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Which of the films has your favourite score?

Which of the films has your favourite score?

  • The Motion Picture

    Votes: 41 37.6%
  • The Wrath of Khan

    Votes: 22 20.2%
  • The Search for Spock

    Votes: 7 6.4%
  • The Voyage Home

    Votes: 1 0.9%
  • The Final Frontier

    Votes: 9 8.3%
  • The Undiscovered Country

    Votes: 9 8.3%
  • Generations

    Votes: 0 0.0%
  • First Contact

    Votes: 15 13.8%
  • Insurrection

    Votes: 1 0.9%
  • Nemesis

    Votes: 0 0.0%
  • Star Trek (2009)

    Votes: 2 1.8%
  • Into Darkness

    Votes: 2 1.8%

  • Total voters
    109
Second-best Star Trek music would be Jerry's First Contact; it certainly had its share of sharp, intense & fiercely emotional moments throughout. Nobody involved in Star Trek has written better music than Jerry Goldsmith; he was born for Star Trek.
 
Second-best Star Trek music would be Jerry's First Contact; it certainly had its share of sharp, intense & fiercely emotional moments throughout. Nobody involved in Star Trek has written better music than Jerry Goldsmith; he was born for Star Trek.

I think Horner's stuff is easily on a par. I didn't care much for insurrection's score, it felt like by the numbers goldsmith at that point, though I liked the score for nemesis.
 
For me, it's a toss-up between TMP and TWOK (with TSFS a close third), but I find myself listening to Horner's TWOK more often than Goldsmith's TMP, so I voted TWOK.
 
I think Horner's stuff is easily on a par. I didn't care much for insurrection's score, it felt like by the numbers goldsmith at that point, though I liked the score for nemesis.
Nah, Horner's stuff from that period all sounds exactly the same. It's like he wrote one big generic action movie score and kept fiddling slightly with it for 15 different movies. Hell, Goldsmith's TFF score is orchestrally more distinct from his TMP score than almost any two scores for wholly different films by Horner in the same period.
 
Nah, Horner's stuff from that period all sounds exactly the same. It's like he wrote one big generic action movie score and kept fiddling slightly with it for 15 different movies. Hell, Goldsmith's TFF score is orchestrally more distinct from his TMP score than almost any two scores for wholly different films by Horner in the same period.
Well, that summer when I was playing TFF my brother walked into the room and asked why I was listening to Rambo. Goldsmith had a sound. He might not have followed it as exactly as Horner was wont to do but not all of his stuff sounded absolutely fresh. TMP and TWOK sound nothing alike but Innerspace and Hoosiers (or First Contact) have their overlap.

Onto the thread: I will not pick. I suppose I could probably group TMP, TWOK, and TSFS as THE Star Trek scores. There are things that TMP does that no other score does for me. But there are things that TWOK/TSFS does that TMP doesn't.

So pretty much there is 1-3 and there is everything else. :)

OTOH, there is not a TOS Movie score that I don't love. The TNG movies have some super highlights but there is some "treading water" kind of music (especially in the last two Goldmith scores).

(I ALMOST picked TMP just now. But I won't.)
 
One of the things I always liked best about TMP/TFF vs SFS is how Goldsmith came up with the iconic Klingon theme, then Horner did his version of it, so Goldsmith cranked it up several notches the next chance he got.
 
Yes, sure, i can smell a John Williams score at 50 paces, and there are similarities in many of Goldsmith's scores, and Elfman;s Batman Returns score sound like it could be underscore for The Nightmare Before Christmas. But Horner really did basically duplicate whole passages from one score to another with a minimum of fiddling.
 
It's tough...there are so many good ones. I actually voted for Into Darkness, which I think is wildly underrated. The piano theme in that just moves me so much and there is so much darkly epic material, I love it. I am a big Giacchino fan in general.
However, there's no doubt that Goldsmith and Horner did phenomenal work, so important and so imaginative, and of course TMP score is a standout. The First Contact theme is so beautiful, the Ba'ku Village theme from Insurrection is so pretty, the Klingon theme is everything it should be, etc, etc..It's all just great.
 
It's tough...there are so many good ones. I actually voted for Into Darkness, which I think is wildly underrated. The piano theme in that just moves me so much and there is so much darkly epic material, I love it. I am a big Giacchino fan in general.
However, there's no doubt that Goldsmith and Horner did phenomenal work, so important and so imaginative, and of course TMP score is a standout. The First Contact theme is so beautiful, the Ba'ku Village theme from Insurrection is so pretty, the Klingon theme is everything it should be, etc, etc..It's all just great.
I went to a Star Wars vs. Star Trek concert at the Phoenix Symphony last year. Epilogue and End Credits from TWOK moved me to tears. But the unexpected stand out for me was the End Credits from Insurrection which included the Ba'ku Villiage suite. Wow. Just really really wow.
 
I will say that the Overture (formerly Ilia's Theme) from TMP was gorgeous and moving, and the soundtrack as a whole is entirely perfect for that movie, and while Horner lifts entire sections from his own works on several occasions, TWOK remains my favorite, aesthetically.
 
I went to a Star Wars vs. Star Trek concert at the Phoenix Symphony last year. Epilogue and End Credits from TWOK moved me to tears. But the unexpected stand out for me was the End Credits from Insurrection which included the Ba'ku Villiage suite. Wow. Just really really wow.
I would love to go to a Trek vs Wars concert, sounds amazing!
I'm going to a Star Trek concert in a couple of weeks, so I'm now using that as an excuse to listen through each one of the movie scores in a row in preparation. Maybe I'll come up with a definite favourite from all the immersion. But probably it'll just be harder to choose.
 
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