Someone ( @Nerys Myk maybe?) posted links to some of that old TNG stuff once. It made for a great read.
I've never understood why the PTBs behind Enterprise felt it was necessary to change the series' title halfway through its run.
I've also never understood the hatred for either the theme song or the series itself, though, so make of that what you will.
Again, it just comes down to immersion level. Enough "micro-changes" can be just as damaging as a "macro-change".
YMMV.
You are right. I stand corrected.
As one who likens canon debates to ice picks in the brain, I find this statement to be entirely dismissive and reductive.
There’s a YouTube video that explains why Discovery is so different from all the prime treks. They weren’t allowed to. Because of licensing and marketing agreements, they had to make the show look different.
Ironic that Roddenberry’s vision of a moneyless society was scuttled by crass commercialism.
That isn't true at all.There’s a YouTube video that explains why Discovery is so different from all the prime treks. Because of licensing and marketing agreements, they had to make the show look different.
Roddenberry was in it for the money. Yes, he also wanted to tell a tale about how humans would better themselves, but he was also making the show for money.Ironic that Roddenberry’s vision of a moneyless society was scuttled by crass commercialism.
There’s a YouTube video that explains why Discovery is so different from all the prime treks. They weren’t allowed to. Because of licensing and marketing agreements, they had to make the show look different. Ironic that Roddenberry’s vision of a moneyless society was scuttled by crass commercialism.
Based on everything I've ever been able to find, Roddenberry did a lot of retconning and hoop-jumping in TNG to claim that Starfleet and the "Star Trek future" were this post-commercial utopian society, and it honestly makes that series feel out-of-place.
You know though, even in the original series, money wasn't really a big thing. Sure they had some sort of credit system, but it seemed to be more for luxuries, Tribbles for instance. But it never seemed to be needed for the basics, food, medicine, that sort of thing. I really don't see a contradiction between the original series and later shows, only that later shows made it a bit more explicit that money was not needed for basic survival.
It's more the retroactive claim that "the Star Trek future was a utopia" that puts TNG as the "odd series out" with regards to the rest of the franchise, especially with Discovery in the mix now.
Pretty much this. The idea that commercial interests are somehow "ruining" Star Trek is laughable to me. Star Trek was always a commercial venture.Is the YouTube video from Midnight's Edge? If so, it's likely to be baseless hogwash.
As for Roddenberry, let's not think that his vision was selfless; he was out to make money, and his mobilization of Trek as a property was enthusiastically (and understandably) commercial. Also, let's not pretend that TOS was a moneyless society; money and economy is mentioned multiple times in the show. It's only in TNG that this higher ideal emerges.
ENT, TOS, DS9, and VOY make it clear that the Federation and the "Star Trek future" isn't even remotely close to the utopia that Roddenberry tried to claim that it was with TNG.
Wasn't the IDIC thing created so Roddenberry could sell replicas of it?
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