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MeTV's SuperSci-Fi Saturday Night

More importantly, they didn't want to change the status quo by having David suddenly be rich enough that he didn't need to hitchhike around the country anymore.

Or set up a situation in which Banner gets so lazy he forgets that he's a danger to others if stress causes him to Hulk out.

Too bad he couldn't do what the Norton version of Banner did and live in a favela in Brazil working at a pop factory and learning capoeira to stop the Hulk-outs while researching a cure.
 
This discussion reminded there was Canadian commercial about Banner trying to retire. It was made in 2001. So many years after Bixby had died. So an other actor plays Banner but Lou Ferrigno reprises his part as the Hulk.
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This discussion reminded there was Canadian commercial about Banner trying to retire. It was made in 2001. So many years after Bixby had died. So an other actor plays Banner but Lou Ferrigno reprises his part as the Hulk.
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I remember that commercial so well, as well as the print ads!

There's also a Spider-Man one:
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Forgive me for not reading back in this thread, where I haven't been following along, but I just played back Hulk "A Solitary Place" and it looked like HD in near wide-screen. Way wider than 4:3.

And then, before my DVR cut out, the first seconds of a Wonder Woman "current day" episode was in full 16:9.

Have these shows been re-mastered for HD now? Is it ever a problem losing the top and bottom of the WW frame?
 
FYI: MeTV just announced via Facebook that the PLANET OF THE APES tv series is coming to the channel in a few weeks . ...

Hmm. That show had, what, 14 episodes? That's a pretty short run. I wonder if they'll just show them once or cycle through them.

I've always wanted to see some channel do a sort of "showcase" thing that featured a bunch of different short-lived SF shows, one after the other in the same time slot. It'd be a chance to see shows that are rarely broadcast.
 
Forgive me for not reading back in this thread, where I haven't been following along, but I just played back Hulk "A Solitary Place" and it looked like HD in near wide-screen. Way wider than 4:3.

And then, before my DVR cut out, the first seconds of a Wonder Woman "current day" episode was in full 16:9.

Have these shows been re-mastered for HD now? Is it ever a problem losing the top and bottom of the WW frame?
Can't answer your question directly but I noticed the H&I channel has some shows in 16:9 like Kung Fu which surprised me. I don't even think the channel is HD.
 
Ah, I love the Planet of the Apes TV series. It was, in fact, the first series that I bought on DVD.

It actually premiered the same night as The Night Stalker. That was a great night for thirteen-year-old me. Planet of the Apes at 8, Night Stalker at 10, and I think Six-Million-Dollar Man was in the middle. Not all on the same channel, though. Night Stalker was on ABC and I think POTA was on CBS.
 
Ah, I love the Planet of the Apes TV series. It was, in fact, the first series that I bought on DVD.

It actually premiered the same night as The Night Stalker. That was a great night for thirteen-year-old me. Planet of the Apes at 8, Night Stalker at 10, and I think Six-Million-Dollar Man was in the middle. Not all on the same channel, though. Night Stalker was on ABC and I think POTA was on CBS.

I remember that. For a brief, shining period, Fridays nights were pretty cool: The Night Stalker and Apes.
 
Tonight's episode:

The Incredible Hulk
"Like a Brother"
Originally aired January 31, 1979

Review posts to come. In the meantime, please enjoy some period-authentic mood music:

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"Like A Brother"

David Butler works at the Dennison Car Wash in a part of the city with a heavy African American population; while the sudsy labor goes on and on, David is sent to vacuum the expensive car belonging to drug dealer/killer/etc. Taylor George. David gets more than he bargained for when George takes a racially laced crack at David ("look what they're hiring now?") and an adult panther sitting in the car.

After David is instructed not to do his job by Lee--George's enforcer / bodyguard, George calls young employee Mike to his car, handing cash to the appreciative man. Taylor George observes that Mike is "a good kid."

In the lunch room, David and other employees discuss Taylor George---but not before one of the men--D.J.--makes the racist joke about the panther's preference for "white meat." Mike is impressed by George's wealth, but the slightly older worker--Oscar--had a different take on men of that ilk:

Oscar: "When I was young, I used to worked for a cat like Taylor George. I did time and he walked."
Mike: "This man's different--he doesn't ask for nothing."
Oscar: "You think he does you favors because he likes you?"
Mike: "Look, he knows I can't get a job at some air conditioned office downtown, like..like some folks."
(Mike shoots a negative look at David)
D.J.: "Lighten up, man."
Mike: (to David): "You working here 'cause you fell behind on your Mercedes payment?
David: "No. I'm working here for the same reason you are--I need the money."
Oscar: "You in the wrong place for that, buddy."
Mike: "The wrong place...for a lot of reasons...buddy."
Oscar: "You ought to cool it, man.He ain't done nothing to you."
Mike: "Anybody that messes with my main man is messing with me."

Later, D.J. cuts his wrist wile trying to remove a sticker from a car; David and Oscar rush to help, but even as David clearly stops the bleeding, Mike cannot stop himself from firing yet another barb at Banner:

Mike: "I think you ought to see a real doctor, man. I bet he doesn't know what he's talking about."

..a remark that gets the attention of owner Mrs. Dennison, D.J. and Oscar. disarming the tension, David adds:

David: "I agree with Mike--you should let a real doctor look at this. It's okay, though--I was a medic in the army."

David's agreement leads Mike to a change of heart (we can assume he initially thought David was a "white know-it-all, " hence some of his resentment). Since David's apartment is not too far from Mike's, the young man invites David home for dinner, and apologizes for his behavior.

Elsewhere, as Mike & David head home, Reverend Jack Williams (who runs a local youth center) speaks to Mike about his absences from a trade program. Mike says he's been busy...however, once inside Mike's building, they are stopped by George's bodyguard/enforcer Lee, who hands Mike a bag, questions why David is there, then leaves.

David meets Mike's younger brother Bobby (conveniently watching one of Universal's Abbott & Costello movies) and learns the child has been sick, and the brothers cannot afford to see a doctor or even a thermometer. Outside, Rev. Williams is finishing work on a car with Jimmy (one of his trainees), when he finds a bag full of pills in the vehicle. Angry, Rev. Williams knows it came from Taylor George--his nightclub (The Panther's Den) sitting right across the street from Rev. Williams' Youth Center. Williams confronts George about his trafficking:

Rev. Williams: "I thought I told you to keep your poison away from my kids!!"
George: "My poison? I don't see my name on this, Reverend."
Rev. Williams: "Your name is tattooed in needle marks on arms all over this neighborhood!!"
George: "Reverend, you must have the wrong man. I run a respectable business."
Rev. Williams: "Nothing you touch stays respectable for too long!"
George: "Face it, Reverend--folks would rather spend their time in here, than across the street with you saints. Get out of here! You're trespassing!"
Rev. Williams: "I'm gonna bust your rotten action! Stay away from my kids!"

The next day at work, D.J. gives David an "Elephant Hair" bracelet, which (in D.J.'s words) means "we've got this bond--that's strong, like an elephant." David seems a little surprised, then flattered. Taylor George's car pulls up--Lee calling for Mike, just as his brother Bobby calls the car wash, looking for his brother--complaining that's he's dizzy, feeling unusually ill.

David (who took Bobby's call) spots George walking with Mike, giving the youth money, and in a faux friendly way, warning him not to talk to strangers.

When David tries to alert Mike, Lee brutalizes David (telling him George wants him to stay away from Mike), ultimately tossing him on the hood of George's car, then activating the conveyor system. Oscar tries to intervene, but is punched out by Lee. As you might expect, the hot water and chemical sprays angers David--but the tipping point is falling off the hood in front of the moving vehicle. Oscar races to stop the conveyor, but it is too late--the hood of George's car flies away--revealing a furious Hulk. The creature hurls the car's engine block at the observation window (where Lee stands watching), sending Lee, George and his woman running in fear. A loose, occupied baby stroller runs into the Hulk, but he hands it to Oscar, and runs into traffic causing a few collisions along the way.

Later, David races to a sweating Bobby's side, checking his vitals; he spots a syringe on the nightstand, finds a refrigerated bottle of Glucagon (an injectable for Type-2 diabetes), and administers the drug to Bobby--saving his life. Bobby states Mike's reluctance to tell anyone about his disease stems from the idea that the county authorities would take Bobby away from him.

Apparently, their father left when he was younger, while the mother--also a diabetic--died.

David wonders how difficult it must be for Mike & Bobby to survive, but Bobby informs his that beyond Mike's pay at the car wash, Taylor George gives him money and pays for Bobby's medicine. David stresses Bobby needs to eat good food...Bobby tells David he needs to find a shirt that fits--

David: "Well, i did the best I could under the circumstances."

David and Bobby bond over a meal, with David giving Bobby the Elephant Hair bracelet; Mike (on the fire escape) observes, feeling dejected.

David speaks to Rev. Williams about the Panther's Den, & the Taylor George situation...

Rev. Williams: "You want to talk about frustrated, man? That place, over there was supposed to be mine--for the kids. He bought it out from under me. I've got evidence on him, and I still can't go to the cops."
David: "Why?"
Rev. Williams: "The law of the street--I go barging in there, hundreds of kids will call me a fink! Lose them all."
David: "What about Mike and Bobby? "
Rev. Williams: "We'll help. I promise--but I've got to take care of business my way."

At The Panther's Den, Taylor George & Lee are having a conversation about the opposite side of the street...

George: "Damn it, Lee, I'm getting tired of the right reverend getting all of the good talent in the neighborhood!"
Lee: (pointing to a package) "Don't worry about it! This will take care of him.I was an expert in the army--a demolition expert. When they hold funeral services, they won't have to worry about cremating the man!"
George: "Okay--that's good!"
Lee: "Of course, I ain't guaranteeing anything--unless I plant it."
George: "No, no, no, Lee. You and me are too old. If we get busted, we're gonna do twenty years or worse! But the kid--even if he gets busted, he's just gonna do a few months in the reform school."

Elsewhere, David confronts Mike...

Mike: "It's none of your business where I was!"
David: "Mike, Bobby almost died last night of was insulin shock--"
Mike: "But he didn't!"
David: "Well, you weren't home at all--i know, because I was here. Do you understand what's happening?"
Mike: "Don't worry about it--my folks will be home in a few--"
David: "I know about your parents!"
Mike: "You gonna turn us in?"
David: "I don't want to, no. But if you're gonna be a father to Bobby, you're gonna have to accept the responsibility."
Mike: "Yeah, like my father did for me? Look David, you don't know anything about it. I've been taking care of Bobby since I was ten!"
David: "And you've been doing a good job, too, but in fact, you're sixteen years old, and even though you may look older, its too much responsibility for anyone to handle. And you can get help--like Reverend Williams."
Mike: "Taylor George is helping me. You know how? With money! It's just like he says: money is better than anybody's help!"
David: "Well, Taylor George is going nowhere, but down, and he's gonna take you with him--don't you remember what Oscar said? He was the one that went to prison, while his 'main man' got off Scott free, now believe me, Taylor George--one of these days--is gonna start collecting his IOU's!"
Mike: "Look--just stay away from Bobby and me--WE DON'T NEED YOU, AND WE DON'T NEED YOUR HELP!"

George & Lee visit Mike and Bobby; George gives Bobby money, and asks him to stay in the bathroom until he's told to come out. Bobby goes, but once inside, tosses the money away in disgust. George gives Mike the "we have to scratch each others' back" / "survival" speech, asking him to deliver a package (the bomb) to Reverend Williams. Mike is unsure, which sets off George who (on schedule) argues that he's kept the brothers alive without asking for anything in return--until now (just as David predicted earlier). George goes as far as threatening the delivery of Bobby's medicine over Mike's head, forcing Mike to accept the assignment.

That afternoon, Mike prepares to head to The Panther's Den; Bobby does not want Mike involved with Taylor George, but Mike counters with two facts: one, George has helped them with the medicine, and two, he cannot go to a doctor to get the prescription without a parent's consent. Despite Bobby's protest and tears, Mike promises he will always be there to take care of him.

After Mike leaves, David visits Bobby and learns of Mike's assignment. David calls Oscar and D.J.; although they are aware of the danger of crossing Taylor George, the trio heads to the nightclub...while Mike is on his way to delivering the explosive to Rev. Williams (and instructed to be a block away after dropping the package off).

David, Oscar and D.J. enter The Panther's Den, but Oscar hesitates, as he's a "2-time loser" who cannot be seen around ex-cons for fear of a parole violation. That said, David takes his place--facing off against George & Lee; Lee beats D.J., leaving him for George to interrogate, while David is locked in a room--with the panther...

Mike makes his way to Rev. Williams' Youth Center, but has a change of heart, as he studies the package--and the Elephant's Hair bracelet--which David gave to Bobby earlier that day....

At the Panther's Den, David Hulks out, breaking out of the room (where the panther cowers in a corner). Lee runs off, leaving George to face the Hulk alone; the creature wrecks the club, but as George aims his pistol at the Hulk, Oscar returns--risking his future to disarm and beat the criminal down. Oscar aims the gun at the Hulk, but stops short of pulling the trigger, allowing the Hulk to leave--just as Rev. Williams, Mike and the police arrive. As George & Lee are arrested, Rev. Williams promises them he will take care of the property--as its turned into a club for the neighborhood kids.

Days later, the car wash owner--Mrs. Dennison has become a foster parent to Mike & Bobby, moving them out of their one room apartment. David says his goodbyes to Bobby & Mike, who calls David a friend and brother as he gives him the well-circulated Elephant's Hair bracelet.

NOTES:

This is not a cure-related episode.

Jack McGee and The National Register are not seen or mentioned.

In what could have been a tidal wave of horrible stereotypes rivaling the worst of that decade's "Blaxploitation" movies (or Norman Lear's unforgivable black-led TV sitcoms), "Like A Brother"--like just about all TIH episodes--handles its plotline with sensitivity. At the center of the plot is the very real subject of poor youth victimization by criminals--particularly of the same race, who use that racial connection to exploit the trust of those who see no opportunity or chance to survive in the so-called "white world."

David experiences both genuine racism (from Mike early on, and Taylor George in the climax) and the uncomfortable racial "joking" (from D.J.) many engage in, no matter the hurt inflicted on the target. In the end, D.J. says David's face (white) is not the best way to approach Taylor George, acknowledging the racism Banner will soon face when George apprehends him.

Thankfully, Mike is able to let go of that human evil through--at least--one strong example. Whether or not the memory of that example continues to influence him is unknown, but the episode obviously wanted the audience to believe in a permanent character change.

GUEST CAST:

We have to start with the enduring Ernie Hudson (Lee), the man who will always be Winston Zeddemore from the classic Ghostbusters (Columbia, 1984) and its sequel. Hudson's other fantasy credits include Man from Atlantis ("The Disappearances" - 1977), the 1979 short-lived sci/strange sitcom Highcliffe Manor (with TIH guest Shelly Fabares), and the Ivan Reitman-produced 3-D misstep Spacehunter: Adventures in the Forbidden Zone (Columbia, 1983...and get this--the studio dared to release it just a few days before Return of the Jedi!).

Hudson provided the voice of Cyborg / Victor Stone for the final series in Hanna-Barbera's Super Friends franchise--The Super Powers Team: Galactic Guardians (ABC, 1985-86), and appeared in Leviathan (MGM, 1989), a film many derisively labeled "the underwater Aliens." In the 1990s, Hudson guest-starred in the Tales from the Crypt TV series ("food for Thought") the tragedy-laden, would-be star-making Brandon Lee film The Crow (Miramax, 1994). Congo (Paramount, 1995), and returned to the DC universe as Professor Felix in "Action Figures," an episode of Superman: The Animated Series (1997). Then...there's Shark Attack, Stargate - SG1, Dragonball: Evolution, Heroes, and other productions you can look up.....

Next, we have a Rocky franchise connection--

Tony Burton (Taylor George) and Stuart K. Robinson (Mike) were both part of training camps of Rocky Balboa & Apollo Creed, as seen in Rocky II (United Artists, 1979).

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D2GPKl0.jpg


Burton's fantasy credits include: The Invisible Man TV series ("Go Directly to Jail" - 1975), Gemini Man ("Eight-Nine-Ten, You're Dead" - 1976), The Six Million Dollar Man ("The Infiltrators" - 1977), The Hardy Boys / Nancy Drew Mysteries ("The Lady on Thursday at Ten" - 1978), The Shining (Warner Bros., 1980), The Greatest American Hero ("Hog Wild" - 1981), and others, with his last--one episode of Poltergeist: The Legacy (1996).

Stuart K. Robinson's fantasy credits include: Voyagers! ("Buffalo Bill and Annie Play the Palace" - 1983), voice work for Monster in My Pocket: The Big Scream (1992), Tom and Jerry Kids Show (1993) and for the video games Freedom Fighters (2003) and Xenosaga Episode II: Jenseits von Gut und Böse (2004). Oh, and if you're curious, Robinson portrayed one of a mutli-racial gang member in one of the most controversial movies of the 1980s--Death Wish II (Filmways / Columbia, 1982)--starring Charles Bronson and Laurence Fishburne.

Austin Stoker (Reverend Williams) introductory fantasy roles were part of the same series: he was cast as MacDonald--the human advisor of Roddy McDowall's Caesar in the 5th and final Planet of the Apes film, Battle for the Planet of the Apes (Fox, 1973). Two years later, he provided the voice of astronaut Jeff Allen in the animated Return to the Planet of the Apes (NBC, 1975), the final production of the original Apes franchise.

qwWGwQY.jpg


Stoker's next trip into fantasy was the pilot of Gemini Man (1976), followed by three episodes of The Six Million Dollar Man --"The White Lightning War" (1975) & the 2-part "Death Probe" (1977). Next, he appeared in The Hardy Boys / Nancy Drew Mysteries ("Dangerous Waters" - 1978), and the sci/horror schlocker, Time Walker (New World Pictures, 1982), Machete Joe (2010 - with Ernie Hudson) and as of 2015, the horror film Shhh.

Dave Pullum (Bobby) only had two credits: TIH and an episode of The Dukes of Hazzard. That's it.

Michael D. Roberts (D.J.) racked up fantasy work across the decades--aside from TIH, he was one of the regulars of Glen Larson's bottom-scraping Manimal (NBC, 1983). Since that time, he's covered the fantasy map: the sci-fi spoof The Ice Pirates (MGM, 1984), Earthlings (1984), the 1992 fantasy Wishman, two episodes of Quantum Leap ("The Color of Truth - August 8, 1955" & "The Leap Between the States - September 20, 1862"), with his most recent credit being the new Sheriff George Patterson in the unaired, failed TV reboot of Dark Shadows (WB, 2004).
 
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David Butler works at the Dennison Car Wash in a part of the city with a heavy African American population
Just schlepping around. Were there any indications which city?

David is sent to vacuum the expensive car belonging to drug dealer/killer/etc. Taylor George.
To the Pimpmobile!

David: "I was a medic in the army."
Another reference to this...probably just a convenient cover story, but given the timing of the series, the prospect of a younger David serving in the Vietnam-era Army is intriguing.

In any case, between earning Mike's trust by tending to D.J. and the diabetes angle, David's Undercover Doctor status is in full play this episode.

David meets Mike's younger brother Bobby (conveniently watching one of Universal's Abbott & Costello movies)
Guess this is as close as we're getting to Abbott & Costello Meet the Incredible Hulk....

As you might expect, the hot water and chemical sprays angers David--but the tipping point is falling off the hood in front of the moving vehicle.
-27:41.

A loose, occupied baby stroller runs into the Hulk, but he hands it to Oscar, and runs into traffic causing a few collisions along the way.
You missed the opportunity to quote what must be one of the cheesiest lines the series has given us to date:

"Man, now that's what I call a colored man!"

David and Bobby bond over a meal, with David giving Bobby the Elephant Hair bracelet
Interestingly, David takes it off his wrist in the aftermath of his first transformation. Did the elephant hair bracelet survive a Hulk-Out...?

Lee: "Don't worry about it! This will take care of him.I was an expert in the army--a demolition expert."
I'll take his armed services credentials at face value.

George: "No, no, no, Lee. You and me are too old. If we get busted, we're gonna do twenty years or worse! But the kid--even if he gets busted, he's just gonna do a few months in the reform school."
Which was the first indication that I caught of...

David: "And you've been doing a good job, too, but in fact, you're sixteen years old, and even though you may look older, its too much responsibility for anyone to handle."
Great Shades of Superman! Considering that Mike's age plays a substantial role in informing the story, this was way too late in the episode to reveal to us that this 23-year-old we've been watching is supposed to be a minor...with or without David's acknowledgment that he looks older!

At the Panther's Den, David Hulks out
-5:54.

David says his goodbyes to Bobby & Mike, who calls David a friend and brother as he gives him the well-circulated Elephant's Hair bracelet.
And this time they take the trouble to put David in his peacoat in preparation for the stock Lonely Man shot...even though the episode has enjoyed shirt-sleeve weather until this point...and David's shirt and pants change between scenes.

By the by, David suddenly looked a lot shaggier this episode.

(or Norman Lear's unforgivable black-led TV sitcoms)
:vulcan:

Another noteworthy genre credit: Maidie Norman (Mrs. Dennison) played the maid in the classic Twilight Zone episode "Masks".
 
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Hmm. That show had, what, 14 episodes? That's a pretty short run. I wonder if they'll just show them once or cycle through them.

I've always wanted to see some channel do a sort of "showcase" thing that featured a bunch of different short-lived SF shows, one after the other in the same time slot. It'd be a chance to see shows that are rarely broadcast.

While not an entire channel, back in 1998, the Sci-Fi Channel had a programming block called The Sci-Fi Series Collection, which ran short-lived series, such as:
  • Kolchak: The Night Stalker
  • Planet of the Apes
  • The Immortal
  • The Magician
  • Future Cop
  • Hammer House of Horror
  • Gemini Man
  • Darkroom
  • The Prisoner
  • The Amazing Spider-Man
  • The Fantastic Journey
  • Dark Shadows (1991 version)
...and other series. While TV history played host to more short-lived series than anything else, so many were so poor (hence their short-lived status) that an entire channel dedicated to that might not work.
 
"Like a Brother": It's another episode by Richard Christian Matheson & Thomas Szolossi, authors of "747" last season. And it's a Hulksploitation movie! All the uncomfortable stuff you'd expect from white '70s writers trying to write about black people -- funky music, inner-city poverty, drugs, a flamboyant crime boss and the noble street preacher opposing him, and of course the kindly white liberal who wins them all over with his superior knowledge and skills and wisdom. Oy. Okay, shows like this are usually about the hero being the smart and sensible one who helps the guest stars with their problems, but when it's a white hero and minority guest stars, it does tend to fall into the white-savior stereotype, and this is no exception. Even aside from that, it got pretty hokey at times.

Still, at least it had plenty of funky '70s music. Joe Harnell was better at working in that style than he was at trying to do disco music.


In what could have been a tidal wave of horrible stereotypes rivaling the worst of that decade's "Blaxploitation" movies (or Norman Lear's unforgivable black-led TV sitcoms), "Like A Brother"--like just about all TIH episodes--handles its plotline with sensitivity.

You're far more generous than I was. Sensitivity, sure, but only in a condescending "White hero knows best" sort of way.


David experiences both genuine racism (from Mike early on, and Taylor George in the climax) and the uncomfortable racial "joking" (from D.J.) many engage in, no matter the hurt inflicted on the target. In the end, D.J. says David's face (white) is not the best way to approach Taylor George, acknowledging the racism Banner will soon face when George apprehends him.

And that's the problem with the episode right there -- the fact that it worried more about the community's "racism" against David than about the genuine systemic racism that created their poverty and disadvantage in the first place, as if David were the only victim. It's not like their life experience would have given them any reason to automatically trust white people.


Dave Pullum (Bobby) only had two credits: TIH and an episode of The Dukes of Hazzard. That's it.

Not surprising. He wasn't very good.


Michael D. Roberts (D.J.) racked up fantasy work across the decades--aside from TIH, he was one of the regulars of Glen Larson's bottom-scraping Manimal (NBC, 1983). Since that time, he's covered the fantasy map: the sci-fi spoof The Ice Pirates (MGM, 1984), Earthlings (1984), the 1992 fantasy Wishman, two episodes of Quantum Leap ("The Color of Truth - August 8, 1955" & "The Leap Between the States - September 20, 1862"), with his most recent credit being the new Sheriff George Patterson in the unaired, failed TV reboot of Dark Shadows (WB, 2004).

I recognized him from the MacGyver episode "The Challenge," where he played a community-center leader and friend of MacGyver's who was murdered.



Just schlepping around. Were there any indications which city?

Beautiful downtown Backlotica.


Interestingly, David takes it off his wrist in the aftermath of his first transformation. Did the elephant hair bracelet survive a Hulk-Out...?

David put the bracelet into his back pocket just after receiving it. It struck me as odd that he'd do that just after being given it as a gift, rather than putting it on his wrist. It seemed kind of dismissive. So I realized "Ahh, they want it to survive the impending Hulk-out." I figure the in-story rationale is that he was taking wet rags out of the washer and didn't want his new bracelet to get wet.


While TV history played host to more short-lived series than anything else, so many were so poor (hence their short-lived status) that an entire channel dedicated to that might not work.

I didn't say I wanted an entire channel devoted exclusively to that, I just said I wanted to see some channel do that -- set aside a particular time slot as a "showcase" that rotated through various different short-lived shows. I'm aware that the SciFi Channel did it for a while, but nobody's done it lately.
 
Ferrigno's appearance as himself playing the Hulk on The Fall Guy is playing on Decades as I type this.

ETA: And Erin Gray's in the episode, in her immediately post-Buck Rogers prime!
 
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Sensitivity, sure, but only in a condescending "White hero knows best" sort of way.
Bixby played it well, though, never coming off as condescending or unlikable...and if we look at the episode in a color-blind manner, it's not unusual at all for David to be the most educated guy in the places where he works...often backwater hick towns.

the fact that it worried more about the community's "racism" against David than about the genuine systemic racism that created their poverty and disadvantage in the first place, as if David were the only victim.
I don't think that the episode intended to tackle racism against David as a serious issue...it was more a matter of putting the shoe on the other foot, putting a white guy in the position of being the "minority" in a black neighborhood.

Beautiful downtown Backlotica.
:lol:
 
Bixby played it well, though, never coming off as condescending or unlikable...

Sure -- I don't blame the character for the way the writers approached his situation.

and if we look at the episode in a color-blind manner, it's not unusual at all for David to be the most educated guy in the places where he works...often backwater hick towns.

But that's just it -- society is not colorblind. The historical and cultural context makes it a rather different matter when the smart guy is white and the misguided people who need to trust and follow him are minorities. There could've been a better story formula to use in a context like this -- say, something where David wasn't the smartest guy in the room because his privileged upbringing didn't let him understand the problems or perspectives of people in the community, so that his well-intentioned attempts to help just got in the way and he needed to learn humility. Or something where he was the one in trouble and needed help from the inner-city community. Heck, the Hulk is a ready-made allegory for being persecuted and dehumanized for the color of one's skin.
 
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