You mean “Risk. Is our. Business.”"Risk is our business."--James T. Kirk

You mean “Risk. Is our. Business.”"Risk is our business."--James T. Kirk
Well Dax didn't die heroically. She just happened to be in the way while Dukat was going about his evil plan. The problem there being that Dax and Dukat barely interacted over the course of the show, and there was no payoff where Worf kills Dukat, so it just felt like a bizarre way to kill off a character.Dax's Trip's And Data's death was an example. What happened with Dax and Data got a meh from me.
Surely you mean "Risk. Is. Our. Business."You mean “Risk. Is our. Business.”![]()
That's precisely why I like that way Jadzia died. Her death was meaningless. You're not suppose to like it.Well Dax didn't die heroically. She just happened to be in the way while Dukat was going about his evil plan. The problem there being that Dax and Dukat barely interacted over the course of the show, and there was no payoff where Worf kills Dukat, so it just felt like a bizarre way to kill off a character.
I get that. But it doesn't feel like the way her story should end.That's precisely why I like that way Jadzia died. Her death was meaningless. You're not suppose to like it.
Surely you mean "Risk. Is. Our. Business."![]()
Trek, meanwhile, has spent a generation telling puzzle stories that no one but trufans give a shit about.Fans complained forever, it seemed, about the so-called "reset button." Well, hey, you got your wish. Congratulations!![]()
Wow, quite a turnaround. When I first saw you on this board, shoot, nearly 2 decades ago, you were the uber TNG apologist. It could do no wrong. (Yes, I finally connected your new username to you.)You know, it took three decades but I finally got numb to the fact that nothing was going to happen on Star Trek.
The problem with all this, is if they kill off a character you'd didn't have an emotional investment in, then it's not like you care, except for how it might affect future plots. If they kill off someone you really like, you get pissed. I've stopped watching shows before when they killed off a character I really liked especially when it was really a stupid death, like Lexa's death in The 100.
If it's a great show it doesn't matter whether it fulfills some idiosyncratic fan image of "true Star Trek."
Well I'm all for killing off characters if it is done to characters that I care about. Fusing the Trek family warmth (which BETTER be there!) with some thoughtful, artful deaths could be extremely effective. Make the Internet cry! Not for cheap shots but because space is dangerous and sometimes people will die, otherwise there are no stakes.
There's a difference between appealing to kids and kid friendly.Those series were certainly about a lot more than just appealing to kids.
My thoughts exactly. I can understand why they might go for the whole Game of Thrones vibe. It' very much the 'in' show and people are bound to want to copy it. With 'Thrones' though they keep you interested by serving up a non stop diet of death, violence, sex and evil. I can't see them being able to pull that trick with Trek, however.
And if characters are going to be getting bumped off left, right and centre, one of Star Trek's traditional strengths - that of the idea of the crew as a family - is going to end up meaning nothing. You can't believe characters will have much affection for each other - and in turn the audience in those characters as a group - if nobody is safe for me than 10 or 12 episodes.
Don't get me wrong, Discovery may be a great show. But will it still be Star Trek?
A constant desire to be "Star Trek" just caused the show to choke itself into irrelevance and eventual cancellation. You want the Star Trek franchise to survive? Then the priority is to make a good show, not to make it Star Trek.Don't get me wrong, Discovery may be a great show. But will it still be Star Trek?
Which is why I love this Spock's reaction. It builds on that thread established in 09 and carries forward.One problem I've heard with Trek ITD, is that when they killed Kirk and then revived him an hour or two later, it was no surprise. Obviously, no one really expected Kirk to stay dead since this only the second film in the series and he's the main character. So where was the suspense?
But then Spock's reaction--Spock is enraged, gets emotional, screams Khan's name, and wants to go after Khan. The thing is, the reaction should be understandable. But the fan's reaction was that why was Spock so emotional when the crew had been together for barely a year.
His reaction was normal--but because of the limited timespan of the series and how fast they put crew together and promoted them-- it gave the false perception that they've hardly been together long and known each other.
Some fans seem to have thought Spock's reaction was out of sorts.
A constant desire to be "Star Trek" just caused the show to choke itself into irrelevance and eventual cancellation. You want the Star Trek franchise to survive? Then the priority is to make a good show, not to make it Star Trek.
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