, when Hochstetter arrives to get to the bottom of things, Schultz fools him and Klink by coming out of the bathroom with shaving cream on his face. A diversion caused by some fireworks--simulating an attack on the Stalag--helps the prisoners to successfully smuggle out the art. After it's over, Hogan convinces Hochstetter to sit on the matter by suggesting that some high-level intrigue between Göring and Hitler was involved.

DIS-missed!

_______

Speaking of Casey, we've got a station here that re-runs old Casey on Saturday mornings. Yesterday was a week from 1975, one of my favorite years for music. It's pretty cool.
That does sound cool. Last year Sirius ran his first broadcast from 1970 on its anniversary.
 
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..then ya lost me. The studio original of "Maybe I'm Amazed" from McCartney is my favorite song...the ex and I danced to it at our wedding...but I can't agree with it being used to take a swipe at Abbey Road.


Not a "swipe" at Abbey Road; I've always felt "Maybe I'm Amazed" (and some other tracks from McCartney's solo album) sounded more like a Beatles song than some of the songs from Abbey Road. McCartney--for me--defined the best sound / direction of The Beatles, so its no surprise that I think his first solo album--produced in the same era--would capture the "group" sound more than some AR tracks.
 
Tina sings the Revue's distinctive rendition of CCR's "Proud Mary" (single charts Jan. 30, 1971; #4 US, #5 US) accompanied by three dancers, with Ike and the band in the background.
She does a great "Proud Mary."

Flip's routine involves his reverend's wife claiming that the Devil made her buy expensive dresses.
We used that punchline every five minutes in those days. :rommie:

Tim and the Forest give us a rendition of '50s classic "Earth Angel" that starts relatively straight and gets spoofier as it goes on, ending with Tim lying on his back and kicking up his legs.
I think Ed is worried that Tim will swallow his tongue. :rommie:

Venito balances a flaming chandelier on a pair of swords joined tip to tip, with one of the hilts in his mouth, then climbs a freestanding ladder and sways it back and forth from the top, all while maintaining the chandelier's balance.
It's great when you can make a living doing what you love.

Picking up from last week's balcony-hanger, Paris isn't seen and manages to get back into his own window.
Lame. I knew it would be.

With Tracey's help he proceeds to prepare a mask of his own face over a mask of Nicolai's.
Because that wouldn't make him look like Data in the Picard trailer at all.

Elsewhere, Barney falls through the bottom of his crawlspace into the tombs and is knocked unconscious. When he wakes up, he discovers that he's blind. He radios Jim
Whew. For a second, I thought he'd have amnesia, too. :rommie:

(She picks this IMF shit up fast--maybe we'll be seeing her in the portfolio!)
They should have made her a regular. She would have been better than any of their latter-day female agents.

Despite his handicap, Barney comes through in the nick of time, and his eyesight kicks back in right after.
Nevertheless, I'd have that checked when all this is over.

Gary Owens has been referencing the Farkels in his announcements lately, and no longer seems to be referencing Morgul, the Friendly Drelb.
He's not so friendly now that his contract's expired.

I had to look up who Peter Wintonick was, and I didn't notice anybody resembling him in the episode.
Probably Morgul's real name.

Duval then sends other figures after Max...first Laurel and Hardy (Jim MacGeorge and E.J. Schuster), then W.C. Fields (Bill Oberlin), all of whom talk so they can go into character-appropriate routines.
I wonder if this falls under satire or if they had to pay their estates as if the real people were guest starring.

I think they missed an obvious opportunity to have Mike lose the contract by standing up to her.
Or congratulate the kids on executing the plan perfectly. :rommie: And the horoscope thing seemed to have no relevance to the story at all.

This is specifically for Fake Göring's visit to Stalag 13, which doesn't make a lot of sense considering that everyone knows who Schultz is there.
These are the same people who accept Newkirk as an occasional guard. :rommie:

The prisoners have their own half-baked plan to kidnap Göring to get at the art
Interesting that Hogan's Heroes was doing The Monument Men all those years ago.

That does sound cool. Last year Sirius ran his first broadcast from 1970 on its anniversary.
As with Ed Sullivan, there could probably be a Casey channel.[/quote][/quote]
 
55th Anniversary Album Spotlight

Presenting the Fabulous Ronettes Featuring Veronica
The Ronettes
Released November 1964
Chart debut: December 26, 1964
Chart peak: #96, January 23, 1965
#427 on Rolling Stone's 500 Greatest Albums of All Time
Wiki said:
Presenting the Fabulous Ronettes Featuring Veronica is the only studio album of American girl group the Ronettes, released in 1964. Comprising numerous singles produced by Phil Spector since the previous year, it peaked at #96 on the Billboard 200 chart. Issued singles included "Be My Baby" (US #2), "Walking in the Rain" (US #23), "Baby, I Love You" (US #24), "Do I Love You?" (US #34), and "(The Best Part Of) Breakin' Up" (US #39). The track "So Young" had been released as a single credited to Veronica, although the other Ronettes, Estelle Bennett and Nedra Talley, appear on the record.

This one, it's easy to see why it merits a spot on the list, as it's a showcase of that distinctive girl group / Spector "wall of sound" style that was such a part of the early-to-mid-'60s musical landscape. As such, it's generally quite listenable and pretty enjoyable.

The album opens with the group's current single at the time of the album's release, "Walking in the Rain" (charted Oct. 24, 1964; #23 US; #3 R&B; #266 on Rolling Stone's 500 Greatest Songs of All Time):
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Wiki said:
Recording engineer Larry Levine was nominated for a Grammy Award for the rainstorm special effect in "Walking in the Rain".


Something that I didn't realize until I was preparing this review is that the Ronettes had two sub-Top 30 singles from this album that I could have covered in my weekly playlists last year. The first of these is "Do I Love You?" (charted June 20, 1964; #34 US; #11 R&B; #35 UK):
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It's got a pretty catchy sound...I can hear why they chose it as a single.

"So Young" is one of two songs on the album that wasn't partly written by Spector. In this case, it's a cover of a song that was first recorded by the Students in 1958...so yeah, sounds like the '50s.

"(The Best Part of) Breakin' Up" is the other lower-charting single on the album (charted Apr. 4, 1964; #39 US; #43 UK):
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Also pretty catchy. And I thought it was just me, but according to the song's Wiki page, it was indeed the inspiration for the later Folgers jingle.

"I Wonder" is a pretty good, upbeat number that showcases that sound, but perhaps doesn't stand out enough from other, better-known examples.

Side one closes with an unusual bit of business for a girl group--the album's other cover, in this case of the seminal Ray Charles number "What'd I Say". It sounds to me like it was recorded in the studio to evoke a live sound.

Side two opens with the group's biggest hit, the uber-classic "Be My Baby" (charted Aug. 31, 1963; #2 US; #4 R&B; #4 UK; #22 on Rolling Stone's 500 Greatest Songs of All Time):
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"You, Baby" is another one that sounds perfectly good in its own right, but doesn't stand out enough from the pack.

Next up is the last of the singles on the album, the surprisingly low-charting classic "Baby, I Love You" (charted Dec. 21, 1963; #24 US; #6 R&B; #11 UK):
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"How Does It Feel?" does stand out somewhat from the pack, having a pretty distinctive upbeat sound.

"When I Saw You"...not so much. This slower-paced number is alright, but doesn't pop for me.

The album closes with another interesting cover of a song very well known for a different rendition..."Chapel of Love," which had been a #1 hit for the Dixie Cups in 1964.

Fun fact: Guest artists for a few tracks on this album include Cher on backing vocals and Sonny Bono on percussion and backing vocals.


Next up: Beatles '65

_______

Lame. I knew it would be.
Just finished Part 3, it has a pretty strong last 20 minutes, which includes a brief bit of Lucifer in action. In case you were wondering where he was in Part 2, he was in the magic show, but I don't recall him actually doing anything.

Because that wouldn't make him look like Data in the Picard trailer at all.
Didn't know you were keeping up with that.

Whew. For a second, I thought he'd have amnesia, too. :rommie:
Can you imagine having to explain his job to him? :lol:

They should have made her a regular. She would have been better than any of their latter-day female agents.
No love for Lesley Ann Warren or Lynda Day George? Are the triple names a turn-off?

He's not so friendly now that his contract's expired.
I think that dropping the Morgul references may have had something to do with the fact that they'd been using him as an onscreen presence on the daytime game show Letters to Laugh-In...which had been cancelled at this point, having only run three months.

And the horoscope thing seemed to have no relevance to the story at all.
They played up that angle in the episode, but it didn't seem very summary-worthy. There was some talk of who followed and believed in horoscopes, and in the coda, Mike pulls Carol's leg by pretending to read another horoscope out of the paper that he makes up. Overall, though, this wasn't a particularly engaging episode.
 
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This one, it's easy to see why it merits a spot on the list, as it's a showcase of that distinctive girl group / Spector "wall of sound" style that was such a part of the early-to-mid-'60s musical landscape.
As enhanced by the inimitable Ronnie Spector.

The album opens with the group's current single at the time of the album's release, "Walking in the Rain"
A classic.

"Do I Love You?"
That's a good one.

"So Young" is one of two songs on the album that wasn't partly written by Spector. In this case, it's a cover of a song that was first recorded by the Students in 1958...so yeah, sounds like the '50s.
Indeed. :rommie: But this all pretty much sounds like the 50s to me.

Also pretty catchy. And I thought it was just me, but according to the song's Wiki page, it was indeed the inspiration for the later Folgers jingle.
Apparently only vaguely inspired. It doesn't use the same music or anything.

Side two opens with the group's biggest hit, the uber-classic "Be My Baby"
Yes, this is wonderful and very deserving of its high spot on the Greatest Hits of All Time list.

the surprisingly low-charting classic "Baby, I Love You"
That is surprising. It's another fantastic song.

I wasn't familiar with this one, but I like it.

Fun fact: Guest artists for a few tracks on this album include Cher on backing vocals and Sonny Bono on percussion and backing vocals.
Interesting. If it wasn't for Ronnie, there would be no Cher. And Sonny might still be alive.

Just finished Part 3, it has a pretty strong last 20 minutes, which includes a brief bit of Lucifer in action. In case you were wondering where he was in Part 2, he was in the magic show, but I don't recall him actually doing anything.
Lucifer is like Chekov's phaser.

Didn't know you were keeping up with that.
Yeah. Heavy sigh. I'm hoping against hope that Picard will provide a nice epilogue to Star Trek, because after JJ Trek and Discovery, I don't think we'll ever have real Trek again. Some things I've seen make me feel hopeful, but viewing the Short Trek and knowing that they are referencing JJ Trek make me pessimistic.

Can you imagine having to explain his job to him? :lol:
"Get in the box." :rommie:

No love for Lesley Ann Warren or Lynda Day George? Are the triple names a turn-off?
No, that's fine. :rommie: I like Lesley Ann Warren okay, but Lynda Day George is kind of meh. And I like Barbara Anderson. But Lee Meriwether beats them all.

I think that dropping the Morgul references may have had something to do with the fact that they'd been using him as an onscreen presence on the daytime game show Letters to Laugh-In...which had been cancelled at this point, having only run three months.
Wow, I didn't know Morgul had ever been seen. It looks like there's only one picture of him on the Internet. Even Big Foot does better than that.
 
QUOTE="The Old Mixer, post: 13223246, member: 1149"]Presenting the Fabulous Ronettes Featuring Veronica[/QUOTE]
Okay, as I’v said before, these were my girls. Still have my vinyl copy of this album. I had the biggest crush on either Nedra or Estelle, whichever the one in the upper right is. Ronnie was great out front but she always seemed kind of “hard” to me. The Ronnettes were considered the “bad girls” of the girl group genre. I think it might have had to do with the hair piled up on top of their heads. I remember in the sixties all the “fast” girls wore their hair, or wigs, like this. :lol:

I think also some of the lyrics like in Best Part of Making Up when Ronnie kinda “breaths” “come on baby.” It was the sixties guys, that was risqué. This is one of my most cherished of old albums.
The album opens with the group's current single at the time of the album's release, "Walking in the Rain" (charted Oct. 24, 1964; #23 US; #3 R&B; #266 on Rolling Stone's 500 Greatest Songs of All Time):
For my money, one of the greatest romantic ballads of the era.
Something that I didn't realize until I was preparing this review is that the Ronettes had two sub-Top 30 singles from this album that I could have covered in my weekly playlists last year. The first of these is "Do I Love You?" (charted June 20, 1964; #34 US; #11 R&B; #35 UK):
I’d love to know who wrote the extremely catchy little intro to this song. If Spector, or whoever the songwriter was, didn’t, I’d bet it was one of the Wrecking Crew. There is a great Netflix special on these legendary musicians as well as some good YouTube vids.
The Best Part of) Breakin' Up" is the other lower-charting single on the album (charted Apr. 4, 1964; #39 US; #43 UK):
Contains the aforementioned, “come on baby.”
Side two opens with the group's biggest hit, the uber-classic "Be My Baby" (charted Aug. 31, 1963; #2 US; #4 R&
Well deserving of it’s high ranking on Rolling Stones all time list. One of my all time fav songs of any era. This was the epitome of the ‘wall of sound.” Lead, and backing vocals laid on top of a bed of multiple percussion instruments, the drum sound is HUGE, keyboards, rhythm guitars, and those soaring strings. Kicks my ass every time I hear it.

I’m sure we’ve all heard the story of Brian Wilson’s first time hearing Be My Baby. He was in his car when the song came on, it hit him so hard he had to pull over to listen. Trying to figure out what all was going on must have been a mind blower for him. He must have been super competitive, because when I heard him tell the story, it seemed almost like he was immediately jealous. It was an exceptional song that I think, would have been a big hit with a conventional production, but coupled with one of the most innovative productions at the time, turned the song into an all time classic.

Phil Spector was a wild man and completely insane, but a genius.
 
You mean Barbara Bain? Barbara Anderson is on Ironside.
She was on Mission: Impossible, too, although a look at Wiki tells me she was "recurring," not a regular.

They also showed him on an early episode or two of Laugh-In, before he went to being referenced only.
Ah, I don't remember that. I bet he wishes he had Tiny Tim's career.
 
I had the biggest crush on either Nedra or Estelle, whichever the one in the upper right is.
And yet you never learned her name... :lol:

I’d love to know who wrote the extremely catchy little intro to this song.
Don't know about the intro specifically, but the songwriting credit is Vini Poncia, Pete Andreoli, and Spector.

He must have been super competitive, because when I heard him tell the story, it seemed almost like he was immediately jealous.
I've seen stories about him in relation to the Beatles that would support that. I think he had a similar reaction to Sgt. Pepper.

She was on Mission: Impossible, too, although a look at Wiki tells me she was "recurring," not a regular.
Ah, yes...looks like she did seven episodes in the front half of Season 7 in 1972, after she left Ironside. M:I would have been on its last legs at that point.
 
55 Years Ago This Week

Wiki said:
January 26 – Anti-Hindi agitations break out in India, because of which Hindi does not get "National Language" status and remains one of the 23 official languages of India.
January 30 – The state funeral of Sir Winston Churchill takes place in London with the largest assembly of statesmen in the world until the 2005 funeral of Pope John Paul II.
Sir Winston died on January 24.
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And if I'm remembering the date correctly, this would be the week that Ma and Pa Mixer got hitched.


Selections from Billboard's Hot 100 for the week:
1. "Downtown," Petula Clark
2. "You've Lost That Lovin' Feelin'," The Righteous Brothers
3. "The Name Game," Shirley Ellis
4. "Love Potion Number Nine," The Searchers
5. "Hold What You've Got," Joe Tex
6. "How Sweet It Is (To Be Loved by You)," Marvin Gaye
7. "This Diamond Ring," Gary Lewis & The Playboys
8. "Come See About Me," The Supremes
9. "Keep Searchin' (We'll Follow the Sun)," Del Shannon
10. "All Day and All of the Night," The Kinks
11. "I Feel Fine," The Beatles
12. "My Girl," The Temptations
13. "Let's Lock the Door (and Throw Away the Key)," Jay & The Americans
14. "I'll Be There," Gerry & The Pacemakers
15. "Shake," Sam Cooke
16. "The Jerk," The Larks
17. "Goin' Out of My Head," Little Anthony & The Imperials
18. "Give Him a Great Big Kiss," The Shangri-Las

21. "I Go to Pieces," Peter & Gordon
22. "The Jolly Green Giant," The Kingsmen
23. "The 'In' Crowd," Dobie Gray
24. "Tell Her No," The Zombies

26. "Heart of Stone," The Rolling Stones

29. "Bye Bye Baby (Baby, Goodbye)," The Four Seasons
30. "Look of Love," Lesley Gore
31. "Twine Time," Alvin Cash & The Crawlers
32. "Laugh, Laugh," The Beau Brummels

35. "Willow Weep for Me," Chad & Jeremy

37. "She's a Woman," The Beatles

40. "Any Way You Want It," The Dave Clark Five

43. "Amen," The Impressions
44. "The Boy from New York City," The Ad Libs

46. "Lemon Tree," Trini Lopez

49. "Sha La La," Manfred Mann

60. "For Lovin' Me," Peter, Paul & Mary

68. "The Birds and the Bees," Jewel Akens

70. "A Change Is Gonna Come," Sam Cooke

73. "What Have They Done to the Rain," The Searchers

83. "Little Things," Bobby Goldsboro

85. "Can't You Hear My Heartbeat," Herman's Hermits

90. "That's How Strong My Love Is," Otis Redding

98. "Goldfinger," Shirley Bassey


Leaving the chart:
  • "As Tears Go By," Marianne Faithfull (9 weeks)
  • "Leader of the Laundromat," The Detergents (8 weeks)
  • "Promised Land," Chuck Berry (7 weeks)
  • "She's Not There," The Zombies (15 weeks)
  • "Too Many Fish in the Sea," The Marvelettes (12 weeks)

New on the chart:

"A Change Is Gonna Come," Sam Cooke
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(B-side of "Shake"; #31 US; #9 R&B; #12 on Rolling Stone's 500 Greatest Songs of All Time)

"What Have They Done to the Rain," The Searchers
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(#29 US; #13 UK)

"Goldfinger," Shirley Bassey
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(#8 US; #2 AC; #21 UK)

"Can't You Hear My Heartbeat," Herman's Hermits
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(#2 US)


And new on the boob tube:
  • Branded, "Survival" (series premiere)
  • 12 O'Clock High, "Faith, Hope and Sergeant Aronson"
  • Gilligan's Island, "'X' Marks the Spot"

_______

Coming back to this...
Yeah. Heavy sigh. I'm hoping against hope that Picard will provide a nice epilogue to Star Trek, because after JJ Trek and Discovery, I don't think we'll ever have real Trek again. Some things I've seen make me feel hopeful, but viewing the Short Trek and knowing that they are referencing JJ Trek make me pessimistic.
Perhaps this will sweeten the deal for you... ;)
Boston.jpg
 
And if I'm remembering the date correctly, this would be the week that Ma and Pa Mixer got hitched.
married.gif


"A Change Is Gonna Come," Sam Cooke
This is a good song, and one you don't hear as often as some others for some reason.

"What Have They Done to the Rain," The Searchers
This is okay.

"Goldfinger," Shirley Bassey
Very cool. :mallory:

"Can't You Hear My Heartbeat," Herman's Hermits
Fun and catchy.

Perhaps this will sweeten the deal for you... ;)
Yeah. :rommie: I did notice that when I watched yesterday, and it perked me up. Although I wish they had given us a tableau that showed that Boston had retained its historic character rather than looking like a Cyberpunk Sprawl. Also, I'm not sure that they know what Greater Boston means, but that's okay (unless they intended that to be Provincetown or something, which would be really bad :rommie:). As to the show: I have mixed feelings, but so far so good. I posted my thoughts on my forum here.
 
50 Years Ago This Week

Wiki said:
January 26
  • The First Quarter Storm, a series of student riots against the government of President Ferdinand Marcos, begins in the Philippines.
  • Mick Jagger is fined £200 for possession of cannabis.
Mark Lewisohn's The Beatles Day by Day said:
January 27 – John writes, records and mixes a new song 'Instant Karma!' in one day. In the USA, Ringo appears on the television programme Rowan and Martin's Laugh-in.
To clarify, this would appear to be the date when the appearance was taped.
January 29 – Ringo and Maureen attend the US premiere of The Magic Christian in Los Angeles.
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Wiki said:
January 31 – I Want You Back becomes the Jackson 5's first Billboard No. 1 Hot 100 single.



Selections from Billboard's Hot 100 for the week:
1. "I Want You Back," The Jackson 5
2. "Venus," Shocking Blue
3. "Raindrops Keep Fallin' on My Head," B.J. Thomas
4. "Whole Lotta Love," Led Zeppelin
5. "Without Love (There Is Nothing)," Tom Jones
6. "Don't Cry Daddy" / "Rubberneckin'", Elvis Presley
7. "I'll Never Fall in Love Again," Dionne Warwick
8. "Thank You (Falettinme Be Mice Elf Agin)," Sly & The Family Stone
9. "Someday We'll Be Together," Diana Ross & The Supremes
10. "Leaving on a Jet Plane," Peter, Paul & Mary
11. "Jingle Jangle," The Archies
12. "Early in the Morning," Vanity Fare
13. "Hey There Lonely Girl," Eddie Holman
14. "Arizona," Mark Lindsay
15. "Jam Up and Jelly Tight," Tommy Roe
16. "Winter World of Love," Engelbert Humperdinck
17. "No Time," The Guess Who
18. "Midnight Cowboy," Ferrante & Teicher
19. "Walk a Mile in My Shoes," Joe South & The Believers
20. "Walkin' in the Rain," Jay & The Americans
21. "Psychedelic Shack," The Temptations
22. "Blowing Away," The 5th Dimension
23. "La La La (If I Had You)," Bobby Sherman
24. "Na Na Hey Hey Kiss Him Goodbye," Steam
25. "Baby Take Me in Your Arms," Jefferson
26. "Wonderful World, Beautiful People," Jimmy Cliff
27. "Holly Holy," Neil Diamond
28. "Down on the Corner" / "Fortunate Son", Creedence Clearwater Revival
29. "Come Together" / "Something", The Beatles
30. "Honey Come Back," Glen Campbell
31. "She Came in Through the Bathroom Window," Joe Cocker
32. "The Thrill Is Gone," B.B. King
33. "She," Tommy James & the Shondells
34. "Rainy Night in Georgia" / "Rubberneckin'", Brook Benton
35. "Evil Woman, Don't Play Your Games with Me," Crow

38. "Ain't It Funky Now (Part 1)," James Brown

45. "Didn't I (Blow Your Mind This Time)," The Delfonics
46. "Cold Turkey," Plastic Ono Band

48. "One Tin Soldier," The Original Caste

50. "Travelin' Band" / "Who'll Stop the Rain", Creedence Clearwater Revival

52. "Oh Me Oh My (I'm a Fool for You Baby)," Lulu

56. "Look-Ka Py Py," The Meters
57. "He Ain't Heavy, He's My Brother," The Hollies
58. "Up on Cripple Creek," The Band

60. "Give Me Just a Little More Time," Chairmen of the Board
61. "Evil Ways," Santana

71. "Ma Belle Amie," The Tee Set

73. "Always Something There to Remind Me," R.B. Greaves

79. "The Rapper," The Jaggerz

81. "Oh Well, Pt. 1," Fleetwood Mac

89. "Come Saturday Morning," The Sandpipers

99. "Superstar," Murray Head w/ The Trinidad Singers


Leaving the chart:
  • "A Brand New Me," Dusty Springfield (12 weeks)
  • "Eli's Coming," Three Dog Night (14 weeks)
  • "Friendship Train," Gladys Knight & The Pips (14 weeks)
  • "Take a Letter Maria," R.B. Greaves (15 weeks)

New on the chart:

"Superstar," Murray Head w/ The Trinidad Singers
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(#74 US this run; recharts twice in 1971, eventually reaching #14 US)

"Oh Well, Pt. 1," Fleetwood Mac
(#55 US; #2 UK)

"The Rapper," The Jaggerz
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(#2 US)

"Travelin' Band," Creedence Clearwater Revival
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(#2 US as double A-side w/ "Who'll Stop the Rain"; #8 UK)

"Who'll Stop the Rain," Creedence Clearwater Revival
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(#2 US as double A-side w/ "Travelin' Band"; #188 on Rolling Stone's 500 Greatest Songs of All Time)


And new on the boob tube:
  • The Ed Sullivan Show, Season 22, episode 18, featuring B.J. Thomas, Robert Klein, The Jovers, and Little Anthony & the Imperials
  • Mission: Impossible, "Chico"
  • Rowan & Martin's Laugh-In, Season 3, episode 19
  • The Mod Squad, "A Town Called Sincere"
  • That Girl, "Fly by Night"
  • Ironside, "Eden Is the Place We Leave"
  • Get Smart, "The Mess of Adrian Listenger"
  • The Brady Bunch, "Tiger! Tiger!"
  • Hogan's Heroes, "Gowns by Yvette"
  • Adam-12, "Log 64: Bottom of the Bottle"

_______

:lol:

This is a good song, and one you don't hear as often as some others for some reason.
A seminal civil rights anthem, it also earned a place in the Library of Congress's National Recording Registry, and...
Wiki said:
The words “A change is gonna come” are on a wall of the Contemplative Court, a space for reflection in the Smithsonian's National Museum of African American History and Culture; the museum opened in 2016.


RJDiogenes said:
This is okay.
Nothing terribly distinctive here, alas.

Very cool. :mallory:
With this, Shirley Bassey sets the standard for Bond title themes.

Fun and catchy.
With their first Top 10, the Hermits are definitely on the map.

Yeah. :rommie: I did notice that when I watched yesterday, and it perked me up.
Drat, I was hoping to be the one to break it to you.

Although I wish they had given us a tableau that showed that Boston had retained its historic character rather than looking like a Cyberpunk Sprawl. Also, I'm not sure that they know what Greater Boston means, but that's okay (unless they intended that to be Provincetown or something, which would be really bad ).
Just count your blessings that it survived the Eugenics Wars and/or World War III!

I posted my thoughts on my forum here.
Didn't know you had your own board! But you know we've got a forum for the show here, right?

Parallel Boardverse RJDiogenes said:
On a technical level, the sound was really bad. I had my laptop cranked up to the max and had to turn on the subtitles. I hope that goes better with future episodes.
Earbuds, dude!
 
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