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MeTV's SuperSci-Fi Saturday Night

Well, the silver lining is that I immensely appreciated the episodes that deviated just a little from the formula (like the KARR or Goliath episodes in Knight Rider or the ones with the Evil Leapears in Quantum Leap).

Nowdays, I don't know if there is a formula anymore :rofl:
 
Nowdays, I don't know if there is a formula anymore :rofl:

Sure there is. The formula is to be serialized, to have a season-long arc that ends in a big climax and/or cliffhanger, to have the episodic cases-of-the-week just happen to resonate uncannily with whatever personal problems the main characters are having at the same time, etc. Serialized storytelling has its own lazy cliches and conventions, just like any other genre or style. (My pet peeve is when writers use serialization as an excuse to avoid thinking up any real, worthwhile payoff to anything, instead just dragging everything out indefinitely and never resolving it.)

And then there's the formula where everything happens in real time, so that the biggest upheavals in the characters' lives always happen in May or early June, once a year like clockwork.
 
"Wildfire"

David Blakeman is working at an oil rig run by the Wildfire Oil Well Drilling Company, and narrowly misses being brained by a large wrench (that would have turned into a 5 minute episode). Owner Mike Calahan is friendly with David, taking to the site office, where the Mike's daughter Linda--the woman who hired David--remarks on David's past jobs and locations. The family has been in the oil business for decades, with Mike pointing out the various drilling sites they've worked around the world, but none were personal successes. Mike is placing his hope for riches and a sense of accomplishment on his own rig.

Linda likes helping her father, but studied languages; she hopes the company strikes so her father will be financially stable, and she can return to New York, with the aim of becoming a United Nations interpreter.

Linda complains about her situation..

Linda: "Meanwhile, I'm up to my knees in mud and I.O.U.s, waiting for someone to pass through town who knows that a Matisse is not a foreign car. You know what I mean?"

David. "Oh..sure."

Ohhhh, to have to deal with the "lower classes." Tush tush!

Ray of Wilco Oil of America approaches Mike with another offer to buy the lease to his drilling site--

Ray: "Hey, Mike. Any luck?"
Mike: "Ohh, yeah..Can't you see the thing gushing back there? Careful not splash oil all over your nice scarf."
Ray: "Gettin' pretty tense these days, Mike, I think wildcatting's wearing you down."
Mike: "It's being around three-piece suits. Always did make me break out."
Ray: "Well, have you thought anymore about our talk? It's a fair offer, Mike. Even Linda says so. We're not gettin' any younger. What do you need with this kind of aggravation?"
Mike: "Listen, Ray. You and I have been plagued by company men all our lives, I never let one of them get to me yet. They're not smart enough."
Ray: "That's why you're gonna die out here! Nothin' but mud."
Mike: "Nothing but mud. Is that why that outfit you're hustlin' for wants my lease so bad?"
Ray: "You never used to be this big a fool, Mike. You're risking everything you got! I don't envy you."
Mike: "Yes you do. I got something worth risking."

Later, at the Wilco offices, Ray shuffles around Tim Wade--the boss--regarding the meeting with Mike--

Wade: "How's Mike Calahan?"
Ray: "He's stubborn. But I'm wearin' him down. Those geology tests come in?"
Wade: "It could blow anytime. And its going to be worth millions. We wait much longer, and he's gonna have a full blown gusher on his hands. I don't think he'd be too likely to sell to us, then. Do you?"
Ray: "Well, I'll see what I can do."
Wade:"One of the reasons we hired you, Ray was your long standing relationships with these wildcatters, but of you can't convince an old crony like Mike Calahan to sell, well.....I know you can get him to sell Wildfire. Let's hope he doesn't hit oil before you make the deal."

Back at the Wildfire drilling site, Mike tries to convince the workers to bear with the lack of pay for a few more days on the promise of success. The workers reluctantly agree to stay on. Linda speaks to David privately, exploring her interest in him--

Linda:
"Why are you staying?"
David: "Well, if--I mean when Wildfire comes in, my share will be worth quite a bit of money. I could really use it to accomplish some important things."
Linda: "Oh, good. You know, I'd hate to see you leave."
David: "No."
Linda: "There's this steakhouse in town, and I can't get anyone to agree that they have the worst red wine in the continental United States. I'd like to know that you think."
David: "Tonight."

That evening, at Jim's Steak House, Linda and David's bad wine and limited menu choices are interrupted by Ray, who tries to move Linda toward convincing Mike to sell his lease. Linda does not seem interested, even in the face of accidents slowing work down. Returning to her quarters at Wildfire, David and Linda share a kiss, and...

Linda:"How would you like to see my very own 5th Avenue penthouse apartment?"
David:"Hmm.."
Linda:"And I'll say it first: no strings, no commitments, no demands. And I know you don't plan to be around here very long, but David, neither do I."

The couple retire to her quarters...

After an unspecified amount of time passes (figure it out), David leaves her quarters, but spots employee Frank Adler in the shadows, doing something to one of the generator cables; Adler knocks out David, seals him in an empty oil drum, loads is on a Wildfire truck and drives the soon revived & yelling Banner away--presumably to dump him in the woods.

David turns into the Hulk, breaks out of the drum, and causes Adler to crash into a tree. The Hulk rips the truck cab open like a sardine can, angrily grabbing Adler by the shirt collar with such force, that the man is choking...until the truck radio distracts the creature, who tosses Adler to the ground, almost as an afterthought. Adler runs away.

In the morning, David tries to tell a distracted Mike about the sabotage, but both are overtaken with joy as the rig rumbles, followed by a blowout of crude oil. David continues trying to inform Mike about Adler's treachery, but the man believes his newfound luck is all that matters.

Speaking of Adler, the would-be murderer is at Ray's office, complaining--

Ray: "Well, Wildfire just came in."
Adler:"I could've shut that rig down for a week!"
Ray: "You're full of alibis, aren't you?"
Adler: "You think I could make up a story about some crazy green man? I mean, you shoulda seen the turkey, he was huge, he and was strong, and my truck out there looks like a sardine can."
Ray: "Okay, Okay, but what about Blakeman?"
Adler: "Gone. What do you want me to do about him?"
Ray: "Nothing. We're canning the whole thing."
Adler: "Did Mr. Wade say call it off?"
Ray: "No, I said call it off. With Wildfire comin' in, we're too late. Mike Calahan is a rich man--he'd never sell."
Adler:"You give up too easy."
Ray:"I said can it!"
Adler:"You know the trouble with you, Thomas? You got no guts!"
Ray:"Get out!"

Thanks to the Hulk incident, David prepares to leave Wildfire. Mike admits Linda is fond of David, but also reveals how she is sort of hanging around in an environment not her own for his sake, and how she should take advantage of her abilities in New York, but is--according to Mike--running scared. Mike hoped a man like David (described as intelligent, classy and polished) would offer her something in a place like Wildfire's town, but...

David tells Linda he cannot stay, telling her he does not belong there anymore than she does, presenting her with the plane tickets (to New York) her father purchased for her over a year ago.

Adler returns, planting a time bomb under the rig--Mike spots Adler running away, but the bomb detonates--the blast injuring several workers. David and Linda help the injured men, while Mike plans to cap the well. Ray arrives and is manhandled by Mike, the latter feigning ignorance of Adler's actions, but admits the ambitious Adler is on the Wilco payroll. It turns out that Ray--although harassing Mike about selling for a month, is more loyal to him than Wade, proven by his suiting up to help cap the well.

Ray and Mike don asbestos suits & plant explosives with David at the detonator, ahh, but the dastardly Adler attacks David, with Banner--for once--not folding like a card table. Eventually, David is beaten, Adler sets off the explosives before Ray and Mike were in the safe zone, triggering the Hulk's return. The creature tosses Adler aside, and manages to rescue the unconscious Mike; displaying an awareness not normally associated with the creature, the Hulk uses the malfunctioning crane to drop the plug into place--capping the well. As always, the Hulk quickly leaves the scene.

Days later, the workers (shareholders) receive their long-awaited payment. Only two have not collected their pay: Adler--now in prison, and David, who left town earlier. Linda tries to blow the disappointment, but receives a gift from David: a bottle of good wine (instead of the poor stuff referenced earlier), and a letter--

"This wine should be saved for New York. Maybe we will drink it together."

David says he will pick up his share of the money at another time (that never happens), and the rst of the letter is written in French, for Linda's eyes only.

As usual, David walks along some unnamed road, hitchhiking.


NOTES:

Jack McGee and The National Register do not appear, or are mentioned in this episode.

"Wildfire" is the second TIH episode directed by Bixby's regular stuntman, Frank Orsatti (the first was "Ricky").

If David collected his share of the money, what would he do with it? Since I will go ahead and say that no matter how much it was, he would still live as if David Banner is dead. Perhaps with enough money, he would not need to expose himself / risk Hulk incidents and could isolate himself to fully dedicate his time to finding his own cure.

Even if we assume David would use the money for anything in the neighborhood of a cure, the episode is not cure-related.

Good attention to detail: one of the workers says David does not know what he's doing. Realistic, as David might pick up certain job skills on the road, but procedures specific to something as technical as an oil rig is beyond his "pick it up" knowledge. In other words, he's cannot be a true jack-of-all-trades. He has limits.

GUEST CAST:

Christine Belford
(Linda) has a very long fantasy credits list, starting with "Face of Ice," a 1972 episode of The Sixth Sense. That same year, she appeared in the espionage / mind wipe thriller The Groundstar Conspiracy, followed by "Survival of the Fittest," the second episode of The Six Million Dollar Man. Like so many TIH guest stars, she also ran into another TV superhero--Wonder Woman--in the first regular episode of the series, "Wonder Woman Meets Baroness von Gunther" (1976). On the short-lived series front, Belford faced off against a Satanist's murderous dogs (with the help of TV Green Hornet Van Williams) in "Devil Pack," from the short-lived Quinn Martin's Tales of the Unexpected, and guest-starred on the equally short-lived Beyond Westworld.

While at Universal, Belford portrayed Leda in the 2-part Battlestar Galactica episode, "Gun on Ice Planet Zero," before returning to TIH in the 4th season's "Wax Museum."

John Anderson (Mike) was one of the most visible faces from TV's Golden Age, with a career spanning four decades. His fantasy TV & movie credits include Steve Canyon ("The Bomb" - 1959), Alfred Hitchcock Presents ("The Old Pro" - 1961) The Alfred Hitchcock Hour ("Ride the Nightmare" - 1962 / "The Second Wife" - 1965), and had a role as car dealer "California Charlie" in Hitchcock's Psycho (Paramount, 1960). Anderson appeared in the doomsday virus thriller The Satan Bug (United Artists, 1965) opposite Richard Basehart, and that same year, had a reunion on Basehart's Voyage to the Bottom of the Sea ("Cradle of the Deep"). Above all else, Anderson's best known work was on several episodes of The Twilight Zone--
  • "A Passage for Trumpet"
  • "The Odyssey of Flight 33"
  • "Of Late I Think of Cliffordville"
  • "The Old Man in the Cave."

Billy Green Bush (Ray) has few fantasy credits, beginning with The Outer Limits' "The Architects of Fear" (1965), then taking a log absence until appearing on TIH. Aside from "Wildfire," he made a return appearance in season four's famous 2-parter, "The First" as Sheriff Carl Decker. Post Hulk, he added an episode of Misfits of Science ("Lost Link" - 1985) the horror film Critters (New Line Cinema, 1986) and the "Without Diana" episode of Amazing Stories to his short fantasy list.
 
The Incredible Hulk: "Wildfire": This was a pretty good one, for the most part, with some nice dialogue and decent guest characterization, and a typically excellent turn by the great John Anderson. It's the first of two TIH appearances by Christine Belford, who'd later be the female lead of TIH producer Nicholas Corea's Outlaws. It's a stunt-heavy episode, well suited for Frank Orsatti to direct, and the action around the oil rig is pretty well-handled, though the truck sequence isn't very convincing (and it and the preceding sequence have a couple of continuity errors -- a shot of the open drum by David before Adler opens the drum, and a shot of Adler cowering beneath the truck's intact windshield after the Hulk has smashed it). And the Hulk doesn't look all that intimidating lying belly-down on top of a truck cab or peering upside-down through the windows. The Hulk being distracted by the radio was a cute idea, but it kind of lost focus toward the end.

I was amused by the line where, after David made a mistake on the rig, the other guy said he was "a little green." I wish David had replied with something like, "I certainly hope not."

David continues to be irresistible to women, doesn't he? And man, Joe Harnell and his orchestra really pull out all the stops to make a one-night stand in a trailer sound like an epic romance for the ages. (Also, why is it that Carolyn is the only woman in David's life who got her own love theme? All the others had to share Laura Banner's theme.)

I've always liked this one because I was intrigued by the mechanics of putting out an oilwell fire. And I liked how Ray went from antagonist to redemptive ally by joining in to put out the fire.

The part where it kind of fell apart for me, credibility-wise, was the part where the Hulk was able to look at the crane and somehow deduce just what the operators were trying to achieve. That required a bit more cognitive sophistication than we usually expect from the big guy. It would've worked better if Mike or Linda had talked to him and pointed out what he had to do. Although I suppose we could surmise that he retained some instinctive memory of David's knowledge of the need to cap the well.
 
The Incredible Hulk
"Wildfire"
Originally aired January 17, 1979

This calls for a little '70s mood music:

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And what the hell, because I'm a Legion geek:

Wildfire_zpsay8b3cdj.jpg


David Blakeman
...adding a syllable to one of his old aliases...

Mike's daughter Linda--the woman who hired David--remarks on David's past jobs and locations.
Including driving a cab in New York City...which is interesting, because David will put cab-driving on his job resume, but not until Season 3. (Not sure offhand if it was in the Big Apple.)

Ray of Wilco Oil of America
...who, with the last name "Thomas", falls in the "one letter away from somebody who wrote the Hulk" category.

David: "Well, if--I mean when Wildfire comes in, my share will be worth quite a bit of money. I could really use it to accomplish some important things."
Even if we assume David would use the money for anything in the neighborhood of a cure, the episode is not cure-related.
Agreed, nor even a proper lip-service one, since he was so vague. Sorry, David.
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The couple retire to her quarters...
Was that steak they had, or beef bourguignon...?

David turns into the Hulk
...very punctually at -26:42.

Ray and Mike don asbestos suits
Asbestos to the rescue! As I recall, even in the late '70s we knew that asbestos was bad news....

Eventually, David is beaten, Adler sets off the explosives before Ray and Mike were in the safe zone, triggering the Hulk's return.
-6:19, also very much on formula. Anyone notice how Ferrigno strikes a little Superman pose before he tosses the thug?

displaying an awareness not normally associated with the creature, the Hulk uses the malfunctioning crane to drop the plug into place--capping the well.

HULK...CAP!!!

As usual, David walks along some unnamed road, hitchhiking.
In what appears to be another stock Lonely Man scene, with David once again exiting a shirt-sleeves episode in turtleneck and jacket.

If David collected his share of the money, what would he do with it? Since I will go ahead and say that no matter how much it was, he would still live as if David Banner is dead. Perhaps with enough money, he would not need to expose himself / risk Hulk incidents and could isolate himself to fully dedicate his time to finding his own cure.
We got an answer to this in the episode in which he wins the lottery...he started ordering lab equipment.

John Anderson (Mike) was one of the most visible faces from TV's Golden Age [...] Above all else, Anderson's best known work was on several episodes of The Twilight Zone
I'll assume you mean his best-known fantasy work. If he was recognized for anything, it was probably for being all over the TV Western landscape back in the day--He played 11 different guest characters on The Rifleman alone!

Also, you neglected his most board-relevant genre role--as Kevin Uxbridge on TNG's "The Survivors".

though the truck sequence isn't very convincing [...] And the Hulk doesn't look all that intimidating lying belly-down on top of a truck cab or peering upside-down through the windows.
Gotta give 'em points for trying something visually interesting, though.

I was amused by the line where, after David made a mistake on the rig, the other guy said he was "a little green."
Yes, it seems the series if far from done with making cutesy references to David's condition.

And man, Joe Harnell and his orchestra really pull out all the stops to make a one-night stand in a trailer sound like an epic romance for the ages. (Also, why is it that Carolyn is the only woman in David's life who got her own love theme? All the others had to share Laura Banner's theme.)

Yep..."Laura's theme? Say, this isn't just another run-of-the-mill one-night stand!"

The part where it kind of fell apart for me, credibility-wise, was the part where the Hulk was able to look at the crane and somehow deduce just what the operators were trying to achieve. That required a bit more cognitive sophistication than we usually expect from the big guy.
Well, once they've had him land a 747, I guess nothing's off the table....
 
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The Incredible Hulk
"Wildfire"
Originally aired January 17, 1979

This calls for a little '70s mood music:

Heh! I guess this could played as the Hulk runs by in slow motion!

And what the hell, because I'm a Legion geek:


Same here--the great Dave Cockrum's seismic transformation of the Legion for the 70s.
.



Asbestos to the rescue! As I recall, even in the late '70s we knew that asbestos was bad news....

We did, but there was no choice if you were going to run into flames that would fry the flesh in seconds. Safety first, horrible disease later...


-6:19, also very much on formula. Anyone notice how Ferrigno strikes a little Superman pose before he tosses the thug?

You caught that! i cannot recall Ferrigno doing that before or after, so its a little strange. Was he feeling his "hero" a bit too much in that moment?


We got an answer to this in the episode in which he wins the lottery...he started ordering lab equipment.

We know David is alway moving, but for money that was just waiting for him, no questions asked from Wildfire, he should have returned to collect. The police are not around every corner (and probably cleared out with the investigation and arrest of Adler), and as the series illustrates, McGee cannot chase down every Hulk sighting, so David had every opportunity to pick up his cash.


I'll assume you mean his best-known fantasy work

Yep.

Well, once they've had him land a 747, I guess nothing's off the table....

So, the Hulk's intelligence--or the Banner side is not so buried after all. This is (I believe) the third episode where the Hulk displays this kind of intelligence, which suggests the Hulk is going through some sort of evolutionary period, no matter how limited.
 
We know David is alway moving, but for money that was just waiting for him, no questions asked from Wildfire, he should have returned to collect. The police are not around every corner (and probably cleared out with the investigation and arrest of Adler), and as the series illustrates, McGee cannot chase down every Hulk sighting, so David had every opportunity to pick up his cash.

From a logical standpoint, yes, he should've stuck around at least that long. But from a dramatic standpoint, I figure they probably didn't want to make it look as though their hero was motivated by profit or greed. More importantly, they didn't want to change the status quo by having David suddenly be rich enough that he didn't need to hitchhike around the country anymore.
 
"But David, we've come so far, don't you want your money?"
"Sorry, I've got a series premise to maintain."
 
The Incredible Hulk
"Wildfire"
Originally aired January 17, 1979

Also, you neglected his most board-relevant genre role--as Kevin Uxbridge on TNG's "The Survivors".

That was what, not much more than a decade later. TNG was awhile back, after all.

Not many gushers left. The character of Wade was apt:
http://musingsoniraq.blogspot.com/2012/08/did-us-plan-on-privatizing-iraqs-oil.html
http://www.tomdispatch.com/post/175586/tomgram:_greg_muttitt,_whatever_happened_to_iraqi_oil/

Meanwhile, to protect the oil giants from dissent and protest, trade union offices have been raided, computers seized and equipment smashed, leadersarrested and prosecuted. And that’s just in the oil-rich southern part of the country.
 
I seem to be the only MacGyver fan in this thread. Last week, I was the only one who mentioned Dana Elcar's role as Pete Thornton, and this week, nobody's mentioned John Anderson's recurring role as MacGyver's curmudgeonly grandfather and role model, Harry Jackson. (I used to think John Anderson was Richard Dean Anderson's real grandfather, in fact, but it turns out there's no relation.) He played Harry in five episodes, two of which were set after Harry's death. (One was a near-death experience that might or might not have been a hallucination, the other a flashback.) I'm actually surprised he was in so few episodes, because he made such a strong impression.

Did anyone catch a location for the episode? The oil angle makes me think Texas.

Definitely somewhere southern, given the accents and the music. It seemed they were trying to avoid being too specific, though. After all, not only was it set in a place where the dominant local oil business was corrupt, but David and Linda kept slandering the quality of its cuisine and nightlife. So maybe they didn't want to identify it with any actual city for fear of offending someone.
 
I didn't watch MacGyver, but I did catch a reference to that role when glancing at his credits.

He also played Lucas McCain's father-in-law, though that was a single appearance.
 
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The last of Anderson's aforementioned 11 roles on the show.

So MacGyver and Mark McCain must be related, since they have the same grandfather.
 
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That's true. Shows back then did tend too far toward the episodic extreme, and toward fitting into standard formulas.
I read somewhere that when they sold Space: 1999 in U.S. directly into first run syndication, the only recommendation that they give to the local stations was to broadcast the pilot as the first episode, the rest in whatever order was convenient. :lol:

Searching...
Source
 
I read somewhere that when they sold Space: 1999 in U.S. directly into first run syndication, the only recommendation that they give to the local stations was to broadcast the pilot as the first episode, the rest in whatever order was convenient. :lol:

Indeed... There doesn't seem to be any consensus about the "correct" viewing order for Space: 1999, or for the previous Gerry Anderson series UFO. A lot of episodic British shows seemed to be shown in various different orders in different markets. There are something like six or eight different "preferred" viewing orders for The Prisoner, and they only agree on the first episode and the last two.

Of course, it's because of that flexibility of viewing order that my local station back in the '70s was once able to schedule Star Trek: "The Immunity Syndrome" and Space: 1999: "The Immunity Syndrome" back-to-back on the same night. Some programmer on Channel 19 had a sense of humor...
 
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