Cable TV has lots of commercials, and it's more expensive than paid streaming services such as Netflix. You would think that when you pay $50-something or more per month for cable TV in HD, you shouldn't have to watch commercials.
What is the business model that allows some streaming services to make a profit from subscriptions of $10 a month or less with no advertising revenue?
Kor
It might be the more people that watch, the more ads that can be sold.Cable TV has lots of commercials, and it's more expensive than paid streaming services such as Netflix. You would think that when you pay $50-something or more per month for cable TV in HD, you shouldn't have to watch commercials.
What is the business model that allows some streaming services to make a profit from subscriptions of $10 a month or less with no advertising revenue?
Kor
This is a valid question.
Eh, still a somewhat valid question, I think. Regardless of the obvious example. The MACOs were a neat addition to Enterprise, but they were a side story, their main character less than a main character. To run a film squarely on that kind of group would be interesting.
I hate to say this but I think as far as the studio is concerned there's going to be more of the style of the JJverse instead of the Prime. This is going to sound a little critical but I'm going to use my wife as an example. She loves the movies set in the Abramsverse and will watch them pretty frequently. If I put on one of the movies set in the Prime Universe she'll barely make it through it. For example: She liked Into Darkness and hated Wrath of Khan; she liked 09 but First Contact was 'boring'. The same thing happened with my niece (16) and nephew (18) who have said the same thing. They all three have asked me if we can go see Beyond when it comes out because they liked the trailer (I didn't care for it).
I hope that we see a return to form with the new films, but I'm afraid that the new generation is going to win out...
I hate to say this but I think as far as the studio is concerned there's going to be more of the style of the JJverse instead of the Prime. This is going to sound a little critical but I'm going to use my wife as an example. She loves the movies set in the Abramsverse and will watch them pretty frequently. If I put on one of the movies set in the Prime Universe she'll barely make it through it. For example: She liked Into Darkness and hated Wrath of Khan; she liked 09 but First Contact was 'boring'. The same thing happened with my niece (16) and nephew (18) who have said the same thing. They all three have asked me if we can go see Beyond when it comes out because they liked the trailer (I didn't care for it).
I hope that we see a return to form with the new films, but I'm afraid that the new generation is going to win out...
I hate to say this but I think as far as the studio is concerned there's going to be more of the style of the JJverse instead of the Prime. This is going to sound a little critical but I'm going to use my wife as an example. She loves the movies set in the Abramsverse and will watch them pretty frequently. If I put on one of the movies set in the Prime Universe she'll barely make it through it. For example: She liked Into Darkness and hated Wrath of Khan; she liked 09 but First Contact was 'boring'. The same thing happened with my niece (16) and nephew (18) who have said the same thing. They all three have asked me if we can go see Beyond when it comes out because they liked the trailer (I didn't care for it).
I hope that we see a return to form with the new films, but I'm afraid that the new generation is going to win out...
But a film is, in the same way that Smallville was very different to both Superman Returns and Man of Steel, the current Marvel TV series are different to the Avengers-linked movies, Gotham is different to Batman Begins, First Contact was different to TNG or DS9, and TWOK was different to TOS.
I'm sure the new series will be whizzy and flashy and bangy and based on what todays TV viewers want, but what works for a 2 hour film does not work for a 16 hour season.
Nx1701g. Perhaps as their tastes mature their opinions will change. Of course, seeing "Wrath of Khan" would have been helped by seeing "Space Seed".
Seeing "First Contact" would have been helped by seeing the Borg eps of TNG.
If there's one thing you can say about JJTrek, it's that it's accessible.
Make her watch all of of Star Trek Enterprise since it's the only previous canon remaining in the Abramsverse....She said that if it were like the [Abramsverse] movies she may watch it, but if it were like the Prime Universe she'd pass not wanting to be bogged down by all that came before.
But I would counter that with, if the modern general audience wants something that appeals to them, they can look anywhere else on television or summer movies. They'll never connect with Star Trek the way we do even if it's changed to appeal more to them. Things oriented at a niche audience can only survive by keeping that niche audience.
It's true, AbramsTrek is designed to appeal to a modern general audience. From a business perspective, there's no harm in that.
But I would counter that with, if the modern general audience wants something that appeals to them, they can look anywhere else on television or summer movies. They'll never connect with Star Trek the way we do even if it's changed to appeal more to them. Things oriented at a niche audience can only survive by keeping that niche audience.
Would you rather have a Trek that pleases a lot of people a little, or a few people a lot? Just like, I'm not a fan of Dr Who, and Dr Who fans certainly wouldn't want to see it changed to please me more.
But I would counter that with, if the modern general audience wants something that appeals to them, they can look anywhere else on television or summer movies. They'll never connect with Star Trek the way we do even if it's changed to appeal more to them. Things oriented at a niche audience can only survive by keeping that niche audience.
But Trek was never meant for a niche audience and I doubt a niche audience alone can keep it on the air.
It's true, AbramsTrek is designed to appeal to a modern general audience. From a business perspective, there's no harm in that.
But I would counter that with, if the modern general audience wants something that appeals to them, they can look anywhere else on television or summer movies. They'll never connect with Star Trek the way we do even if it's changed to appeal more to them. Things oriented at a niche audience can only survive by keeping that niche audience.
Would you rather have a Trek that pleases a lot of people a little, or a few people a lot? Just like, I'm not a fan of Dr Who, and Dr Who fans certainly wouldn't want to see it changed to please me more.
I don't know if I would exactly classify this as wishful thinking, but it's not far off. NuTrek has been successful with that modern (by which I take it you mean younger) general audience, both domestically and abroad. You don't dispute this as being a sound business approach. But then you suggest that since that cohort has so many other offerings on different platforms, they should (voluntarily?) give up on a franchise, new to many of them, so that the focus of the films can be reformed to be in sync with what traditional Trek fans desire. Why should people be turned away from something they enjoy and is being executed in the way the filmmakers have intended it to be?
You seem to be saying that because Trek is a tradition that developed its history over so many years before the new films arrived, that it should be considered its own discreet genre which only the cognoscenti who have been long adherents can properly appreciate. Well, the whole point of the films being introduced when and in the way they were, was that there was manifest evidence, over an extended period of time, that the hallowed tradition of the Prime Universe had run its course as something that warranted investment on a broadcast or certainly, film platform. Perhaps if creative decisions on the last two TV entries had been free from network interference, a recognition that the emphasis in productions was moving away from a serial model, and a greater self-discipline from avoiding thinly described cribbing of plots from earlier iterations, amongst other things, had been different, than the fervor or at least sustained interest in Voyager and Enterprise, would have made another Prime entry, after a reasonable interval, a realistic proposition. But that was not the case, so while the studio heads saw value in resurrecting the franchise, it must have seemed a given that the treatment and approach going forward had to reflect the changing times if the new product was going to be seen as relevant.
The new approach, in reflecting the values inherent in most other genre productions, perforce would require a large budget and consequently had to be made to appeal and be marketed to the broadest general audience possible. The films were not going to be made as a concession to the traditional fanbase. That some of the longtime viewers would inevitably sample the films, out of curiosity if for no other reason, I would have to think was considered as a bonus, but not a driving force. As to the appreciation factor you argue for, I would suggest that the diverse, "new" viewing cohort likely shares a greater unanimity of satisfaction in what they've been offered, than a continuation of the known history would ever allow among the traditional audience. I think that can be attested to by the normal give and take one witnesses here every day.
I guess to sum up, as offered by BillJ above, a reintroduction to film of the franchise using either approach couldn't be considered a niche production. Trek isn't an art house kind of property and to think of it being in that realm, one that can only be understood by a limited society of longtime habitues is simply not realistic. If. by your analogy, NuTrek pleases a lot of people only minimally (which I don't think is the case anyway), it seems clear that they're satisfied enough to continue coming to see this representation, and significantly for a good number of them, probably for repeated viewings. This means that the concept is a successful one and to suggest that it be replaced by an iteration that as a given will not generate anywhere near the same income, to be done as sort of a valedictory concession of sorts, would be a business determination that would be seen as a conceptually losing proposition and consequently, wouldn't ever see the light of day. Generally, for the same reasons, I expect that the upcoming series will be an expansion of the films, albeit with the explicit spectacle quotient toned down to reflect the budget realities of the medium.
I'm really looking forward to STAR TREK's return to television ... it's been too long. I like The Classic Series, but even with the George Lucas-styled CGI drop-ins and effects redos, it's not enough to bring it up to speed. I'd love to see the whole thing rebooted, again, only for TV, this time and tap into all of that untapped potential the first series had. Who knows what CBS will eventually unleash on us paying customers, but ... that continues to be my wish. In any event, they've already got my money, because it's too late to turn back, now ... whatever series eventuates, I'll support it. I may regret it, but I'll worry about that, later. STAR TREK's been around longer than I've been alive ... and I just can't imagine Life without it.
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