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Poll Do you consider Discovery to truly be in the Prime Timeline at this point?

Is it?

  • Yes, that's the official word and it still fits

    Votes: 194 44.7%
  • Yes, but it's borderline at this point

    Votes: 44 10.1%
  • No, there's just too many inconsistencies

    Votes: 147 33.9%
  • I don't care about continuity, just the show's quality

    Votes: 49 11.3%

  • Total voters
    434
I came up with a pretty convoluted theory when I was in high school. The ridges do come from interbreeding, perhaps from Klingons - or other species - but it goes way back to the Sundering times. Because the time between TOS and TNG is too short to account for the necessary evolutionary genetic drift. So when the would-be Romulans left Vulcan and started their nomadic exodus across the Beta Quad, they began interbreeding with other races - with Klinks being the most obvious. Of course, given Rommies obsession with purity, the offspring where shunned. This was later supported by Nemesis, with the Remans being the most impure banished to the moon.

The remainder basically became the lower class menial workers. But of course, there was still intermixing between the 'pure' and 'impure,' over the centuries (or even millennia) to the point where, by TOS time, the purists were just a small gene pool clinging to power. However, in the intervening years - during the time of described internal conflict - the 'impure' where just too many and took control of the Tal Shiar and usurped control of the Senate. But, by then, the sole ridge thing had become the dominant genetic trait.

Then with ST09 I just figured that the "pure" had been the subjugated race and the tattoos were like a brand representing their masters.

They may just have always had it. Some Vulcans too. It may be a trait no different to the epicanthic fold on earth.
 
It is attempting to tell a more sophisticated story. All the shows did. None of them started out trying to be "The Kardashians"
But the execution leaves something to be desired.
I think this is fair. I'd say the epitome of this is the Klingon redesign. It was an obvious attempt to ape Xenomorphs: the de facto pop culture stand-in for "alien" in an attempt to symbolize all that it was meant to.

But, from a strictly objectivity and practicality standpoint, the redesign just doesn't work.
 
I think it's time we get some really alien aliens. Like with snail's eyes for example.
Been there, Seen that...
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There's also this...

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:techman:
 
I think it's time we get some really alien aliens. Like with snail's eyes for example.
You know, I actually liked the Xindi for trying to be “more alien” what with the insectoids and the aquatics. But thats what I like about Daleks (if i can skip to another franchise briefly) as they look nothing like humans - and I think that’s unsettling.

The TOS era was full of gas cloud life forms - maybe DSC should do more of that.
 
In DSC, the gas cloud aliens would live in huts, or at least rent them out on Airbnb for Klingon trysts.
 
Put it like this, if I were watching Nimoy Spock in an episode or film, would I ever wonder to myself, "oh, that's interesting Spock is reacting that way, considering he has an adopted human sister who started a war and then ended a war with the Klingons or whatever" - no, I wouldn't wonder that. Because the All Access adventures have nothing to do with the original cast productions, and continuity issues aside, Discovery's quality thus far hasn't earned it the right to be included in that canon.

"Prime" is going to be used as a marketing tool going forward, so it isn't a useful concept to me any longer.

There have now been three distinct TV/film Star Trek entities:

Roddenberry-Berman Trek
Bad Robot Trek
All Access Trek

Yes, these categories can be quibbled with or RBT subdivided, but that's how I see it in broad strokes. If you want to pretend Voq or the magical spores have anything to do with Roddenberry-Berman Trek, then have fun- that's an imaginary enterprise I don't see the point of.

But this could change if CBS (or Paramount) does a new project that merits inclusion in the universe of Roddenberry-Berman Trek.
 
I find "Let That Be Your Last Battlefield" more sophisticated than anything Discovery has done so far.
Bullshit. You don't have to like it or agree with the artistic choice, but Disco clearly has a layer of thematic and substantive flair that exceeds the nuanced triumph of "Hur-da-dur! See? They're the same but different!"

It even presents the exact same dichotomy without needing to be so obvious and heavy-handed about it.
 
Bullshit. You don't have to like it or agree with the artistic choice, but Disco clearly has a layer of thematic and substantive flair that exceeds the nuanced triumph of "Hur-da-dur! See? They're the same but different!"

It even presents the exact same dichotomy without needing to be so obvious and heavy-handed about it.

I will give DSC that it has filled itself with an Alice in Wonderland subtext. But it’s barely sub. Beyond that, which is only occasionally something tried in the Trek films ( Moby Dick, Heart of Darkness, L’Morte D’Arthure ... FC, Ins, Nem.) DSC is not more sophisticated, and for any given narrative theme present, it’s usually easy to identify a previous Trek doing a similar and usually better job. I am pro DSC, but let’s not get carried away.
 
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