The almighty Sony that gave us classics like SM3 and ASM2. Sorry, I'd rather trust the company that made Iron Man a household name.
Into the Spider-Verse would like a word with you.
The almighty Sony that gave us classics like SM3 and ASM2. Sorry, I'd rather trust the company that made Iron Man a household name.
The almighty Sony that gave us classics like SM3 and ASM2. Sorry, I'd rather trust the company that made Iron Man a household name.
Into the Spider-Verse would like a word with you.
I trust the company that had the sense to have a true fan of the source--Raimi--adapt Spider-Man as close to the source as possible
--and succeed in doing that. It happened before, and it can happen again.
Unlike the MCU where Spidey-Lad was wrong from the start with his "c-can I join you M-mister Stark?" glorified sidekick business.
You mean the film that basically IS an MCU movie except it uses Alternate Universe characters instead of other MCU characters?
Now, let's just for the heck of it suppose that that's true. Does this now mean that Sony did, in fact, learn from Feige how to do these movies successfully, like they said?You mean the film that basically IS an MCU movie except it uses Alternate Universe characters instead of other MCU characters? What made that story stick out what it's amazing animation quality more than the storytelling.
Remains to be seen. Judging by Venom - not yet.Now, let's just for the heck of it suppose that that's true. Does this now mean that Sony did, in fact, learn from Feige how to do these movies successfully, like they said?
I agree that the Raimi movies are the best Spider-Man life action movies, but the last one in the series was released twelve years ago. Since then, I've watched the two Amazing Spider-Man movies, which I found terribly boring, and from what I gather about Venom, I wouldn't have particularly liked it. Into the Spider-Verse was produced by a different production company, as someone said upthread. As far as I'm concerned they really don't have the best track record in the past decade, so I'm not sure if I'd trust them to do a whole lot of good stuff with Spider-Man.I trust the company that had the sense to have a true fan of the source--Raimi--adapt Spider-Man as close to the source as possible--and succeed in doing that.
To vbe fair, putting Spider Man into the MCU DID help Sony revitalize the filmed version of the character for them. Whether the next film solo produced by Sony is as big (or a bigger) box office success remains to be seen - and no, there's no evidence pointing to it doing any better or worse then the last two MCU films; but again, there are people upset on BOTH sides of the aisle (IE some made at the MCU, some mad at SONY over teh end of the agreement).Keep on believing your pro-MCU/anti-Sony delusions, and the rest of us will continue to live in reality.
I agree that the Raimi movies are the best Spider-Man life action movies
but the last one in the series was released twelve years ago.
Yeah, the MCU didn't invent the trope of villains trying to open dimensional portals and heroes joining together. Not even Marvel Comics invent that. And Spider-Man comics have used these exact tropes. I mean, shit, one of the first threats comic book Spidey had to deal with was an alien invasion.It's about villains trying to open portals to another dimension so Spidey has to team up with other heroes to stop this threat to the fabric of reality.
Sounds like an MCU plot to me, since it isn't about sadsack Peter worrying about the bills or Aunt May's health.
Yeah, the MCU didn't invent the trope of villains trying to open dimensional portals and heroes joining together.
And, really, worrying about real life stuff like paying bills and an elderly family members health, if anything, is more relevant today than it was in the 60s. Besides, those were always side-plots.
I mean, you gonna complain about Peter having trouble dealing with girls, too? Because that has been a far bigger part of the Spider-Man movies than May's health or having to pay bills.
It did codify it in live action, and it's very much not a "True" Spidey plot by the Raimi fanboys' standards.
If they were that side-plotish then the MCU haters wouldn't complain so much about the MCU not having that stuff.
They tied his girl trouble into the bigger plot in Homecoming at least.
And at least his connections to the Avengers meant that his connections to his villains in these movies weren't as coincidentally contrived as they were in the Raimi movies.
It's about villains trying to open portals to another dimension so Spidey has to team up with other heroes to stop this threat to the fabric of reality.
Sounds like an MCU plot to me, since it isn't about sadsack Peter worrying about the bills or Aunt May's health.
Yeah, the MCU didn't invent the trope of villains trying to open dimensional portals and heroes joining together. Not even Marvel Comics invent that. And Spider-Man comics have used these exact tropes. I mean, shit, one of the first threats comic book Spidey had to deal with was an alien invasion.
The basic plot of Into the Spider-Verse was a pretty standard modern superhero story, but what made it unique, even from the MCU, was the style.
YawnIt's about villains trying to open portals to another dimension so Spidey has to team up with other heroes to stop this threat to the fabric of reality.
Sounds like an MCU plot to me, since it isn't about sadsack Peter worrying about the bills or Aunt May's health.
The 1960s sources, not the 70s onwards sources. There's more to Spidey than the 60s.
MCU Spidey was basically just a less broody take on Ultimate Spidey, with Stark serving as a replacement for Fury.
It's about villains trying to open portals to another dimension so Spidey has to team up with other heroes to stop this threat to the fabric of reality.
Sounds like an MCU plot to me, since it isn't about sadsack Peter worrying about the bills or Aunt May's health.
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