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Spoilers Supergirl - Season 3

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4x07: Ah, the Legion of Superheroes. I loved them as a kid although I found them a bit ridiculous even back then. But great to see them and nice to see Mon El again. I had already forgotten about him. I wonder if "Ballonboy" is in one of the tubes or was he erased in one of those reboots?

Benoist's acting was pretty good in this one, execept for the "we meet again" scene (which always annoys me when A thinks that B is dead, they meet again and A just taps on his/her shoulder like "Oh, great, not dead!").
I guess she was supposed to show some "discipline" in the first scene but in the later ones, esp. with the new girlfriend, Benoist is pretty convincing. I would hate that too.
 
4x07: Ah, the Legion of Superheroes. I loved them as a kid although I found them a bit ridiculous even back then. But great to see them and nice to see Mon El again. I had already forgotten about him. I wonder if "Ballonboy" is in one of the tubes or was he erased in one of those reboots?
.

Nerdy nitpick: I suspect you mean Bouncing Boy. But, yeah, the various reboots blur in my head at this point. Not sure if he's still around in the comics or not. (My impression is that the LSH hasn't been seen much in recent years, although the Emerald Empress--one of their old foes--recently popped in an issue of SUPERGIRL.)
 
Nerdy nitpick: I suspect you mean Bouncing Boy.

Yeah, that's him. He was named "Ballonboy" in the old 70s comics in german so that's the name that I have in mind first. And it's also appropriately silly.

In german the names were translated or changed, when they thought that "bouncing" would be too diffcult ;) or the literal translation would be worse.

But, yeah, the various reboots blur in my head at this point. Not sure if he's still around in the comics or not. (My impression is that the LSH hasn't been seen much in recent years, although the Emerald Empress--one of their old foes--recently popped in an issue of SUPERGIRL.)

I really like them though I can understand, it they are "too much" to some. Again, some superheroes have some rather silly powers.
 
I noticed that the wall display in the ship had Saturn Girl's logo over the graphic representing Imra's malfunctioning stasis tube. I would imagine that studying screencaps of that wall display would allow identifying who else is in the pods, but I don't know the team well enough to recognize their logos (Saturn Girl's is a bit of a gimme).
 
I noticed that the wall display in the ship had Saturn Girl's logo over the graphic representing Imra's malfunctioning stasis tube. I would imagine that studying screencaps of that wall display would allow identifying who else is in the pods, but I don't know the team well enough to recognize their logos (Saturn Girl's is a bit of a gimme).
I'd fallen out of the habit of putting on Supergirl this season...missed that episode...and wasn't particularly taken by what I'd read of it...but now you've enticed the Legion geek in me to go have a look...soonish.

ETA: Got through half the episode this morning but didn't see anything in the scene with the pods that really popped at me. Maybe I could get something if I took a screencap and magnified it, but they were pretty out of focus. I'd been hoping maybe they'd used the old Mission Monitor Board symbols from the '80s or something similar. Guess I'll wait and see if we get a better look when I have a chance to catch the rest of the episode.

I think I like this show better in the morning though. The stuff with J'onn and his dad is pretty cute.
 
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^The shot where I noticed Saturn Girl's logo was in the second half of the episode, when they returned to the ship.
 
I'm just watching the Crisis X thing and it has the old Supergirl-music for a second in the titles.

But in the show they changed the music in the "My name is ... bla bla" title sequence though. Does anyone know why? I liked the old music better but it seems to be gone anyway. I admit I haven't read all the 30 pages, so I could have missed it...
 
But in the show they changed the music in the "My name is ... bla bla" title sequence though. Does anyone know why?

Well, the series changed showrunners this season -- Ali Adler left and Jessica Queller & Robert Rovner were promoted into the showrunner job -- so maybe they wanted a new title theme. Although I think the original Supergirl theme is still being used in the incidental music. It certainly was during "Crisis."

But I agree, I liked the original opening music better.
 
Ah, thanks. I looked at imdb a bit. There are two composers for all the shows, Blake Neely and Daniel James Chan, and the Supergirl composer also moved to the new Freedom Fighter's show and Chan took over. That might have something to do with it too, though they swopped shows before and the titles didn't change. I guess it's the new showrunners.

Is that why we get less and less Jimmy Olson? Not that I would complain but he's a bit out of function. When Thea awoke from her coma last week on Arrow I had almost completely forgotten about her.

Btw. I love Alex' One night stand her little crisis afterwards. This was quite realistic. She grew pretty much on me, while I didn't like her much at first. Olson on the other hand - this superhero thing doesn't really work for me.
 
Watched the rest of the episode, got to the light-up wall part. I'm afraid that none of the symbols parallel to Saturn Girl's popped at me as individual Legionnaires' symbols. The one on the far right looks like the Interlac number 7 or 42, neither of which corresponds with a Legionnaire's symbol.

I was able to decipher most of the Interlac on the rest of the wall--It said things like "occupied," "ready," "normal," "danger," and "draining".

If anyone with a better eye wants to have a go at the symbols along the top, this page shows the symbols for the Legionnaires. Keeping in mind that Saturn Girl's symbol on the wall has a line under it that's not part of the symbol, and the other symbols apparently do as well.
 
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Oh, I didn't realize there'd been a composer change.

I will go with the idea that they just didn't like the music any or wanted something new. As said, the trailer/opening seems to be gone anyway.

The Old Building & Loan[/URL said:
The Old Building & Loan[/URL said:
on the rest of the wall--It said things like "occupied," "ready," "normal," "danger," and "draining".

Esp. the "occupied" seems to be very helpful. I mean you can see that from a distance but it's good to be assured. :D

If anyone with a better eye wants to have a go at the symbols along the top, this page shows the symbols for the Legionnaires.

Thanks, nice.
Well, I guess we'll see more of the occupants this week.[/URL]
 
As said, the trailer/opening seems to be gone anyway.

It hasn't been used for the past couple of weeks, but that doesn't mean it's permanently gone. In the past, the Arrowverse shows have occasionally dropped the series intros when they've had lengthy "Previously" recaps to do, or just needed a bit more time for the episode proper. So they come and go. They aren't really main title sequences in the traditional sense, so they're considered optional.
 
Let's hope so, I would miss them.

Btw, the new Krypton Lady with the observant daughter, is she from the comics too? Samantha Arias if I remember correctly?
 
Btw, the new Krypton Lady with the observant daughter, is she from the comics too? Samantha Arias if I remember correctly?

Sam is very loosely based on a recent Supergirl villain called Reign, but her human identity and her daughter are original to the show. It's sort of like what Smallville did with Doomsday, although it hasn't taken nearly as long for the villain side to manifest, and presumably the big fight won't be so cursory.
 
Sam is very loosely based on a recent Supergirl villain called Reign, but her human identity and her daughter are original to the show. It's sort of like what Smallville did with Doomsday, although it hasn't taken nearly as long for the villain side to manifest, ...

Buah, Smallville. I stopped following that around season 7 or 8 and never watched anything again. For me they just took too long to make Clark Superman. And nothing ever happened. Whenever they took one step forward, they took two steps back. A "quickstep" series. I remember Doomsday from there.

The Kryptonian attitude to send babies or small children in the small ships to the earth tends to get a little silly as well the more often you see it. It seems that this was the standard "save the civilization" plan for both good and evil Kryptonians.

...and presumably the big fight won't be so cursory.

The scene with the mother, when she showed Samantha the ship, was well done. I'm sure they will be friends in the end. :D
 
It's sort of like what Smallville did with Doomsday
You're actually one of the few people I've seen make this observation, which is surprising to me. When I first heard the show's Reign/Samantha concept, I was like, "Man, that's the exact same frigging thing Smallville did with Doomsday." I admit I was a bit disappointed by how much of a retread it seemed -- though Sam and Davis Bloome are different enough characters, and the story's development has been sufficiently interesting, that it hasn't bothered me as much in execution.
Buah, Smallville. I stopped following that around season 7 or 8 and never watched anything again. For me they just took too long to make Clark Superman.
Not criticizing or arguing, because each to his own, but it's always confounded me how many people seem to have watched Smallville with one eye on their watch, tapping their foot impatiently and muttering, "Superman, come on, where's Superman already." I sometimes feel I'm the only one who loved the show on its own terms and for what it was, rather than as just one long test pattern delaying the "real" series I actually tuned in for -- which was never what the show promised or was intended to be.
 
Buah, Smallville. I stopped following that around season 7 or 8 and never watched anything again. For me they just took too long to make Clark Superman.

Smallville was a victim of its own success. It was designed to run for only about 5 years and end with Clark donning the cape and tights for the first time. But then it kept getting renewed over and over again, and the producers and star were unwilling to just do the sensible thing and turn it into a full-fledged Superman series, so it ended up in this awkward place where it kept having to mine more and more concepts from Superman comics but still avoided the actual Superman.


The Kryptonian attitude to send babies or small children in the small ships to the earth tends to get a little silly as well the more often you see it. It seems that this was the standard "save the civilization" plan for both good and evil Kryptonians.

It is a bit problematical. The original idea was that Jor-El could only save his infant son because he didn't have time to build more than a small prototype rocket. If Kryptonians had a bunch of these one-person interstellar spacecraft, it's hard to understand why they didn't have anything bigger and why there weren't already a bunch of Kryptonians off-planet at the time it exploded.


You're actually one of the few people I've seen make this observation, which is surprising to me. When I first heard the show's Reign/Samantha concept, I was like, "Man, that's the exact same frigging thing Smallville did with Doomsday." I admit I was a bit disappointed by how much of a retread it seemed -- though Sam and Davis Bloome are different enough characters, and the story's development has been sufficiently interesting, that it hasn't bothered me as much in execution.

Well, this is a case where it makes sense that they do the same sort of thing because it just works better. I mean, Doomsday was a terrible idea. He wasn't even a character, just a half-assed Macguffin for killing Superman so they could tell a story about what happened afterward. The only way to turn that dumb-as-bricks, creatively lazy idea into a useful character for a season-long series arc was to humanize him, to give him an identity and personality. Smallville may have done the climactic battle quite disappointingly, but the overall Davis Bloome storyline was a vast improvement on the original.

As for Reign, I get the impression that she wasn't that much more developed as a character than Doomsday was. So she was kind of a blank slate with plenty of room to fill in. And the producers wanted to show the villain becoming the villain this season, because it was different from what they'd done before. Again, it's an approach that works well for the season-arc narrative structure of modern TV. So a degree of convergent evolution is not surprising.
 
Not criticizing or arguing, because each to his own, but it's always confounded me how many people seem to have watched Smallville with one eye on their watch, tapping their foot impatiently and muttering, "Superman, come on, where's Superman already."

Eight years. ;) :D I didn't stop watching after two episodes, I stopped after eight years.

The whole soap thing they had with Clark and Lana was "one forward, two back", they had Arrow for a while and I thought "This is interesting" and then it was turned back again. That episode where he could fly and next episode it was erased again. A lot of things in this show went like this but in summary nothing really happend.
There were also some other issues with the show but this is not the right thread perhaps.

And I can understand when people liked the show. ;)
 
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