And we're going to make the Romulans pay for it!Build the Space Wall!
And we're going to make the Romulans pay for it!Build the Space Wall!
Um, that's called...starting a new franchise.
There's no way to brand something Trek without it being, in some part, derivative, so you might as well embrace it rather than deluding yourself that you can be totally original within a preexisting universe with generations of fans who expect certain tropes and story beats.
Foolishness- you can have stories set on starships exploring space and having adventures without "certain tropes and story beats" left over from a bygone era and still have it be Star Trek.
If not, I don't know what the hell I've been enjoying for 40 years, but it sure as hell was not the "social commentary."
Fantasy is hardly the only viable option for filmmaking (nor should it be). Also, examining established characters or stories from angles you find unappealing does not make the exercise "crap". Merely something you don't like. It is arrogant presumption to view something one doesn't appreciate as though it couldn't be appreciated by others.It sounds like the dumb "dark and gritty" reality shit "artists" have been pushing on us for too long. I loathe deconstructionist movies. You know, where Superman is an alcoholic with a permanent five o'clock shadow and full of resentment because his biological parents (and planet) died when he was young and the Kents were killed by some past-altering event so he never got the love he needed to be a positive influence on Earth so instead we get a story about the dangers of raising our heroes up to impossible standards... I don't go to the movies to see that crap. I'd rather experience reality and realism in real life, and see fantasy on the screen.
Foolishness- you can have stories set on starships exploring space and having adventures without "certain tropes and story beats" left over from a bygone era and still have it be Star Trek.
Disney recently did a movie with that as a primary theme and it was one of their best-loved films in recent times. Why? Because it was a well-done movie.
I see deconstruction as a fad, just like the Tealization of Hollywood that I mention sometimes, 3D, hoola hoops, and other repetitive behaviors between cross-pollinating writers and lazy studios. Fads are the throwaway crap that artists produce and consumers buy for a while and then forget. There's a lot of waste in them. Faddish movies - not to be confused with cult favorites, by the way, which are a different animal - is that they become obviously dated instead of timeless and classic....examining established characters or stories from angles you find unappealing does not make the exercise "crap". Merely something you don't like. It is arrogant presumption to view something one doesn't appreciate as though it couldn't be appreciated by others.
Referring to Zootopia? When I think about it, I bet that could even have functioned as a Trek planet-of-the-week episode if you rewrote it enough.
My point is that if you're placing originality and novelty as priority one, then have the courage integrity to go all the way and don't slap a Star Trek label on it. Then you won't invite any more arguments with fans over what constitutes "true" Star Trek (like this one).
It's not like new franchises aren't linked to some form of inspiration. Star Trek could have been pitched to MGM as a "reimagining" of Forbidden Planet, but it wasn't. Star Wars could have been Flash Gordon. That's how things used to work. New franchises would have an inspiration from one or more other franchises, but not be a continuation. We're so down the reboot and re-imagining rabbit hole now that people have deluded themselves into thinking that they can deliver just as much originality as new franchises, but they can't.
Referring to Zootopia? When I think about it, I bet that could even have functioned as a Trek planet-of-the-week episode if you rewrote it enough.
Star Trek: Deep Space Nine took the most fundamental of all Trek premises (certainly more fundamental than "social commentary"), that of exploring the galaxy in a starship, and junked it.
I didn't see them needing to start a new franchise or retitle the show. And, last I checked, a large chunk of fandom considers DS9 a cream-of-the-crop achievement in Trek history.
You may not agree with my opinion, which is certainly fine, but let's not be ridiculous and say something like "you can't call it Star Trek if you're throwing out social commentary," because that's utter bull$hit.
I'm only saying don't throw it out all together,
Disagree, there's much today to comment upon. And Star Trek is a perfect forum to do it in.
I disagree with both of you. Star Trek has never done social commentary well! It was as subtle as a sledge hammer, preachy, stupid and arrogant.Um, no. That what Star Trek does best.
To be fair, and I know this is being debated in another thread, but Abrams' had commentary that was timely too. It wasn't the sledge hammer effect of some commentary, but it was based upon current events.Except that DS9 did do exploration (Gamma Quadrant, anyone?). The difference is that in many cases, stuff came to them instead of vice versa. Also, there was a lot of exploring the strange new world of Bajor, the Ferengi were turned into a working culture that was examined in some detail, the Trill evolved being being a one-shot TNG species, etc. So, DS9 was faithful to the spirit and the idea of galaxy exploration (to meet and learn about new cultures and use them to tell stories) even if the method was different (not using a starship). (Oh, but wait, they had the Defiant, which they used to explore the galaxy from season three onwards.)
I think TOS and TNG are considered the best pieces of the franchises, but I would be a fool to deny that DS9 was excellent. It was also a case in point example of how to adjust the franchise formula while still remaining clearly part of it.
Um, I'm not. I'm only saying don't throw it out all together, since it's a part of the franchise that's been important to every iteration of it (save the Abrams movies). DS9, in particular, had social commentary that still hasn't gone out of date or still can make viewers think (their depiction of a lead character as a former and unapologetic terrorist is a different thinking piece today, when terrorism is making the news a lot more).
You said it much better than I could.You won't have to worry. Literally every piece of fiction you'll ever be exposed to will have some degree of social commentary. Society impacts on authors, authors shape the works. Kinda like how STID (a product of the 2010's) had the blindingly obvious drone analogies, and firmly presented them as 'useful, but inhumane. Ultimately cuts the hand that wields it.'
I would think it would be inadvertent, given "The Cage" started with a female first officer, but the point is well put. Star Trek's attitude towards women can some times come across as rather bad or ignorant at times.Said commentary can be inadvertent (and not exactly good), but it's always there. See: absolute shit like 'Turnabout Intruder' delivering the wonderful message of 'Dont get too ambitious ladies. It will drive ya mad, turn you homicidal, and generally make ya miserable.'
(Assuming that said message was unintentional, and not a result from Gene's "can't give cunts too much power" comments.)
To be fair, and I know this is being debated in another thread, but Abrams' had commentary that was timely too. It wasn't the sledge hammer effect of some commentary, but it was based upon current events.
Something like this was actually done really well in the first half of ENT's Shockwave Part 1 -I think it would be good for drama, if occasionally the protagonists fail despite their best efforts. A tragedy would give the series a sense of realism-in real life, people don't always live happily ever after.
I would particularly like to see failure in an episode...in which it is stated that "failure is not an option".
Given Roddenberry put his mistress in a major role, and after being told to get rid of her (but not the role) he didn't replace her with a different actress.given "The Cage" started with a female first officer
Except being Star Trek it would be black supremacists who got rid of "whitey."white supremacists who casually reveal "We had some niggers but they were all sterilized and the problem solved itself 15 years ago!"
A few other fans have mentioned this, but I never saw the (intended) torpedo attack as a drone analogy, more a pretty standard attack by missiles launched from a naval vessel.Kinda like how STID (a product of the 2010's) had the blindingly obvious drone analogies
However, that wasn't the larger point. It was the execution of a Federation citizen without trial, which was the argument that Spock convinced Kirk with to go retrieve Harrison and not execute him from afar with no legal action.Given Roddenberry put his mistress in a major role, and after being told to get rid of her (but not the role) he didn't replace her with a different actress.Except being Star Trek it would be black supremacists who got rid of "whitey."A few other fans have mentioned this, but I never saw the (intended) torpedo attack as a drone analogy, more a pretty standard attack by missiles launched from a naval vessel.
Exactly. Continuity should be a foundation to build upon. The Problem is that too many people (both pro- and anti-) think of continuity as a box everything has to fit in.I'm for continuity, but your phrasing would actually convince me otherwise. I want the writing to be organic; unforced and uncoercive. Coercion is an unhealthy mindset. Continuity is a foundation upon which to guide and build. We're not forcing anything.
when did Khan become a federation citizen?it was the execution of a Federation citizen without trial
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