Batman didn't start using the more violent methods that brought him to Superman's attention until right before BvS.
Batman didn't start using the more violent methods that brought him to Superman's attention until right before BvS.
He spent 18 of those 20 years either on the Kent farm (likely with nearly zero awareness of distant urban myths) or wandering around rural North America on a journey of self discovery. When exactly would he have been sufficiently focused on Batman in any capacity during that time to form a cogent opinion on Batman’s behaviour?Again, the movie doesn't make it seem like Superman is worried JUST about the new methods. The way he acts, sounds like he disapproves of Batman as a whole and only now just bothered noticing him after 20 years.
He doesn't act like he only just started worrying about Batman's new methods, in BvS he act like he disapproves of Batman in general. And if Batman had been around for 20 years as of BvS, he'd have noticed him much sooner.
He spent 18 of those 20 years either on the Kent farm (likely with nearly zero awareness of distant urban myths) or wandering around rural North America on a journey of self discovery. When exactly would he have been sufficiently focused on Batman in any capacity during that time to form a cogent opinion on Batman’s behaviour?
I don't understand this comment. What are you talking about?
As you accurately point out, Clark would not have focused on a "Batman" (who may or may not have been an urban legend during that long period)
It might be easier to just have characters spewing quips while dodging CG light shows.
That in all the time he wandered the country he never felt he should do something about this violent vigilante he disapproved of. He acts like he never even heard of Batman until BvS.
Why not?
Why not?
I'll probably hate myself later for getting involved, but ...
In MoS, Clark wanders the world not getting involved in anything that isn't right in front of his nose (like the oil platform), and even then he sometimes stays out of a fight (like with the jerk at the bar), because that's the lesson Jonathan taught him, to keep himself hidden. To expect him to seek out the Batman, even if he'd heard of him at this point, to confront him is missing the mindset the character was in at that time.
And even if he'd be in a more hands-on mindset at this point in his life, a vigilante with slightly questionable methods in a crime-ridden city is nothing compared to wars, famines, natural disasters, and what else is going on in the world. Why on Earth would Clark choose this vigilante, who might very well be an urban legend, as the one thing he has to go up against? No, it needed Clark to get out in the open as Superman, to get involved in human affairs, to move to the city neighboring the Batman's, to see the Batman's methods escalate, and even then to be coaxed into confronting Batman by Luthor's messages, and even then he just warned Batman off. He had to be blackmailed to actually go fight Batman.
For a long time I have felt that is what DC Comics needs for making its films: filmmakers who are really passionate about exploring characters.
Exactly. But that requires that one watch the film to understand where Clark's character was (which was sensible) and he was no crimefighter searching the news feeds looking for some vigilante that was more myth (to many outsiders) than reality, particularly one who never visited or lived in Gotham to see it, or read what would be more detailed (local) reporting on the costumed man.
Excellent, rational points. That was not hard to miss by the way MoS and BvS were carefully set up.
BvS also had him only just start to notice Batman...despite being in Metropolis for 2 years by that point. And yet he still acts like he never heard of the guy till then.
Stop just saying that this is a problem and start explaining why it's a problem.
Makes his character look a bit flaky. And the setup of the Universe as a whole inconsistent.
I am not sure if this has been mentioned yet - in a number of interviews director James Wan says he was offered Aquaman or The Flash. He specifically chose Aquaman. Largely because there is already a version of The Flash on television. He also mentions it being the second, following the series in the 1990s. Bottom line, he wanted to tackle a character that was mostly unknown. Also a challenge, Aquaman was considered a joke for decades. There was huge surprise from many at DC and WB when he made that choice.
Look how well it has turned out! For a long time I have felt that is what DC Comics needs for making its films. Finding filmmakers who are really passionate about exploring characters. It should not matter if they are cool or preceived as A list. Before this they have been guided by their preconceptions of who are their most important characters. But might not mean much outside of comic book readers. They try to sell directors on characters they might not have much passion on at all.
By the way, Moore denying to be credited is not only in "Constantine", but also "Watchmen". Because it's not about how faithful the adaptation was.
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