The bomb scene is the perfect analog for the film as a whole.
On paper, it's actually a pretty good idea (ignoring the blatant plot holes). That scene should have been suspenseful, dramatic, and, most impotently, utterly horrific.
But all I got out of it was "Eh. Whatever."
If you're going to do a scene like that, you need to either go the distance or don't do it at all. This was a systemic problem in Berman Trek--they were just too afraid to take the kiddie gloves off. (This was especially true with DS-benign.)
And horrific doesn't need to be gruesome or gross or whatever. The Ceti eels are a great example. From a technical standpoint, that scene is pretty PG tame, yet Meyer is fully able to capture what it must be like to have a space slug play slip-n-slide with your cochlear.
Or the way Abrams made us experience the utter terror of being blown out into the silent vacuum of space.
This was a young woman's arm being sawed off by a phaser. I should have been at least awkwardly squirming in my chair. I wasn't.