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Star Wars Books Thread

The thing with Legends Thrawn was that, esp. in the later written books, his deductions and skills got more and more "magical," for lack of a better word, to the point where it felt like he was infallible (a bit like the stereotypical Mary Sue). They also inserted the idea that he was with the Empire only to prepare the Galaxy for the Vong invasion didn't work for me either; it seemed like they were trying to whitewash the original books where he was clearly a villain.

We'll have to agree to disagree there. I liked the Vong stuff, although he was clearly a villain. He did a lot of terrible things, and I don't think they really tried to say that the ends justified the means, just that he might have had a bit different motivation then what we thought.

For my money, Zahn gave the character depth that he didn't have before in the new novel and also got the balance between making Thrawn a tactical genius who's among the best in his profession, but in a way that seemed "real life" plausible. But that's just me.

Well, the character in Rebels couldn't have less depth, and Zahn wrote the Rebels character, not the real Thrawn, so I definitely disagree there. I should also point out that in no way should he be real life plausible. Its like Sherlock Holmes, him being almost supernaturally good is part of the interesting things about him. I'm not reading a book with thrawn, or a Star Wars book in general, to read some realistic, "grounded" story about space ships and wizards with laser swords.

We don't know what was going on behind the scenes. For example, Jyn Erso is getting her own novel focusing on her life between being taken in by Saw and being rescued from the prison camp. Maybe a prequel focusing on the earlier generation was chosen to avoid stepping on the toes of other projects like that?

You can't step on the toes of a kiddie book. As of right now, Jyn is getting no real book about her backstory. She should be, but they're probably too busy writing a GA book about the origin of Poe Dameron's favorite brand of space toothpaste. The movie has very real characterization problems, and everyone, from the director and writer on down, has to know that. But, nothing was done. Instead, two characters who need literally not one second more of story time get a book. Because why put effort into something when you can crap out a pointless book.

This is DK doing a kiddie movie reference work.

It looks just like the RO book to me, except more colorful (and with animals, obviously). 99% of DK's output is stuff like that, and the RO book isn't different. Not that it being for 12 year olds instead of 9 year olds would make it any more canon or relevant.

Unless you're referring to headcanon, the Survival Guide is canon. I don't really see what's wrong with having stuff that's written to be okay for kids as well. Star Wars has a wide appeal across different age ranges.

Its fine to have stuff for kids, but its not canon. There is no secret bit of information only available if you read a book for 7 year olds. Anything canon in those books was from another source, it doesn't make canon.

NJO also connected to Junior Jedi Knights, which was written for a primarily children-based audience. The point I'm making is that children's/YA and more adult-orientated books have always coexisted and always connected together to create a single canon. Disney doing the same today is business as usual.

Nope. the kiddie books take their cues and canon from the big books, but don't effect the big books. That's how its always been, and rightfully so. The general audience stuff is what is important to the universe, not the stuff pushed out for kids. Even in the old EU it was only the Young Jedi Knights that ever connected, its not like, for example, those Obi-Wan Kenobi books for 5 year olds ever counted for anything.

Funny, given that Rey's Survival Guide and the Force Awakens junior novelization offered the most clues to Rey's past than anything else to date (until Last Jedi is released, at least). Finn's backstory was only fleshed out in a YA book (Before the Awakening). The explanation of how the Skywalker map worked, only in the junior novelizations.

If that stuff was in junior novelizations, its non canon. Anything in those books not said in the movie or in a GA book is non canon, just like every other kids book and things like novelizations. Finn's counts because YA, while awful is unfortunately canon (the real YA stuff that is, after reading Ahsoka that thing is no more YA then Tarkin, its just shorter and double spaced to look bigger for some reason).

Heck, if the normal novelization is non canon, a junior novelization is even less so, since it probably leaves things from the canon movie out. As for the Skywalker map, that's not exactly a mystery. Its stupid and makes no sense (you could find Luke with just the last piece if you could identify even one planet in that section), but not something that got some kind of reveal in a kiddie book.

What's that got to do with a YA and adult book series being interconnected and building off each other?

The real books don't build off the kiddie books. The YA stuff is canon, but it doesn't add things. In the new canon, it just exists to shove unimportant Twilight style stories about teen angst onto the shelves.

I've heard a lot of good things about it in Star Wars fan circles. If there's hard data, that's one thing, but it's has been renewed, as I recall, so it has have gotten enough of a fanbase to be profitable enough to keep making.

Ask people coming out of an average Star Wars movie showing about Rebels, and I can pretty much guarantee that the vast majority either don't know about it, or don't care. This is the same with any of the non-movie media, but I'd bet you'd find more who know/care about The Clone Wars, the books, the comics, etc, and they'd be older then most of the Rebels fans.
 
It just depends on the age, and Star Wars is as much a kids franchise as anything else.

I don't think kids is the reason it makes so much money and has lasted so long. Regardless, it produces more stuff for a general audience (counting various media, not merchandise like toys) then it does kids. Even if kids love the movies, the OT and especially the Disney movies aren't focused on kids. Even the prequels have a lot of weird stuff kids don't care about (although its generally stuff adults don't care about either, like boring political talk and Anakin being angsty).
 
Almost all movies geared towards older kids, like Star Wars, have stuff for adults in them too, but that doesn't make them any less kids movies.
Hell, at the 40 Years of Star Wars panel the Grand Pooba of all things Star Wars, George Lucas himself, said Star Wars is for 12 year olds. As much as adult fans might try to deny it, Star War really is meant to be a franchise older kids. With that in mind it makes sense that they'd want to keep the stuff intended for the franchise's primary audience canon.
Really excited to hear about the Phasma comic and novel, even though we didn't get a very much with her in TFA, I found the bits we did get intriguing. I'm not sure what her novel will be about, but at least part of the comic is dealing with how she escaped from Starkiller Base.
They revealed covers for a whole shitload of new books during the books panel.
Here's the titles and authors, the covers are at the linked StarWars.com page.
Forces of Destiny: Daring Adventures 1 (3 stories in 1 featuring Sabine, Rey, and Padme)
Forces of Destiny: Daring Adventures 2 (3 stories in 1 featuring Jyn, Ahsoka, and Rey)
World of Reading Level 2 (these are books for young kids): Star War Forces of Destiny: Meet the Heroes
The Rise of a Hero written by Louise Simonson art by Walter Simonson, Tom Palmer and Laura Martin
I am a Hero (Little Golden Book)
99 Troopers Join the Empire by Greg Stones
Join the Resistance: Escape from Vodan
Using Scratch: Star War Coding Projects: A Step By Step Guide to Coding Your Own Animations, Simulations, and More
Super Graphic: A Visual Guide to a Galaxy Far, Far Away by Time Leong
BB-8 on the Run written by Dan Daywalt, art by Matt Myers (accoring to the article this is a picture book about BB-8 on Jakku)
Journey to Star Wars: The Last Jedi: Phasma by Delilah S. Dawson
Journey to Star Wars: The Last Jedi: Captain Phasma (comic) written by Kelley Thompson, art by Marco Checchetto
Journey to Star Wars: The Last Jedi: Leia: Princess of Alderaan by Claudia Gray
Journey to Star Wars: The Last Jedi: The Legends of Luke Skywalker by Ken Liu
Journey to Star Wars: The Last Jedi: Star Wars Made Easy: A Beginners Guide to the Galaxy, Far, Far Away
Journey to Star Wars: The Last Jedi: The Moviemaking Magic of Star Wars Creatures + Aliens: A Cinemagic Book
Then there's a book and wood model set for the new A-Wing and one for BB-8
Journey to Star Wars: The Last Jedi: Kirigami: 15 Vaisseaux: Prets a Realiser: Niveau Debutant, Intermediare, Expert (yes this cover is French) by Marc Hagan-Guirey
Journey to Star Wars: The Last Jedi: Annual 2018 (not sure, but the annual thing makes me think this is another comic)
Journey to Star Wars: The Last Jedi: Stealth Mission Book and Model: Make Your Own X-Wing
The Art of Coloring: Journey to Star Wars: The Last Jedi: Star Wars Keepsake Coloring Book
Journey to Star Wars: The Last Jedi: Power of the Force
World of Reading Level 2: Journey to Star Wars: The Last Jedi: A Princess Named Leia
Journey to Star Wars: The Last Jedi: Absolutely Everything You Need to Know: Updated and Expanded
Journey to Star Wars: The Last Jedi: Stormtroopers: Beyond the Armor by Ryder Windham & Adam Bray, introduction by John Boyega
Journey To Star Wars: The Last Jedi: The Rebel Files
The article says that details and release dates will be revealed later.
 
I'm pretty certain that Star Wars was designed, even in 1977, to be for kids around the age of 12. It was designed to be like those old 1930s serials like Flash Gordan and Buck Rogers that the kids of the day loved. And that Lucas made his money on the toy merchandising it a known fact. It was one of the first films to really make it big on toy merchandising, which is why Lucas made out like a bandit when he got more money out of Fox to make the movie by giving away more of his movie shares in exchange for the merch rights and some more cash for special effects and reshoots.

It is worth noting that most of the people that are working on Star Wars now, in the upper division management regions, were kids when that film came out. They were those 12 year olds back in 1977. So that informs their take on Star Wars, that is how they saw it, and the group in influenced the most into doing that sort of job. I was born in 1977. Star Wars has been part of my life my entire life. I should probably work for Lucasfilm, but I haven't sent in a application since around 1999 (it turns out I was applying for the job Pablo Hildago got. He had more experience at that time as I was still in college.) So yeah, Star Wars is what it is and that's how people write for it most of the time.
 
I don't think kids is the reason it makes so much money and has lasted so long. Regardless, it produces more stuff for a general audience (counting various media, not merchandise like toys) then it does kids. Even if kids love the movies, the OT and especially the Disney movies aren't focused on kids. Even the prequels have a lot of weird stuff kids don't care about (although its generally stuff adults don't care about either, like boring political talk and Anakin being angsty).
I think it has lasted this long because people grew up with it and kept it going forward and shared with with their kids. Yes, the franchise produces things that are for adults, but the films themselves are styled, as others have said, in the Flash Gordon style, geared for 12 year olds.

The OT is definitely geared towards that demographic, and that's when I first saw it. All films are produced with some nods to adults, but Star Wars, especially ANH, was for older children. There was plenty of tie in media that kept me going in the lead up to TPM, especially the kid's novelizations, and Anakin's, Amidala's and Maul's journal. I also enjoyed the "Jedi Apprentice series" which show cased more of Qui-Gon and Obi-Wan before TPM. In fact, I would rather have those books than ever see the Vong in a book again.

I'm not saying that Star Wars doesn't have broad appeal, because it certainly does, but at its core, it is geared towards 12 year olds.
 
We'll just have to agree to disagree. I'm done with this specific argument, at least right now. As someone who only became a big fan of SW because of the books, the new canon books are generally pathetic and the focus on books for people who can barely read and Twilight fans is infuriating. Hopefully a good writer will sneak a good book past the morons in charge of the book division every few years.

I'm at the point where I'll probably just assume every SW book is complete garbage, no matter what the topic is, until proven wrong. That way I'll be pleasantly surprised (like with Ahsoka) if a book manages to be good and not disappointed when most of them are still terrible and inferior to even the few bad EU books.
 
I also read Star Wars books before I saw the films, and see no harm in the current books. It's a different era, after all. I'd rather take every book on its own merits rather than measure it against what has come before.

But, yes, agree to disagree then. I'll not prejudge the books before they come out.
 
We'll have to agree to disagree there. I liked the Vong stuff, although he was clearly a villain. He did a lot of terrible things, and I don't think they really tried to say that the ends justified the means, just that he might have had a bit different motivation then what we thought.

Fair enough.

Well, the character in Rebels couldn't have less depth, and Zahn wrote the Rebels character, not the real Thrawn, so I definitely disagree there.

Well, if "hate reading" the book changes your mind (a la the Ahsoka nove), I'd be curious to hear about it.

I should also point out that in no way should he be real life plausible. Its like Sherlock Holmes, him being almost supernaturally good is part of the interesting things about him. I'm not reading a book with thrawn, or a Star Wars book in general, to read some realistic, "grounded" story about space ships and wizards with laser swords.

Put it this way, canon novel Thrawn came across as Sherlock Holmes to me, while Legends Thrawn felt like he morphed into super Sherlock Holmes beyond suspension of disbelief. Make sense?

You can't step on the toes of a kiddie book.

Yeah, you could; two books covering the same things in different ways (remember, the idea is that everything fits together, regardless of how "important" it is)? Also, I'm just speculating, I've no idea why they chose to do things the way they did.

As of right now, Jyn is getting no real book about her backstory. She should be, but they're probably too busy writing a GA book about the origin of Poe Dameron's favorite brand of space toothpaste.

By the franchise's standards of what counts, it's real. (Even by your standards, it's real, given that it's a YA novel being marketed to the teenage crowd, like Lost Stars and Ahsoka.)

The movie has very real characterization problems, and everyone, from the director and writer on down, has to know that. But, nothing was done. Instead, two characters who need literally not one second more of story time get a book. Because why put effort into something when you can crap out a pointless book.

Problem, I doubt the people who made the movie decide what books are made. Dollars to doughnuts, they were approached after the book was set and asked to provide information/feedback/whatever then. So, considering that the people at Del Rey and their contacts at LucasFilm were probably the ones to authorized the book and they were working while the movie was still being made, it's not like anyone could've know whether a different book would've supported the movie better (besides, at the end of the day, the movie's flaws are the movie's flaws and have no bearing on the quality of the novel).

There was also a canceled prequel Rogue One comics. While I don't believe many details have been made public, it's possible that the novel was meant to cover the past, while the comic would address the main characters (I'm just speculating, not making a statement of fact). If so, once again, that's not the fault of Catalyst.

Also worth noting, Catalyst has two purposes. Beyond showing us the backgrounds of the Ersos and Krennic, it also covers the history of the Death Star, which could not've been done with a story centering on the movie's leads. In fact, since the movie has the characters meeting for the first time and getting involved in the Rebellion over the course of the movie proper, I think the only thing we could've gotten like you're describing is an anthology a la Before the Awakening. I'd also point out that the fact that Jyn and the Guardians are getting whole books devoted to their biographies does point to the Powers That Be agree with you that the characters could use more fleshing out than we got in the movie proper, even if you and them disagree on the format to tell those stories.

(Also, the novelization fixed a lot of the problems you're citing, so it has been addressed in the world of print.)

It looks just like the RO book to me, except more colorful (and with animals, obviously). 99% of DK's output is stuff like that, and the RO book isn't different.

I don't know what to tell you then. I've seen the content of both, and the Rogue One is on the level of the other older audience-targeted reference books.

Not that it being for 12 year olds instead of 9 year olds would make it any more canon or relevant.

True. The reason it's canon and relevant is because those who made it and decide those things have ruled that it is.

Its fine to have stuff for kids, but its not canon.

Yes it is. Where are you getting your information?

There is no secret bit of information only available if you read a book for 7 year olds.

Wrong on two levels. It is canon and the books in question are targeted at older audiences than the 7-year-olds.

Anything canon in those books was from another source, it doesn't make canon.

Wrong, they are a valid canon source in their own right.

Nope. the kiddie books take their cues and canon from the big books, but don't effect the big books. That's how its always been, and rightfully so. The general audience stuff is what is important to the universe, not the stuff pushed out for kids. Even in the old EU it was only the Young Jedi Knights that ever connected, its not like, for example, those Obi-Wan Kenobi books for 5 year olds ever counted for anything.

Not how I remember it and not how things work now.

If that stuff was in junior novelizations, its non canon.

Wrong. (FIY, you're making a factual statement here, not an opinion. Said statement runs counter to what we're told, ergo, it's false. No wiggle roo,)

Anything in those books not said in the movie or in a GA book is non canon, just like every other kids book and things like novelizations. Finn's counts because YA, while awful is unfortunately canon (the real YA stuff that is, after reading Ahsoka that thing is no more YA then Tarkin, its just shorter and double spaced to look bigger for some reason).

What's the difference between an older and younger YA book? LucasFilm give them equal weight. (Also, the Rebels Rising novel that you've been claiming can't be canon would be canon by your standards, given that it's in the same vein as the Ahsoka novel that you're defining as canon, and certainly above the Before the Awakening target audience.

Heck, if the normal novelization is non canon, a junior novelization is even less so, since it probably leaves things from the canon movie out.

So? Absence of certain information doesn't mean that the remaining info isn't accurate

As for the Skywalker map, that's not exactly a mystery.

But the thing is, the map doesn't directly lead to Luke's location, but something else where Luke would be. That is a difference.

But the map doesn't di Its stupid and makes no sense (you could find Luke with just the last piece if you could identify even one planet in that section), but not something that got some kind of reveal in a kiddie book.

Look at it this way. Say you're in pre-Columbus Europe and someone gives you a map of Cuba sans the coordinates. Would you be able to sail there? Same thing, the Skywalker map was a piece from a blank space in the records and they didn't have access to the rest, so they couldn't get there. The movie does explain this.

The real books don't build off the kiddie books. The YA stuff is canon, but it doesn't add things. In the new canon, it just exists to shove unimportant Twilight style stories about teen angst onto the shelves.

If the story is good in and of itself, who cares if it influences the rest of the line? And if it's just a standalone adventure that happened off to the side while other things were going on, why worry? You can skip it and not miss anything.

Ask people coming out of an average Star Wars movie showing about Rebels, and I can pretty much guarantee that the vast majority either don't know about it, or don't care.

True, I'm sure there are a lot of people who only care about the movies and none of the tie-ins.

(Also, where are getting this information that the younger part of the YA books are not canon? That doesn't mesh with anything and everything we've been getting out of the LucasFilm's office. Do you have any sources to back this up or this your theory based on something, or what? Without knowing where you're coming from on this, you're coming off as being closed-minded and ignoring the rules that the franchise is built on due to your own biases.)
 
On the final stretch reading SW:Aftermath Life Debt at the moment - and enjoying it tremendously. But no clue what the Moth is supposed to look like.

Got Inferno Squad preordered, but not sure about it now that I've seen it ties into Battlefront - thought it was supposed to spin off from Rogue One, and that's what interested me. May cancel my preorder, then get the PB later - we will see how I feel.
 
On the final stretch reading SW:Aftermath Life Debt at the moment - and enjoying it tremendously. But no clue what the Moth is supposed to look like.

Which Moth?

Got Inferno Squad preordered, but not sure about it now that I've seen it ties into Battlefront - thought it was supposed to spin off from Rogue One, and that's what interested me. May cancel my preorder, then get the PB later - we will see how I feel.

Isn't supposed to be connected to both R1 and the game? (Unless there's a good reason, like extra content), I've found that I want to get the new books in hardcover format.
 
I'm not saying that Star Wars doesn't have broad appeal, because it certainly does, but at its core, it is geared towards 12 year olds.
We'll just have to agree to disagree.
No, Fives, you're just plain wrong:
“I'm not supposed to say this,” Lucas half-jokingly smirked. “I wasn't supposed to say it then, but this is a film for 12-year-olds.
LINK
 
The Moth is the ship that they use in the Aftermath novels - alongside the Halo which was seen in The Clone Wars if I'm understanding right.

I've just got a preference for PB novels as opposed to HB - I tend to carry a book in my backpack, but that's alongside my gym kit so it's partly a space issue and partly down to the feel in my hands.
 
The Moth is the ship that they use in the Aftermath novels - alongside the Halo which was seen in The Clone Wars if I'm understanding right.

I've just got a preference for PB novels as opposed to HB - I tend to carry a book in my backpack, but that's alongside my gym kit so it's partly a space issue and partly down to the feel in my hands.

Fair enough.
 
Fair enough.



Well, if "hate reading" the book changes your mind (a la the Ahsoka nove), I'd be curious to hear about it.



Put it this way, canon novel Thrawn came across as Sherlock Holmes to me, while Legends Thrawn felt like he morphed into super Sherlock Holmes beyond suspension of disbelief. Make sense?



Yeah, you could; two books covering the same things in different ways (remember, the idea is that everything fits together, regardless of how "important" it is)? Also, I'm just speculating, I've no idea why they chose to do things the way they did.



By the franchise's standards of what counts, it's real. (Even by your standards, it's real, given that it's a YA novel being marketed to the teenage crowd, like Lost Stars and Ahsoka.)



Problem, I doubt the people who made the movie decide what books are made. Dollars to doughnuts, they were approached after the book was set and asked to provide information/feedback/whatever then. So, considering that the people at Del Rey and their contacts at LucasFilm were probably the ones to authorized the book and they were working while the movie was still being made, it's not like anyone could've know whether a different book would've supported the movie better (besides, at the end of the day, the movie's flaws are the movie's flaws and have no bearing on the quality of the novel).

There was also a canceled prequel Rogue One comics. While I don't believe many details have been made public, it's possible that the novel was meant to cover the past, while the comic would address the main characters (I'm just speculating, not making a statement of fact). If so, once again, that's not the fault of Catalyst.

Also worth noting, Catalyst has two purposes. Beyond showing us the backgrounds of the Ersos and Krennic, it also covers the history of the Death Star, which could not've been done with a story centering on the movie's leads. In fact, since the movie has the characters meeting for the first time and getting involved in the Rebellion over the course of the movie proper, I think the only thing we could've gotten like you're describing is an anthology a la Before the Awakening. I'd also point out that the fact that Jyn and the Guardians are getting whole books devoted to their biographies does point to the Powers That Be agree with you that the characters could use more fleshing out than we got in the movie proper, even if you and them disagree on the format to tell those stories.

(Also, the novelization fixed a lot of the problems you're citing, so it has been addressed in the world of print.)



I don't know what to tell you then. I've seen the content of both, and the Rogue One is on the level of the other older audience-targeted reference books.



True. The reason it's canon and relevant is because those who made it and decide those things have ruled that it is.



Yes it is. Where are you getting your information?



Wrong on two levels. It is canon and the books in question are targeted at older audiences than the 7-year-olds.



Wrong, they are a valid canon source in their own right.



Not how I remember it and not how things work now.



Wrong. (FIY, you're making a factual statement here, not an opinion. Said statement runs counter to what we're told, ergo, it's false. No wiggle roo,)



What's the difference between an older and younger YA book? LucasFilm give them equal weight. (Also, the Rebels Rising novel that you've been claiming can't be canon would be canon by your standards, given that it's in the same vein as the Ahsoka novel that you're defining as canon, and certainly above the Before the Awakening target audience.



So? Absence of certain information doesn't mean that the remaining info isn't accurate



But the thing is, the map doesn't directly lead to Luke's location, but something else where Luke would be. That is a difference.



Look at it this way. Say you're in pre-Columbus Europe and someone gives you a map of Cuba sans the coordinates. Would you be able to sail there? Same thing, the Skywalker map was a piece from a blank space in the records and they didn't have access to the rest, so they couldn't get there. The movie does explain this.



If the story is good in and of itself, who cares if it influences the rest of the line? And if it's just a standalone adventure that happened off to the side while other things were going on, why worry? You can skip it and not miss anything.



True, I'm sure there are a lot of people who only care about the movies and none of the tie-ins.

(Also, where are getting this information that the younger part of the YA books are not canon? That doesn't mesh with anything and everything we've been getting out of the LucasFilm's office. Do you have any sources to back this up or this your theory based on something, or what? Without knowing where you're coming from on this, you're coming off as being closed-minded and ignoring the rules that the franchise is built on due to your own biases.)

Like I said a few posts ago, I'm just going to agree to disagree. I've said my piece. I'm not admitting defeat by any means, but we're pretty much stuck in a cycle at this point. Better to just break the cycle now. My opinion on all that stuff has been said.

Quick final rundown: Kiddie books don't count, Rogue One won't be fixed until a real book is published about the important characters (YA, while canon, doesn't add important stuff and isn't going to fix the problems RO has), Rebels Thrawn is terrible and destroyed any chance of the real character ever returning, and at this point if I could burn every damn movie novelization I'd do it just so people stop treating them like a source of actual information.

Nothing you can say will change those points, and I'm not trying to change anyone elses mind, so we're just wasting time. At this point, the only thing that will be rlevant to a conversation like this is when I completely lose my shit after getting my hands on Fake Tarkin. That will be as soon as the library gets the book, but I'll probably just post a short rant and try not to have such a huge argument about it.
 
Like I said a few posts ago, I'm just going to agree to disagree. I've said my piece. I'm not admitting defeat by any means, but we're pretty much stuck in a cycle at this point. Better to just break the cycle now. My opinion on all that stuff has been said.

Quick final rundown: Kiddie books don't count, Rogue One won't be fixed until a real book is published about the important characters (YA, while canon, doesn't add important stuff and isn't going to fix the problems RO has), Rebels Thrawn is terrible and destroyed any chance of the real character ever returning, and at this point if I could burn every damn movie novelization I'd do it just so people stop treating them like a source of actual information.

Nothing you can say will change those points, and I'm not trying to change anyone elses mind, so we're just wasting time. At this point, the only thing that will be rlevant to a conversation like this is when I completely lose my shit after getting my hands on Fake Tarkin. That will be as soon as the library gets the book, but I'll probably just post a short rant and try not to have such a huge argument about it.

Okay, but I'm still confused about the "Kiddie books don't count," part. Is that your opinion, or is that based on something else? I never felt like I clearly understood where you're coming from there (at least in the case of the novelizations, the explanations are confusing enough I can see cases being made both ways).

Peace.
 
@kirk55555 said:
We'll just have to agree to disagree.
[
No, Fives, you're just plain wrong:

LINK

Obviously, it's Lucas that's wrong.;)
Okay, but I'm still confused about the "Kiddie books don't count," part. Is that your opinion, or is that based on something else? I never felt like I clearly understood where you're coming from there (at least in the case of the novelizations, the explanations are confusing enough I can see cases being made both ways.
That's just his head-canon. Which I imagine is a rather scary place.
The Rise of a Hero written by Louise Simonson art by Walter Simonson, Tom Palmer and Laura Martin.

Holy Mother of God! The return of the best Star Wars art team from the original Marvel series bar none! The first issue that Simonson drew was the one-off issue 16, which introduced Valance the Bounty Hunter, written by Archie Goodwin. Simonson and Palmer later started together together on issue 49 (titled *ahem* "The Last Jedi"). They then assisted the legendary Al Williamson on issue 50, and then were the regular artists (with occasional fill-in issues) through issue 66! I will so buy this for this reason alone. Oh, and hey! Weezie! She's cool, too (Walter's wife, Louise "Weezie" Simonson, under her maiden name of "Louise Jones" was the editor of the SW book during some of that era).
They sell this image in a t-shirt. My friend has one. It's from issue 62.
The cover of 62.
From the cover of issue 52.
 
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