• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

MeTV's SuperSci-Fi Saturday Night

I'd made a note of that when watching, but didn't even feel it was worth bringing up, the random comedy beats have become such a standard part of the show at this point.

I tend it ignore them, unless unique--such as the Hulk being irritated by the nagging woman on the phone. Aside from that, comic relief (in any production) I find to be rather pointless and rarely relevant to the story and its effect.

Batman
"The Clock King's Crazy Crimes"
Originally aired October 12, 1966​
"The Clock King Gets Crowned"
Originally aired October 13, 1966​

One of the best stories of season two, and a non "big four" villain not only adapted from the comics (originally appearing in Star Spangled Comics #70 from 1947), but one who was on equal intellectual footing with the Dynamic Duo. Best of all, his death trap must be in the top 5 of the series--visually striking, no silly moments and living up to the chapter play roots which inspired Dozier.

So Sammy Davis Jr. rehearses in the abandoned factory that the Clock King is using as his hideout?

I guess his Vegas gigs were not paying enough for a respectable rehearsal studio...:D

I was just watching an Avengers last night, and was mystified when Steed knocked somebody out by waving his umbrella in their face. A google verified that it was supposed to be knockout gas...but it wasn't visible, and I'm so used to adventure shows in this era depicting knockout gas as brightly-colored smoke.

Really? Perhaps the most famous "knock out gas" (technically nerve gas) of the era was the invisible form (Delta 9) used by Auric Goldfinger.
 
(originally appearing in Star Spangled Comics #70 from 1947)
Ah, a Robin solo tale.
Really? Perhaps the most famous "knock out gas" (technically nerve gas) of the era was the invisible form (Delta 9) used by Auric Goldfinger.
True. I've just been watching a lot of Batman and Green Hornet lately. Plus, steed was shooting it out of an umbrella. Easy to see why I might have expected brightly colored smoke.
 
Land of the Giants: "Sabotage": Last week we had The Time Tunnel's Lee Meriwether as a giant, now it's giant Robert Colbert as an ultra-evil state security chief. A lot of this episode is pretty sloppy. The matching of Bolgar's office set to the scaled-up sets the Little People are on is poor; the stool is shaped differently and is far closer to the wall in the scaled-up version, and later a giant inside-pocket prop is used for an outside pocket on Bolgar's coat. Plus there are all the contrivances by which the bad guys happen to put the phone, the box, etc. down on the floor for the convenience of the LP. Most of all, though, Steve and Dan are way, way too quick to trust that Senator Obek wants to help them -- considering Steve's deep skepticism about the notion of approaching giants for help in past weeks, and the fact that he was usually proved right -- and the senator instantly accepts that the guy calling him on the phone out of nowhere is actually a Little Person and not some crank. Also, it takes Obek only a minute or two to get the court order that he said would take some time and deliver it to Bolgar's office in what's presumably an entirely different building. And at the end, after Steve manages to tape-record Deputy Zarkin's conveniently specific and detailed confession, Obek just walks out of the office with the incriminating tape and Bolgar and Zarkin don't even try to stop him, even though there are no witnesses. For that matter, why didn't Steve just play him the tape over the phone to prove it existed? Oh, and the tape was cued up to just the right point in the recording even though nobody had stopped and rewound it.

Still, it was an effective portrayal of how dishonest authority figures can use fear, rumor, innuendo, staged enemy attacks, and propaganda to terrorize the populace into blind compliance -- something that's all too relevant in today's world.


The Time Tunnel: "Pirates of Deadman's Island": Not a very effective one, with too much capturing and fighting and escaping and recapturing and so forth, and a lot of awkward contrivances by which Doug and Tony survive multiple attempted executions by the pirates. The subplot about the retiring base doctor we've never seen before deciding to go into the past for good so he can be useful again was telegraphed almost from his first scene, and the question of how introducing 20th-century medicines like penicillin into the early 19th century will keep from affecting the timeline is not addressed. And once again, the Tunnel grabs the wrong person and brings the pirate captain to the present, even though this time they weren't even trying for a retrieve, just a physical transfer because they didn't have the power for a retrieve, so it doesn't make any sense that it happens. Nor does Kirk's line suggesting that it wouldn't be physically possible to kill Captain Beal because he wasn't alive in the present anyway -- that's not how any of this works. Still, it was an excuse to use their stock footage of the Tic-Toc complex and the main reactor, which we haven't seen in ages.

Next week's episode looks interesting, though. There's a murderous saboteur in Project Tic-Toc... and it's Robert Duvall!


Kolchak: “Firefall”: This is the best one yet. The doppelganger is not one of your typical horror monsters, and they did their own take on it which, as far as I can tell, is original; it’s more akin to Irish myth of a “fetch,” a lookalike apparition portending one’s imminent death. So this was an unusual kind of horror story, not the sort of thing I’ve seen before, and making it an arsonist’s ghost with pyrokinesis helped make it distinctive too. And the “don’t fall asleep or you’re dead” angle created a lot of urgency and suspense for Kolchak. Nice to see Madlyn Rhue again too, even if it was just for one scene.
 
Six episodes in and the decline of Kolchak as an interesting concept has set in, with only a couple of strong episodes to be found after this point. The lesson here is that every film cannot and should not become a weekly TV series. Kolchak was at its best (e.g. the original movie) when the story was not playing on what became the "Kolchak shtick," and used the lead as someone seriously pursuing the truth of a bizarre situation. That was lost quickly after great episodes such as "The Ripper" and "The Vampire"--perhaps the best episode of the series.
 
I'm just wondering, is anyone besides me actually watching these on....uh.... Me?
 
Is that what Kolchak’s doing with all these other stories -- saving them up for some future tell-all book?

I think that is the idea

As for the werewolf make-up . . . honestly, that was a bit lame even by 1974 standards. .

The only special effect they really had was editing--that and Kolchak himself is the number one special effect. It's why I enjoy this one series every bit as much as an adult as I ever did as a child.

If I could go back in time, I'd love to have had a cross-over with McGee and Kolchak working together on a plain murder. Nothing supernatural and all--except it might be something similar to Torchwood's Countrycide.

Just having the two talk about what they had seen--why Chicago seemed to become a haven for the supernatural, etc.
 
On the one hand, I like the idea of a Kolchak-McGee team-up, but on the other hand, I don't think it'd fit the Incredible Hulk universe. In contrast to the comics, the show tried to be very naturalistic, eschewing any science fiction or fantasy elements beyond the core idea of gamma mutation, aside from a couple of episodes about precognition, some vague Asian mysticism in "The Disciple," and the random sapient computer in the episode about the child prodigy. It always bugged me when the first revival movie was a team-up with Thor, since it randomly thrust this blatantly supernatural entity into a world that had never had anything like that before. So having the show happen in the Kolchak-verse would be tough to accept as well. (Although I suppose if I were obligated to accept the Thor movie as canonical, it would serve as precedent for such a crossover.)
 
Kolchak: “Firefall”: This is the best one yet. The doppelganger is not one of your typical horror monsters, and they did their own take on it which, as far as I can tell, is original; it’s more akin to Irish myth of a “fetch,” a lookalike apparition portending one’s imminent death. So this was an unusual kind of horror story, not the sort of thing I’ve seen before, and making it an arsonist’s ghost with pyrokinesis helped make it distinctive too. And the “don’t fall asleep or you’re dead” angle created a lot of urgency and suspense for Kolchak. Nice to see Madlyn Rhue again too, even if it was just for one scene.

Damn. I missed that one somehow. I must have forgotten to program the DVR.

I think tonight they're showing the one with Cathy Lee Crosby.
 
"Firefall" should be tonight's episode, if they're showing them in the same order as Netflix did. (I can't tell since my local station doesn't actually carry Kolchak.) If they're actually showing a different one tonight, somebody let me know which one.
 

That link just gives me my local schedule (due to cookies, I guess), which doesn't list Kolchak.

How odd... They're jumping forward 13 episodes ahead of where they should be this week... and right before it, Columbo is jumping ahead 10 episodes from where it should be. I wonder why. Oh, I get it! It must be a Valentine's Day theme, because the Columbo episode involves Faye Dunaway trying to romance Columbo to throw off his investigation, and "The Youth Killer" is about an evil dating service. Looking over the schedule, all of today's episodes seem romance-themed. I guess that's why they broke the sequence.

So anyway, here's my review for that one:

“The Youth Killer”: Amusing to see Cathy Lee Crosby playing a figure from Greek mythology just a year after she played a version of Wonder Woman. Anyway, I doubt that the historical Helen of Troy, if any, would’ve looked remotely like Crosby, since she would’ve been from the Eastern Mediterranean. (Though it’s an interesting coincidence that Helen’s assumed surname here, Surtees, is pronounced like the surname of Marina Sirtis, who would later become known for playing a character named Troi.)

Also, if Helen’s restored youth only lasted a day or two before she needed to kill someone else, how come the rash of unexplained old-people deaths only started now? In past episodes (and the second movie), they’ve justified it in terms of the killer needing to sacrifice a set number of people at a set interval, but there was no such justification here, so it didn’t hold up. Also, on top of the coincidence of Kolchak just happening to be assigned to a swinging-singles story that leads him by chance to a supernatural killing spree, why would a crime reporter like Kolchak be assigned to do a swinging-singles story in the first place? (Okay, better him than Ron or Emily, but they can’t be the only reporters at INS.)

Finally having a police contact willing to be friendly to Kolchak was a nice change, but Dwayne Hickman was quite dull in the role. Anyway, it further underscored how Kolchak is the author of his own problems; Orkin was willing to give him the benefit of the doubt, but Kolchak blew it by stealing evidence and breaking into an apartment and then not even doing a competent job of hiding the fact from Orkin.

By the way, one of the two young men filling out applications when Kolchak was trying to get an interview at the dating service was Reb Brown, who would play Captain America in two 1979 TV movies. So this episode features both Wonder Woman and Captain America, but it’s the lame versions of both.
 
Catching up a bit regarding a couple of past TIME TUNNEL's, something that's not often noticed is that in "Visitors Beyond The Stars" and "The Ghost Of Nero", actor John Hoyt appears in both of these back-to-back episodes in marked;y different roles.

The episodes were actually filmed two weeks apart, with another episode between them ("Kill Two By Two"), so it was only through a quirk of network scheduling that Hoyt's two episodes ended up falling back to back. In "Visitors" he's heavily made-up in silver-alien makeup giving him a nearly unrecognizable appearance, while in "Ghost" he simply appears as a bookish fellow with glasses and a mustache.

10_JohnHoyt_zpsacn0yyqe.jpg

18_JohnHoyt_zpsvndtppd3.jpg


My recollection of the interruption of "The Walls Of Jericho's" original telecast on the east coast was the TIME TUNNEL was interrupted by the news for a good part of an hour, and then the episode continued to air from that point forward. So as I recall, it aired in full, but not in a continuous fashion.
 
Six episodes in and the decline of Kolchak as an interesting concept has set in, with only a couple of strong episodes to be found after this point.
I love them all, especially "The Spanish Moss Murders" and "Horror In The Heights."

I'm just wondering, is anyone besides me actually watching these on....uh.... Me?
I can't, because the local affiliate pre-empts him for the news. I've got the DVDs, though.
 
On the one hand, I like the idea of a Kolchak-McGee team-up, but on the other hand, I don't think it'd fit the Incredible Hulk universe. In contrast to the comics, the show tried to be very naturalistic, eschewing any science fiction or fantasy elements beyond the core idea of gamma mutation, aside from a couple of episodes about precognition, some vague Asian mysticism in "The Disciple," and the random sapient computer in the episode about the child prodigy. It always bugged me when the first revival movie was a team-up with Thor, since it randomly thrust this blatantly supernatural entity into a world that had never had anything like that before. So having the show happen in the Kolchak-verse would be tough to accept as well. (Although I suppose if I were obligated to accept the Thor movie as canonical, it would serve as precedent for such a crossover.)

Hmmmm...in that universe if David Banner is bitten by a werewolf does the stress of the werewolf metamorphosis on the full moon trigger a Hulk Out and we end up with a green furry monster?
 
Last edited:
Also, on top of the coincidence of Kolchak just happening to be assigned to a swinging-singles story that leads him by chance to a supernatural killing spree, why would a crime reporter like Kolchak be assigned to do a swinging-singles story in the first place? (Okay, better him than Ron or Emily, but they can’t be the only reporters at INS.)
He was also doing a story on the singles cruise in the werewolf episode, so he has already done similar stories in past episodes.
 
Yeah, I don't care for the episodes where Kolchak is assigned to some random story that just happens to turn out to be connected to a monster -- or even worse, when he's looking into a series of killings and Tony tries to get him off that by assigning him to another story that just happens to lead right to the source of the killings. It's too great a coincidence.

But then, this series had coincidence built into it the moment it became a series, with the second movie having Kolchak randomly stumble upon another supernatural murder spree in Seattle very similar to the one he'd dealt with in Vegas the previous year -- and just after randomly running into Tony Vincenzo again after being fired from his service in the first movie. It was your pretty classic example of a sequel that's blatantly just copying the first movie.
 
This week, on The Incredible Hulk:

"The Lottery"
Originally aired February 15, 1980
MeTV said:
When David sends a former con man friend to pick up lottery winnings, the man uses the money in a scheme to hopefully turn a larger profit.


Events in the news that week:
February 13 – The 1980 Winter Olympics open in Lake Placid, New York.
February 15 – In Vanuatu, followers of John Frum's cargo cult on the island of Tanna declare secession as the nation of Tafea.
February 16 – A total solar eclipse is seen in North Africa and West Asia.


New on the U.S. charts:

"What I Like About You," The Romantics
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#49 US)

"Brass in Pocket," Pretenders
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#14 US; #28 Dance; #1 UK)

"Cars," Gary Numan
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#9 US; #56 Dance; #1 UK)

"Ride Like the Wind," Christopher Cross
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#2 US; #24 AC; #69 UK)

"Call Me," Blondie
To view this content we will need your consent to set third party cookies.
For more detailed information, see our cookies page.
(#1 US the weeks of Apr. 19 through May 24; #1 UK; #1 on Billboard's 1980 Year-End Chart of Pop Singles; #283 on Rolling Stone's 500 Greatest Songs of All Time)
 
Hmmmm...in that universe if David Banner is bitten by a werewolf does the stress of the werewolf metamorphosis on the full moon trigger a Hulk Out and we end up with a green furry monster?
And if he's bitten by a Vampire, does he become a green furry monster who sucks the blood of the living? And then what if he's killed and raised up as a Zombie? :rommie:

"What I Like About You," The Romantics
A very nice one-hit wonder.

"Brass in Pocket," Pretenders
Ah, I love this song. I love this album. I love The Pretenders. :rommie:

"Cars," Gary Numan
This is pretty good. I liked Gary Numan, but his real classic is "Praying To The Aliens."

"Ride Like the Wind," Christopher Cross
Yeah, Christopher Cross. But this was an entertaining, if campy, song.

"Call Me," Blondie
Ah, nice one. Probably the best Blondie song that's not on their first album.

Good week. Every one's a winner, baby. :rommie:
 
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top