Lots of important problems with
Discovery have been discussed in these 8 pages, and I hope they all get fixed.
I'd like to add the problem mentioned in my signature:
I want to throttle whoever’s dumbass idea it was to gamify continuity, trading the sense of a stable world necessary for the development of emotional and thematic through-lines for a facile “spot the reference” game intended to glut media consumers with smug, masturbatory self-satisfaction because they can recognise tribbles or whatever.
This was actually written in April 2017 and refers to the Abrams movies, not
Discovery, but I think
Disco is much worse about it than even Abrams. (Perhaps because of its insistence that it is set in the Prime Universe.) Yes, we can all see the tribble on Lorca's desk, and we're able to notice the nod to Hoshi Sato in Empress Georgiou's imperial title. But having a computer listing off captains for Saru isn't continuity; it's a fan handjob (a "fanjob"?). Meanwhile,
Discovery is mutilating the very core of Sarek's character and doesn't understand why we're grumpy.
One time I was at a meeting at a Catholic school that was redoing its mission statement, which was something like, "Grounded in the Catholic tradition, we will educate leaders to have moral vision and critical thinking for the betterment of society." Somebody in Theology asked, "Why doesn't the mission statement mention the real purpose of our university, according to
ex corde ecclesiae, which is to draw us closer to Jesus Christ, Who Is Truth?"
One of the administrators was overheard muttering, "We put in 'Catholic,' and now you want 'Jesus,' too?" Thus revealing that this administrator neither respected the mission of the school nor really had even a very clear idea of what it
was. She just wanted to put in enough Catholic "fan service" -- a few words here, an Aquinas quote there -- to mollify the Catholics while doing something entirely different.
That's pretty much how I envision the executive producers of
Discovery. There are one or two obvious exceptions to that in the writer's room (it would be pretty insane to accuse Kristin Beyer of not caring about the source material)... but, at least as I perceive it from the audience, not nearly enough.