I just wanted to clarify that though I'm fully aware of TMP's shortcomings, they really are relatively minor and do not have a profound impact on the enjoyment of the feature. So allow me to reiterate that I love TMP and it's probably my favourite TREK adventure. It's very difficult to accept that a movie - STAR TREK, or otherwise - will never again be made with this type of aesthetic in mind, or this level of craftsmanship. My jaw still drops at everything I see in this picture. It's beautiful ... just beautiful. And I really like the performances, the story, the new characters ... it's such a wonderful film and it's decades old. That's the part that sort of gets me. This film never seems dated, even though it's obvious that it came out in the Seventies . It has a freshness that I really wish the subsequent features could've offered, but didn't in favour of 8O's sensibilities. The grandeur is completely absent in the later TREK films and that's disappointing to me.
I like how lean TWoK is, how straightforward and well-paced it is, but outside of the nebula, there's really nothing about it that demonstrates particular sensitivity to its own Artistry. Even the planet scenes seem pragmatic - it's just there to serve the story and nothing else beyond that, really. TMP is completely memorable and visually stunning and despite the inexplicable, awkward moment here or there, or V'GER's 15 minute first-reveal. I almost can't believe a movie like this even got made, especially by PARAMOUNT, which is just about as commercial a studio as you can get. It's the kind of movie where you go to the theatre and you're like ... THIS is what movies are supposed to be like. The spectacle, the Larger-than-Life characters, the imaginative storyline. Not watching people just sitting around in an apartment deciding what they want to do over the weekend. Save that for the little screen ...
I like how lean TWoK is, how straightforward and well-paced it is, but outside of the nebula, there's really nothing about it that demonstrates particular sensitivity to its own Artistry. Even the planet scenes seem pragmatic - it's just there to serve the story and nothing else beyond that, really. TMP is completely memorable and visually stunning and despite the inexplicable, awkward moment here or there, or V'GER's 15 minute first-reveal. I almost can't believe a movie like this even got made, especially by PARAMOUNT, which is just about as commercial a studio as you can get. It's the kind of movie where you go to the theatre and you're like ... THIS is what movies are supposed to be like. The spectacle, the Larger-than-Life characters, the imaginative storyline. Not watching people just sitting around in an apartment deciding what they want to do over the weekend. Save that for the little screen ...