It's quite clear in the movie (well, it's more clear in the novel) that electromagnetic radiations aren't behaving normal. So, no smartphones or GPSGPS would have made Stalker a five minute movie...
It's quite clear in the movie (well, it's more clear in the novel) that electromagnetic radiations aren't behaving normal. So, no smartphones or GPS
Well, it would be quite expensive...Fair point.
Though the Stalker could have thrown smartphones with ribbons to test the area.![]()
From some of what I've read in interviews, it sounds like there might be some disturbing stuff with the battle scenes, but I'm not sure how far it'll go. It's PG-13, so it shouldn't be Saving Private Ryan or anything like that, but some still go surprisingly far.
I mean, sometimes I wonder how Japanese kids don't turn in a bunch of psychopaths with all those violent anime.
I didn't intend psychopath of the violent kind. There are so many flavours out there. I mean, check their porn output and then tell me that they are sane people.Because their larger culture instills them with self-control and pro-social behavioral standards. Violent entertainment doesn't create violent tendencies; it merely provides a focus for tendencies that already exist in an individual due to other problems like mental illness, an abusive upbringing, or an unstable society. (For instance, nobody's going to be inspired by a Roadrunner cartoon to go out and torture a coyote, not unless they already have a predisposition to abuse animals.) If anything, I think Japanese fiction is so violent because it's a harmless release valve for the aggressive impulses that are otherwise so rigorously controlled.
So you're counting on three-in-a-row? Tall order...Well it's gonna sound stupid, but I swore to myself that I wasn't going to go back to the DCEU in the cinema until they have two good films in a row.
This whole conversation reminds me of the scene in the first Terminator movie where Sarah is running around out on the street desperately searching for a pay phone. That would definitely not be an issue if the movie was made today.Meteor required tracking down Russian scientists to get their weapon system up and running, which would be piss easy if those scientists were monitoring the situation on twitter with their smartphones.
In Stalker, they could have called ahead and booked a hotel, or looked up the yelp reviews on their phone about the Zone, therefore understanding how mercilessly bad an idea it is to look for enlightenment in Soviet Russia.
Sigh...
https://www.facebook.com/alvy.singer.944?ref=br_rs
(I did try to get into JDate, said that I was a man looking for a man, although I should have said that I was a woman looking for man... They wanted a zip code and couldn't be bothered looking up the zip code for New York...
HA!
The person listed as Annie Hall is a good friend of mine!!!!
Never mind.
I answered 10 more questions on jdate's application, trying to see if they had any one with a fake Woody Allen Profile, or if Woody Allen was shopping around... They they wanted an email to proceed.
FAH!!!
Alvie and Annie could have ordered dead lobsters with their phones, or booked a table at a restaurant with their cellphone to have a professionally cooked series of lobsters.
This whole conversation reminds me of the scene in the first Terminator movie where Sarah is running around out on the street desperately searching for a pay phone. That would definitely not be an issue if the movie was made today.
I don't know. Japan had its share of violent literature and entertainment well before of the American cultural colonization. And there a lot of quite violent Noh plays. Perhaps Americans just gave them same new ideas. You know...Indeed, it occurs to me to wonder if part of the reason for all the violence in Japanese entertainment is because they've been trying so hard for the past 7 decades to cater to their perception of American tastes and values.
And in Australian soaps, getting lost in the bush in order to knacker the reception happens a lot. Err, apparently. Not that I've seen any, you understand.Battery dead.
No reception.
Convenient issues.
I don't know. Japan had its share of violent literature and entertainment well before of the American cultural colonization.
Japanese entertainment seems to be proportionally more extreme in its violence than American entertainment, but maybe that's because the Japanese are catering to what they see as American tastes....
Most of the current anime you are probably familiar with airs late at night (or some premium service) and is aimed mostly at adults/fans (kids just don't have much purchasing power to buy the merch needed to fund these shows), the Japanese equivalent of people like us.I mean, sometimes I wonder how Japanese kids don't turn in a bunch of psychopaths with all those violent anime.
I understand the general point you're making but if you've been to Japan you will know it is has a long history of literary and artistic depictions of violence (often graphic, and especially sexual) that predate any American fan-service, and much of which is specifically for the domestic market that gaijin do not generally get to experience.
I know, but BvS hit me pretty hard. I don't hate Man of Steel or Suicide Squad, but they don't really give me much reason to defend the DCEU either. It's especially galling as BvS and Suicide Squad both got arguably better versions released on Blu-ray, so there's even less incentive for me to see them in the cinema.So you're counting on three-in-a-row? Tall order...
Again, I was joking. I know Japanese children were more exposed to violent anime in '70s and '80s than today. And I wasn't really serious when I claimed that I can judge the collective psyche of a Nation from its animation output. I mean, Italy probably (also in the '70s and '80s) broadcast almost all the same Japanese violent anime and I doubt that the respective populations are really comparable.Most of the current anime you are probably familiar with airs late at night (or some premium service) and is aimed mostly at adults/fans (kids just don't have much purchasing power to buy the merch needed to fund these shows), the Japanese equivalent of people like us.
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