Batman is like the version of Spider-Man in the current Howard the Duck comics. Anytime he thinks someone he knows is dead or just missing causes him to have an emotional breakdown over the loss of Uncle Ben. One time Howard got kidnapped by aliens and Spidey set up a shrine dedicated to him and refused to leave the spot for a few days.Never mind that, what if the Joker just mentioned the name Martha during one of his encounters with Batman?
Joker: And she screamed and pleaded with me to stop, but I just said Martha my dear-
Batman slams the Joker against the wall and gets in his face.
Batman: WHY ARE YOU SAYING THAT NAME?!!!
This could be fun. Now I'll do Bane, and yes, I am imagining Tom Hardy's Bane voice while writing this.Imagine if word gets out, all of Batman's rogue gallery would be using that.
It's blended with the Arnim Zola computer and the Helicarriers, comic book stuff. The stuff you admit you can't stand.
People like you shouldn't be watching CBMs if you hate the wondrous.
The only Disney/Marvel movie that (for me) tried to break the mold so far was "Captain America 2: The Winter Soldier". The fights were close and personal and I felt it had a real Cold War political thriller vibe. Until the last act with all the CG flying carrier stuff where it descended to the cartoon level again.
So you're basically admitting you can't stand CBMs that embrace their comic-bookiness and you need everything to be that sell-out "grounded" stuff.
People like you shouldn't be watching CBMs if you hate the wondrous.
YSo I already said I liked the Arnim Zola and Alexander Pierce Cold War plot and the Hydra /SHIELD political thriller story line.
You know you've just called Ed Brubaker's entire Captain America comic book run as "sell-out grounded stuff"?
People like me have watched CBM for the last 38 years and will continue to watch them. People like me even watch and own 76 year old CBMs. But it's not for millennials like you. People like you should only watch Michael Bay's Transformers movies. They are full of the "wondrous" you like. You know, CG robots (/like TWS' helicarriers) beating the crap out of other CG robots (/helicarriers), that no one cares about.
How does any of it make any sense?
This could be fun. Now I'll do Bane, and yes, I am imagining Tom Hardy's Bane voice while writing this.
Bane: You know, I recently had quite the engaging conversation with a woman by the name of Martha...
Batman gets in Bane's face
Batman: WHY ARE YOU SAY-
Bane punches Batman, Batman falls to the ground.
Bane: Down, bitch.
I've never felt the MCU movies were at all formulaic. Each movie and series has had a very different look, and style. They're all fairly light fun movies, but other than that very basic feel, they're totally different.The point is, they are not as formulaic as they appear at first blush. They are not all great, but at least I know that the next one might be better.
YMMV.
Can't agree with @JD. The cladding of "heist movie" this and "space sci-fi" that is entirely superficial, and movie-wise I do think the MCU films all have the feeling of coming from the same sausage factory: the way they handle action, conceive of villains, develop (or don't) characters, even the basic colour palettes are broadly similar. It's the fast-food chain model applied to moviemaking wherein the product, notwithstanding minor variations, is reliably good enough to be inoffensive and largely the same across the board, which is what makes it so profitable. Now it's an incredibly proficient chain, obviously. But at the end of the day they're all basically reminiscent of very high-budget, feature-length family-friendly Eighties cartoons.
I don't mind them, but I don't exactly go stampeding to the theatre to see the latest MCU movie, for the same reason I don't get excited about going to McDonald's. In some ways I actually prefer the DCEU; films like BvS or Man of Steel were more uneven than your typical Avengers movie but they also featured distinctive visions -- where death and consequence were part of the picture and drove the stories -- and delivered actual surprises in a way MCU films just don't.
MCU on television is really great, though.
They drove the story. Buildings falling on Bruce Wayne's people in Man of Steel. That was what drove the story.I really don't see where in BvS consequences had any effect at all,
I rather disagree. I certainly hadn't been expecting them to go full-on Death of Superman in their second movie outing. Whether or not they reverse it, well, it's comic books, but it's a distinct difference from the consequence-free violence of MCU films.nor were there any noteworthy surprises other than Superman dying (which was a mostly worthless surprise . . .
And the way the action is filmed and directed, and the structuring of the story, and the themes, and basically everything. What it had in common with a Marvel movie was superheroes, that's it.Based on what you seem to be describing as the hallmarks of the MCU, it might as well have been a Marvel movie, except for the angry tone and the controversial interpretation of the characters.
Don't forget that a significant part of IM3 was Tony dealing with his PTS from The Battle of New York.I'll disagree on the MCU being a "consequence free zone." I mean, Captain American: Winter Soldier, had overtones of the response to the "Battle of New York" and Civil War came on the heals of Age of Ultron. Even Avengers manage to take some of the larger plot holes of Thor and employ them to great effect.
I think they are doing a decent job, overall, with allowing different events reverberate through the MCU. I'm still waiting and seeing on the DCU.
Respectfully disagree. I think that Superman's killing of Zod was wholly contrived for the sake of drama, I think that Groot's death and Rocket's reaction is incredibly poignant, especially in light of the way the film introduces the characters, as well as Tony Stark struggling, constantly, with his own personal identity. This is among others.I guess what I would say is that consequences in the big-screen MCU for me... there's very little in the way of teeth in them. I can watch an MCU movie and laugh along with the quipping heroes and such, but I never feel a moment's actual tension on behalf of any of the characters. We will get to the end without anybody being killed (save the disposable faceless mooks) or even undergoing anything too deeply harrowing, and we know this at the beginning; even GotG's "killing" of Groot is reset -- albeit memorably and hilariously, I'll give them that -- by the end.
(It stands out particularly glaringly in the big screen because Downie's Iron Man has become basically the Avengers' flagship hero... and that character comes built in with a very famous story arc conspicuous in its absence from the films, for the fairly obvious reason that it isn't Disney-friendly.)
Compare and contrast Superman being forced to kill Zod in his first movie or getting whacked in his second big-screen outing, or Batman suffering from PTSD from watching the destruction of Metropolis. For that matter compare and contrast what the MCU itself routinely does on the small screen in series like Jessica Jones, Daredevil or Agents of S.H.I.E.L.D. -- there's just no comparison.
Is that your interpretation of what happened? Because that's never set up. I know there is a fan theory that Batman has gotten darker since Robin died. But it's really really explained in the movie if he's going farther than normal. He's already killing bad guys during the movie and even brands most of them which is an automatic death sentence for some reason. I'm not sure how a criminal caught by Batman deserves to be killed by the other inmates over anyone else. The one we saw was a thief and not a pedophile or human trafficker.It's a dramatic scene in which Bruce realizes how far he's fallen.
I don't get what's so difficult to understand about that.![]()
There's no deeper significance or any mention of Batman's parents other than the required scene of them dying and him visiting the grave.
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