How did Melvin get the job anyway if he wasn't an actor?
JB
I can cut Frieberger a fair bit of slack, but this was his idea and it backfired spectacularly. Even he admits that it didn't fly as he had hoped.Somebody remind me how a lawyer got a gig acting as the villain in the episode.
Kor
Alec Peters' time was still decades in the future.Well the job called for a character that was slimy, deceitful, untrustworthy, a manipulator, a liar, a cheat, and would suck the life out of you.
Did your boss like to say "Death to you all?"I love this episode, mostly because Melvin Belli looks like a crazy boss at a job I once had. Every time I watch this episode, I see my former boss controlling the kids and trying to take over the ship!![]()
Since the horse is dead, why not write about whatever little GOOD was in the episode? Such as Spock's extra-violent nerve pinch on the guard in Act Four?
No, he didn't.Did your boss like to say "Death to you all?"
Kor
Did your boss like to say "Death to you all?"
Kor
I always thought that the part about the redshirts who got inadvertently beamed into space was an effectively chilling moment.
I think there is an interesting point in ATCSL how the kids use the crew members' personal fears to control them. Uhura's fear of aging, Kirk's of losing control of the ship etc.
Think how politicians or advertisers use fear to manipulate?
How do you think ATCSL compares to The Midwich Cuckoos or The Omen which also use the theme of adults being slow to react to the danger coming from something in the form of a child?
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