Makes sense. I thought the scenes we got weren't all that great.I loved Rogue One, but it was IMO the least fun of any of the Disney. It was IMO the darkest and most serious.
It turns out there is a reason Rose is in so little of TRoS, apparently most of her scenes were with Leia, but once they were done, they decided merging of the old and new footage just didn't work as well in those scenes and they ended up cutting them.
Yes, I had always read that there was supposed to be a scene with Leia confronting Kylo for the third film. They couldn't do it but they gave us the next best thing. Despite my problems with this movie I think they did a great job making it when you consider everything that happened.Honestly, I've read that it WAS going to be Leia in that scene using the Force to communicate; but given the circumstances, JJ went with what we saw.
Going back to Rise Of Skywalker....
One thing keeps bugging me..... If Snoke was responsible for 'connecting' Rey and Kylo, as he said in TLJ.... How did this come as such a shock to Palpy?
The entirety of which Lucas donated to education.And he sold his franchise for $4.7 billion earlier this decade. Every decision had dollars and cents behind it. Pretending it didn’t is being blind to the facts.
K2 is fun. Cassian had one line about doing things he regretted which I think is an interesting setup for his series. Baze and Chirrut weren’t all that interesting. Krennic was a stooge. Bodhi was unbelievably boring. Jyn would have been far more interesting had they kept the version we saw hints of in the earliest trailers. The story was dour. The ending doesn’t quite match up to ANH which bothers me. The fan service is over the top. The less said about Vader the better.
Jyn is the most uninteresting and unlikable major character of the franchise
With Rogue One I was genuinely impressed by the visuals and the design language. However, the characters also fell short for me. Jyn and Cassian are probably the closest, but even then they are fairly underdeveloped, to me.So much this.
I just don't understand the complete love for Rogue One. I get that the action sequences are amazing, but outside of it, what does this movie really have other than being set in the Star Wars universe? Say what you will about the sequels, they, and particularly TFA, got the tone right for a Star Wars film. I want to care about the heroes in these movies. I knew it was more than likely that all of these people had to die and I think the screenwriter(s) and director(s) did too. But make me care. Give me an emotional investment. It just didn't resonate with me. (And before anyone brings it up, I completely understand that some felt that way about the sequel trilogy. Everyone is allowed their opinion.)
There's sense in this. Finn's character is not strong or as well thought out as he might be, in many ways tending to become the comedy relief which in the past has been the role of droids or Jar Jar Binks.
The new SW-PTB knew exactly what they were doing with Finn; this was not a case of writers "losing their way" or not knowing how to write him. They wanted a Black Buffoon, not a true second hero just as much as they knew how they wanted to check their "socially progressive" box to uplift every other category of character. But not the black male lead.I'm not sure there was a conscious decision "hey, let's make the black guy" bumbling and inept, but it does indeed stand out that much of his screen time is, if not outright slapstick, veers close enough to undermine what could have been a much more interesting character. Being a storm trooper turning against the Empire/FO should have opened up a lot of possibilities for exploring the experience of a conscientious objector, someone with conflicting loyalties and a lifetime of training to be a ruthless professional killer. He could even have become a figure of controversy within the FO, his departure inspiring dissent or internal conflict.
Instead we just forgot all of that and got a generic sidekick who stops short of mumbling "yes ma'am" but has very superficial development at best.
Absolutely! People keep thinking the OT was done in order to be some kind of a work of art. Lucas wanted to do Flash Gordon and made ANH instead.
Precisely--instead of being the confirmed second hero of the ST, he was--out of the gates--diminished and hobbled by shackles in the form of making him a running stereotype overflowing with the Black Buffoon stereotypes of being consistently imbecilic, frightened, panting, having no personal, unique identity/persepective that shaped his own destiny (and in turn, is used to shape his environment), and he's a sanitation worker who just so happened to be in a trooper suit.
The new SW-PTB knew exactly what they were doing with Finn; this was not a case of writers "losing their way" or not knowing how to write him. They wanted a Black Buffoon, not a true second hero just as much as they knew how they wanted to check their "socially progressive" box to uplift every other category of character. But not the black male lead.
Again, Finn's true cinema heritage is hard wired in the Mantan Moreland / Stepin Fetchit / Eddie "Rochester" Anderson, et al., generation of black buffoon types--completely different than any of the top hero character ever created for the OT/PT (and before someone else in this thread--not meaning you--gets it twisted, Binks was not a top hero character of the PT).
Indeed; he was already a frightened sanitation worker--all that was left for him to do is flee, crashing through doors leaving the cut-out shape of his body in the tradition of many a 1930s/40s black buffoon character. That is the true legacy of the Star Wars sequel trilogy.
I openly admit that I may have a very different sensitivity to things given that I am not a person of color, but I do not see the character the same way you do at all.
Same here but this is far outside my experience so I'll just let the point be.I must admit, I don't view Finn in this way. I view him as a fun, likable character who has some very serious emotional fears and issues brought about by his horrific "upbringing" that motivate a great deal of his behaviors. But, despite this horrific past, he's found a way to regain his humanity and has deep compassion and love for his friends, to the point where he finds himself capable of self-sacrifice by the end of TLJ. From my perspective, he's one of the most nuanced and enjoyable characters in the trilogy. He has a unique courage and a sense of love and compassion that is rare in SW.
This is just my opinion, and I am NOT looking to argue the point (and absolutely will not, so don't bother). I openly admit that I may have a very different sensitivity to things given that I am not a person of color, but I do not see the character the same way you do at all. In fact, I view Finn as a great, realistic role model of courage, compassion, and humor...someone who overcame a system of oppression and violence to find a way to begin to discover his own humanity and embrace his new-found brothers and sisters with great love.
Yeah, Lucas (like GR in the 1970ies on) has said a lot of stuff (like the above) I call bullshit on.Lucas has repeatedly said--since the 1970s--that the prime reason behind making SW was to tell a kind of morality tale that was--at the time--buried in favor of morally ambiguous films overflowing with anti-heroes.
George Lucas: "I wanted it to be a traditional moral study, to have some sort of palpable precepts in it that children could understand." "There is always a lesson to be learned..."
That was his prime reason to make Star Wars, not profit or to be some throwaway "flick."
Palpatine and Snoke were never the same being; Palpatine artificially created Snoke to be a 'puppet King' in charge of the First Order, but Snoke was an autonomous being capable of acting on his own agendas.
At least you can admit that, but the champions of "socially progressive" ideology/presentation behind the current face of LFL do not, nor will they ever. They had a clear as day agenda in the offensive stereotype that was Finn, yet believe their platform uplifting other characters/categories provided them cover from accurate history/culturally-based analysis/criticism where a black man was concerned.
It did not.
I must admit, I don't view Finn in this way. I view him as a fun, likable character who has some very serious emotional fears and issues brought about by his horrific "upbringing" that motivate a great deal of his behaviors. But, despite this horrific past, he's found a way to regain his humanity and has deep compassion and love for his friends, to the point where he finds himself capable of self-sacrifice by the end of TLJ. From my perspective, he's one of the most nuanced and enjoyable characters in the trilogy. He has a unique courage and a sense of love and compassion that is rare in SW.
This is just my opinion, and I am NOT looking to argue the point (and absolutely will not, so don't bother). I openly admit that I may have a very different sensitivity to things given that I am not a person of color, but I do not see the character the same way you do at all. In fact, I view Finn as a great, realistic role model of courage, compassion, and humor...someone who overcame a system of oppression and violence to find a way to begin to discover his own humanity and embrace his new-found brothers and sisters with great love.
OK, that actually could explain a lot.Yeah, Lucas (like GR in the 1970ies on) has said a lot of stuff (like the above) I call bullshit on.
For example: he'll never admit that the main reason he HATES the original version of STAR WARS (1977) (which his wife at the time edited it into the movie we know and love today as his initial and original edit of the film made it come across like you average B sci-fi flick) is because IN THE DIVORCE SETTLEMENT it was ruled community property (because of all editing work she did) - thus she was entitled to 50% of all profits from in in the present and future.
The "Remastered Edition" is all his profit wise.
Great post.![]()
We use essential cookies to make this site work, and optional cookies to enhance your experience.