That's what lack of evidence is all about, right? It's possible and, given past experience with this franchise and fandom, considerably more likely than expectations that this continuity boondoggle ends well.You don’t know that

That's what lack of evidence is all about, right? It's possible and, given past experience with this franchise and fandom, considerably more likely than expectations that this continuity boondoggle ends well.You don’t know that
I think it's stupid to explain why Discovery looks different than TOS. They're two shows made 50 years apart, things have changed since then. It's absurd to think there is some in-universe explanation because it's utterly meaningless. It's just pandering to the fans who can't tell the difference between reality and fiction.
Yeah. I think "giving explanations" for visual reboots is one of the worst possible outcomes.
Spock kept forgetting to turn down his airpods. It was a phase he was going through.So long as the recast Spock is permanently shouting, everything else will fall in to place.
I just hope they don't feel the need to explain visuals. DS9 and Enterprise unnecessarily complicated things in that regard.
I’m fine with jokes about changes. Maybe say the Enterprise had budget cuts.Yeah. I think "giving explanations" for visual reboots is one of the worst possible outcomes. It worked great as a joke with the klingons in "Tribbles". And ENT gave a canonical explanation, because now this change had already been canonically referenced once before, and ENT was a bit between a rock and a hard place, being a prequel but using canonical later looks and all. That was fine. IMO unnecessary, but fine.
For DIS, I want the klingons to look more like traditional klingons in the future: With beards, hair, and real D7-starships. But do I want an explanation on why they looked so different in the first season? Hell no! At most seeing a klingon shave himself. But only if it doesn't distract from the rest of the scene. For the rest? Just change the look gradually, without explanation. A starship with round nacelles here, a new more colorful uniform there... But don't try to give elaborate explanations.
I think it's stupid to explain why Discovery looks different than TOS. They're two shows made 50 years apart, things have changed since then. It's absurd to think there is some in-universe explanation because it's utterly meaningless. It's just pandering to the fans who can't tell the difference between reality and fiction.
Tis the problem of shared connectivity in an established universe. Despite what some think about how unimportant "canon" is to the show clearly enough people care to make the producers and writers care.I think it's stupid to explain why Discovery looks different than TOS. They're two shows made 50 years apart, things have changed since then. It's absurd to think there is some in-universe explanation because it's utterly meaningless. It's just pandering to the fans who can't tell the difference between reality and fiction.
I think it's stupid to explain why Discovery looks different than TOS. They're two shows made 50 years apart, things have changed since then. It's absurd to think there is some in-universe explanation because it's utterly meaningless. It's just pandering to the fans who can't tell the difference between reality and fiction.
But the subject at hand, the way TOS "looked" (production-wise) as opposed to the way (same era) DSC looks, is not a matter of canon. Canon would be in-universe and the way the shows look (with respect to production values) are out of universe. As pointed out, TOS looked the way it did (with respect to production) ONLY because it was produced in the mid 1960's. And, as others have pointed out, TOS wasn't "set" in the 60's, it was a 60's representation of the 23rd century. DSC is a 2017 representation of that same era.Tis the problem of shared connectivity in an established universe. Despite what some think about how unimportant "canon" is to the show clearly enough people care to make the producers and writers care.
They've done it in Doctor Who quite a few times (recreating past looks) and honestly its never looked silly to me. If/when DSC actually starts looking like TOS it won't be made with cardboard and glue sticks and it very likely wont be 100% screen accurate but rather an updated version of that particular look.
Doctor Who has a different tone than Trek as well. It’s always been cheesy and isn’t afraid to embrace it.But the subject at hand, the way TOS "looked" (production-wise) as opposed to the way (same era) DSC looks, is not a matter of canon. Canon would be in-universe and the way the shows look (with respect to production values) are out of universe. As pointed out, TOS looked the way it did (with respect to production) ONLY because it was produced in the mid 1960's. And, as others have pointed out, TOS wasn't "set" in the 60's, it was a 60's representation of the 23rd century. DSC is a 2017 representation of that same era.
This why I could never understand why some people got upset about the remastering(?) or updating TOS some years ago.
If Doctor Who did an episode where it affected a retro look, that's fine, but DSC need never do this, because there is just no reason.
Doctor Who has a different tone than Trek as well. It’s always been cheesy and isn’t afraid to embrace it.
I think a better comparison is the newer Star Wars films. In Rogue One, the stormtrooper armor was slightly redesigned. The venting on the helmets are now vents and not painted on, the other details are sharper too. Mainly because it can be done now on a mass scale and it looks better on screen. The old ones were made by hand and molded causing a lot of imperfections that few, besides the prop and costuming community, would notice. Still both are supposed to be the same suits.
I don’t know what it is, but it looked weird in ROTS. Human faces are slightly asymmetrical, perfectly symmetrical faces look weird to us. I wonder if Vader’s mask has somehow taken on the same qualities to our brains.On the other hand, they kept Vader's Helmet "cheeks bones" asymmetrical instead of fixing it like they did in ROTS.
It is an interesting contrast.
It's actually an interesting test in to the "uncanny valley" of something that isn't human. Apparently, when casting the mold for ROTS they discovered that one cheek was different, and making it perfectly symmetrical looked all kinds of wrong. More details here if you're interestedI don’t know what it is, but it looked weird in ROTS. Human faces are slightly asymmetrical, perfectly symmetrical faces look weird to us. I wonder if Vader’s mask has somehow taken on the same qualities to our brains.
Well maybe. But Enterprise has kind of ruined any notion of that. They showed a TOS period bridge on their (not all that long ago) show. They could have re-imagined it or went the Rogue One route or the TOS remaster route and touch things up but they didn't. In the 2000's a modern day Trek show portrayed a future ship in that way. To me that is visual continuity. Now I personally don't mind a bit of tinkering for the sake of modernization so that doesn't bug me (I thought the remasters enhanced TOS).But the subject at hand, the way TOS "looked" (production-wise) as opposed to the way (same era) DSC looks, is not a matter of canon. Canon would be in-universe and the way the shows look (with respect to production values) are out of universe. As pointed out, TOS looked the way it did (with respect to production) ONLY because it was produced in the mid 1960's. And, as others have pointed out, TOS wasn't "set" in the 60's, it was a 60's representation of the 23rd century. DSC is a 2017 representation of that same era.
This why I could never understand why some people got upset about the remastering(?) or updating TOS some years ago.
If Doctor Who did an episode where it affected a retro look, that's fine, but DSC need never do this, because there is just no reason.
Doctor Who has a different tone than Trek as well. It’s always been cheesy and isn’t afraid to embrace it.
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