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CBS/Paramount sues to stop Axanar

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Actually, @HMS Ark Royal, the pertinent comments are the finishing off of the dressing rooms, makeup and wardrobe areas and the completed upgrades of the power grid to run the soundstage, which needs to be rented out to pay the rent. In their 'warehouse', as @ozzfloyd said!
 
Curtis Short, who will be managing the soundstage moving forward is focused on the finishing off of the space. While we are not shooting Axanar, it’s critical we rent out the soundstage and green screen so we can continue to pay the $ 15,000 a month in rent and utilities. Downstairs, work continues on finishing the dressing rooms, make up and wardrobe areas.

It's nice to see those donor dollars aren't going to waste. They may not be able to give you the independent Star Trek film you donated for, but they'll have a very nice studio for themselves to lease out.

Actually, the pertinent comments are the finishing off of the dressing rooms, makeup and wardrobe areas and the completed upgrades of the power grid to run the soundstage, which needs to be rented out to pay the rent. In their 'warehouse'!

Every warehouse needs to be up to "industry standards." Didn't you know that? :hugegrin:
 
If CBS is professionally assasinating those people that work on Axanar, I suggest starting with the evil despot that started all this

2hmziwz.jpg
 
From His AxeHead's "blog";

"This is ominous news for Star Trek Fans"

No, methinks this is ominous news that there will be a trial, with no 8-year old nonsense about, "...yeah, but those other guys...". You don't know it, but you are ensuring there will be no "Other Guys".

And, again...

"So is Paramount is concerned about Star Trek Fan Films potentially showing up their Star Trek movie this summer? Possibly."

I think Paramount is concerned about one production, in particular, that doesn't remotely qualify as a Fan Film, and I think they will ensure that it continues to not qualify as a Fan Film. Plus: perhaps they will get a new Industry Standard Warehouse in the settlement.





 
You have to admit that, despite his busy schedule, Alec takes the time to satisfy Diana's pussy

Make of that, what you will...
 
"Spock's Brain" has the production values of a professional television production made in 1968, which is something that even the best-funded fan videos simply cannot compete with.

Now, "The Alternative Factor" is probably inferior to a few fan videos...


Exactly. Even with a episode as bad as Spocks Brain the production values were top notch and even fan films today cannot match the quality. With all that said I do understand why people may enjoy fan films. This is all just my opinion.
 
Ah the delusions are strong in this one.

The blog seems to be offline now, but it was interesting to read earlier.

Why would Paramount contact heads of fan productions (especially Alec) to tell them how worried Paramount was about their upcoming movie (assuming such was the case)? To get them to drum up support? Support from someone who has hated the reboot movies so vocally? HA!! Delusional, indeed, that Alec still thinks himself a taste-setter in Star Trek circles...
 
I don't know, though...I have said it openly a number of times; I really liked what I saw in the trailer, and part of me wishes the rest of the film could be made, but that Star Ship left the Dock many stardates ago...
 
I know its from the end of Febuary, but have a look at this, and the comments:
http://webcache.googleusercontent.c...d-to-be-an-axanerd/+&cd=1&hl=en&ct=clnk&gl=us

The overall mindset being cultivated seems to be, stay cool and positive and the studio will be persuaded that you the fan are right and we are your legitimate proxy. I want to say to them:

1. You are choosing to live in a bubble. Intellectual content of arguments is not canceled by calling those thoughts negative, and then hiding those arguments under censorship and righteous analyses of the speakers. Criticism of Axanar management behavior began outside the Axanar walled garden first, because criticism wasn't and still isn't allowed inside the walled garden. Your Axanar blog writers can't censor the lawsuit judge, or induce him to ignore competent analyses by declaring the authors to be "negative". The real world outside the reach of your all-controlling blog writers is proceeding apace, with its own perspective. You should read it.

2. "Hating" is what Axanar managers did to donors when illegally sub-licensing Trek IP to a coffee maker, wash, rinse, and repeat in many variations, thus destroying the fans purity of intent by entrapping the fans and their money in a business model which inevitably drew a lawsuit. "Hating donors more" is what Axanar managers did by calling it all nonprofit all this time, when legally and in operation, its for profit with 100% reinvestment -- mostly in a studio asset for future non-Trek operations. "Nauseating" is "give us a million to build ourselves our business asset for our future, and then you can give us another million to make your film. Don't worry, we know how to do this, and assure you its kosher business-wise with the studios * ".

3. Discovery will make it clear to everyone, if the egos of Axanar keep fighting long enough for discovery findings to get into the court record by motions after discovery, and/or a trial. Everyone will get to see the bottom lines pointed to by the blogs and podcasts (not just the "haters" blogs and podcasts, but Axanar's blogs and podcasts, liberally quoted by critics); by the budget itself -- so much money and time for so little product and so much "infrastructure" owned by the production company, travel etc.; and so much stated intent to violate IP in so many ways simply because they feel (as stated in their podcasts) their righteousness entitles them to do so. If there's a settlement before discovery findings are revealed, sweet dreams of your money spent on a studio for the project leaders (and their silent partner investors) and squat for you.

Sorry,
you
backed
the
wrong
horse.

* "There's always a chance they might disagree"... there, you have been fully informed of the risk.
 
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