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HUGE Mr Sulu Spoiler

Was it pandering to include a black female character and an Asian character in important positions on a 60's-era television show? Or was it boldly going where no show had gone before?

You're actually restating George's point, that the time to make these choices is when the character is originally conceived, not a half-century after the fact.
 
There should be a story reason associated with any of this....

Like Riker and Troi.... obviously this tension was an important aspect of their relationship, and there is story payoff in it later on....

The one time there was a quasi-lesbian storyline they had justification because of the trill host thing....

This is just pandering to say "LOOK what we did!" It's like what SyFy channel started doing in SG Universe and such.... they will specifically write this in just to placate certain groups. That's not being creative.

If Takei insists Roddenberry would not approve of this, then don't do it....
Takei has no creative control in this regard. He can feel that way if he wants, but that doesn't change the decision, nor should it. It's not pandering to show representation and acknowledgment of people who have been marginalized up until recently. This isn't pandering, and it isn't titillation like the DS9 episodes, this is to show that being gay is perfectly normal in the 23rd century. Considering what recently happened to a large number of gay people in Orlando, this is most assuredly a welcome message they need to see.

You're actually restating George's point, that the time to make these choices is when the character is originally conceived, not a half-century after the fact.
What an absurd argument. If, however, that really is the case, should we still have Superman "slapping a Jap" like he was recommending 70 years ago?
 
You're actually restating George's point, that the time to make these choices is when the character is originally conceived, not a half-century after the fact.

In-universe, the Sulu of the Kelvin Timeline was conceived after the Kelvin incident, meaning the circumstances leading to his birth may have been different, leading to him being gay in this timeline.

From a writing standpoint, would you have been outraged at the change in characterization and personality of Spock from The Cage, WNMHGB, and even early episodes of TOS? These things shift from episode-to-episode, based on the needs of the script.
 
I don't have a problem with Sulu being gay, but I would have really preferred another character for it. Giving specifically Sulu likely just a little scene about it, is really a save choice. They take as little risk as possible, while at the same time praising themselves for being so progressive. They do so little, that I bet it will hardly stop any homophobes from watching the movie, because it will be just too insignificant in the greater scheme of things to stop them from watching a movie they otherwise are interested in.

In today's time when quite a few series have well developed LGBT characters, making your most minor main cast member gay and give him a little scene or maybe with some luck two, is the opposite of bold. It is just doing the minimum. I expect more from Star Trek.

I doubt the goal is to "stop any homophobes from watching the movie". The goal is to (1) Honor the commitment to diversity that Trek is known for, (2) Acknowledge and show respect for gay fans and the gay community in general, and (3) Encourage tolerance in a new generation of Trek fans by establishing that one of their heroes just so happens to be gay.
 
Then you obviously haven't been watching Star Trek for the last thirty years. Sulu being gay is bold in comparison to what we got during the Berman years. :lol:

In some ways these new producers/writers are worse. I should have known when they unceremoniously discarded Carol Marcus, that I shouldn't expect too much from them. I really have to lower my expectations seemingly at least in the case of the movies. Hopefully the new series will be better for women and LGBT representation.
 
In some ways these new producers/writers are worse. I should have known when they unceremoniously discarded Carol Marcus, that I shouldn't expect too much from them. I really have to lower my expectations seemingly at least in the case of the movies. Hopefully the new series will be better for women and LGBT representation.
They just revealed that a major cast member, a central figure in the new films, is most certainly gay, openly so, and that it will be something considered a normal and routine part of life in the 23rd century. They just knocked the ball out of the park for LGBT representation. If anything, these films are very pro-woman, pro-LGBT representation.
 
Trying to pull the conversation back towards the positive, I'm wondering something: am I the only person out there who, in looking back in hindsight at Star Trek '09 and Star Trek into Darkness, isn't actually all that surprised by this creative decision?
 
So, creating a new LGBTQ character that can easily not be in the next movie and be forgotten is a less safe choice than making an established main character gay? How does that even make any sense?

You should read my previous posts. I suggested they should rather have made Kirk, McCoy or Scott bi or gay or even two of them and put them in a relationship together. When you jump in in a conversation, maybe start reading from the beginning. Then you would have known, who I was referring to with "another character". That is also true for those three who liked your comment.
 
You should read my previous posts. I suggested they should rather have made Kirk, McCoy or Scott bi or gay or even two of them and put them in a relationship together. When you jump in in a conversation, maybe start reading from the beginning. Then you would have known, who I was referring to with "another character". That is also true for those three who liked your comment.

This is a 20 page thread, and I can't keep up with every single response. Additionally, I was responding to that specific post, which mentioned nothing of Kirk, McCoy or Scotty. I'll thank you not to suggest how I go about reading & participating in this thread.
 
I don't recall saying anything about you not being allowed to have a different opinion, but by the same token I am allowed to disagree with the reasoning you gave for your opinion. If you had just said I would have preferred that they used a different character instead of an existing one that would have been one thing, but you justified your opinion with a bunch of old, offensive stereotypes about weak, effeminate gay men and made assumptions that that would be how they would treat Sulu in spite of him already having two movies where he wasn't depicted that way, which is all I objected to.

Let me correct an inaccuracy:
I was talking about weak, effeminate ASIAN men who have had those offensive stereotypes (primarily in American media) whether or not they identified as gay. (Future Asian American Studies grad student here). Of course, since Justin Lin is directing (who also worked with John Cho in his - Lin's - first film "Better Luck Tomorrow") we may see more focus on Sulu and a strong portrayal of a character who just happens to be part of the LGBT community.

Also, let me correct another inaccuracy on your part:
I've made no assumptions since I've stated, at least twice, that I'm looking forward to seeing how they handle the character; and I won't be able to make a full-on opinion until I have watched said upcoming film. For now, it's - the change - is just questionable since I have my own ideas of who the character is.
 
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In-universe, the Sulu of the Kelvin Timeline was conceived after the Kelvin incident, meaning the circumstances leading to his birth may have been different, leading to him being gay in this timeline.

From a writing standpoint, would you have been outraged at the change in characterization and personality of Spock from The Cage, WNMHGB, and even early episodes of TOS? These things shift from episode-to-episode, based on the needs of the script.
Exactly, Kirk wasn't the child victim of Kodos until the story was written, Spock didn't go nuts every 7 years, and the jilted love of Kirk's retirement could have been Carol or Gillian but it was Antonia. Modern writers layer their characters as the story progresses, they aren't set in stone from day one. Even Babylon 5, which had a story Bible, chopped and changed plot threads and character arcs as time went on. This is purely an example of that in action. If Spock can end up with Uhura, Sulu can end up with a dude.
Carol may or may not return to NuTrek as a love interest for Kirk or McCoy, and Sulu's husband might return in a more significant plot thread that doesn't smack of tokenism. ;-p. Baby steps.

I can understand why Takei is reticent; I expect he does not want the hate mail that might come if he's seen as the one projecting his deviant lifestyle onto such a beloved character and turning Sulu from the path of righteousness. For my part, this is less of an issue than ageing Chekhov and bundling Chapel off to the frontier.
 
They just revealed that a major cast member, a central figure in the new films, is most certainly gay, openly so, and that it will be something considered a normal and routine part of life in the 23rd century. They just knocked the ball out of the park for LGBT representation. If anything, these films are very pro-woman, pro-LGBT representation.

LGBT wise it is an improvement over the last two movies, although I really wouldn't call Sulu a "central figure". I really doubt he will get much more than in the last two movies. But "very pro-woman representation"? Seriously? A movie franchise with a measly one female main character? Movies which had otherwise hardly any other speaking female roles and the few they had before, were either killed off (Gaila, Amanda, Winona) or now discarded like Carol. And I bet Jaylah will also get discarded for the movie after Beyond.
 
In some ways these new producers/writers are worse. I should have known when they unceremoniously discarded Carol Marcus, that I shouldn't expect too much from them. I really have to lower my expectations seemingly at least in the case of the movies.

I don't get the frustration w Carol Marcus no longer part of crew in this and a few other threads. Her character was an add in physical personal representation of Kirk's decisions n the status of his life at that point. She was never seen on TOS nor mentioned. Just a character to help that particular movie.

STID intro her Kirk n her got to know each other some mutal attraction she left E for career/personal decision while E continued w 5 year mission
 
This is a 20 page thread, and I can't keep up with every single response. Additionally, I was responding to that specific post, which mentioned nothing of Kirk, McCoy or Scotty. I'll thank you not to suggest how I go about reading & participating in this thread.

I wrote that comment only one page before the other one! And even in the comment you quoted, I did say nothing about a newly created character. I wrote "another character". You just falsely assumed for some reason, that I meant a new one. So you attacked me for an opinion, I never stated, because you didn't bother to read one previous page and made a false assumption of the comment you quoted. And when I point out your mistake, you just continue with being rude.
 
In some ways these new producers/writers are worse. I should have known when they unceremoniously discarded Carol Marcus, that I shouldn't expect too much from them. I really have to lower my expectations seemingly at least in the case of the movies. Hopefully the new series will be better for women and LGBT representation.

Yeah, movie makers these days have no respect.

At least Bennett brought Bibi Besch back in The Search for Spock.

Oh, wait. No he didn't.

Carol Marcus also didn't reappear in the next movie of the original cast.
 
Character backstories/bios are where recons most commonly occur and are always subject to change.

Despite any (erroneously) perceived degree of magnitude, in terms of writers' license, changing Sulu's orientation is no different from than changing James R. to James T.--or, as I mentioned much earlier in this thread chaining Sulu from walking calculator to driver. In the grand scheme, it's all the same.

And that's only if we assume he was previously established as strait, of which, as has been previously noted, any evidence is tentative at best.
 
And I bet Jaylah will also get discarded for the movie after Beyond.

Maybe, maybe not. Lets wait and see.

You can't please everybody all of the time.

Whatever they end up doing with Jaylah's character, it's bound to upset a few.
 
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