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Eileen Rexroat: Gene's first wife

She is kind of the big missing gap in the Star Trek mythos, under California law she owned half of Gene Roddenberry's finacial interest in Trek.

Ive looked for old interviews of her for years, but to no avail. She might have had some interesting insights into the original creation of the pilots and the series.

If she's still alive, she'd be in her eighties.

:)
 
While searching for Eileen Anita Rexroat, I came upon this gem about Majel Barrett Roddenberry. While it is pure fanboy fantasy, it is a fun read.

Holy crap, that was hilarious! Okay, I know that English is obviously not that person's first language and they did the best they could, but I laughed my head off. Some of my favorite bits:

The pilot episode is called "The Cage", but when it is showed for the board of directors in the NBC building in February 1965, they for instance do not like it is a woman,

Yes, the NBC executives didn't like the fact that "The Cage" was a woman. That's why "Where No Man Has Gone Before" was obviously a man, and had a clearly visible penis.

. . . Majel Barrett, after several years of trying gives birth to the boy Eugene Wesley Roddenberry Jr. 5 February 1974.

She'd been trying to give birth for years, but the damned kid was like "No, I like it in here!"

. . . In 1990 Gene Roddenberry and Majel Barrett moves to the Bel Air part of Los Angeles in a house . . .

And it was a bitch getting that thing down the LA freeways, let me tell ya!
 
While searching for Eileen Anita Rexroat, I came upon this gem about Majel Barrett Roddenberry. While it is pure fanboy fantasy, it is a fun read.

Holy crap, that was hilarious! Okay, I know that English is obviously not that person's first language and they did the best they could, but I laughed my head off. Some of my favorite bits:

The pilot episode is called "The Cage", but when it is showed for the board of directors in the NBC building in February 1965, they for instance do not like it is a woman,
Yes, the NBC executives didn't like the fact that "The Cage" was a woman. That's why "Where No Man Has Gone Before" was obviously a man, and had a clearly visible penis.

. . . Majel Barrett, after several years of trying gives birth to the boy Eugene Wesley Roddenberry Jr. 5 February 1974.
She'd been trying to give birth for years, but the damned kid was like "No, I like it in here!"

. . . In 1990 Gene Roddenberry and Majel Barrett moves to the Bel Air part of Los Angeles in a house . . .
And it was a bitch getting that thing down the LA freeways, let me tell ya!
Yikes! And I thought my writing was bad. :wtf:
 
Poor guy!

Back in my journalism days, I used to hear the expression: everyone needs an editor.
 
Huh? I never knew that Gene was married to someone before Majel!

During the making of TOS he still was married to Eileen. Majel was only his mistress at the time, while Eileen was his wife. He didn't divorce Eileen and marry Majel until after TOS was over.

It was just one of several ways in which Gene had some great ideals about how much better humanity will be in the future, but was regrettably unable to live up to those ideals within himself. By some accounts he lived quite the life of vice, actually...
 
One thing a lot of people mention about him is he had trouble keeping his pants zipped.

Not being judgmental, but he certainly took advantage of his opportunities. Wouldn't work for me, though. I can't imagine getting any takers to the line "I won't drop a 70 lb. package on your fragile piece of Priority Mail if you give me 5 minutes worth".


I forgot, do the quotation marks at the end of a sentence come before or after the period?
 
Somewhat related.

Whatever happened to George Lucas' first wife? Seems like after the divorce she just disappeared as well, with what I imagine to be half of George's Star Wars fortune. Biggest payoff for a divorce ever?
 
I forgot, do the quotation marks at the end of a sentence come before or after the period?

In American usage, the period is inside the quotes, but I think it's outside in British usage. Which makes more sense to me, since the period often isn't part of what's being quoted.
 
I believe it also depends on usage.

If you're quoting somebody, it would be:

Uhura said, "Captain Kirk, the Klingons are hailing us."

On the other hand, if you're quoting a phrase:

Captain Picard often says "engage".

I haven't been a reporter/writer for some time, so correct me if I'm wrong. (I seriously need to get back into writing.)
 
One thing a lot of people mention about him is he had trouble keeping his pants zipped.

And so did the characters in the stories he wrote :

The Cage : Pike is tortured with sex fantasies to get him to procreate with Vina.

Mudd's Women : enough said.

Enemy Within : Violent rape scene that was amazing it got to air in '66.

Private Little War : The villagers "share" captured Hill-people women.

TMP : Oaths of celibacy because "sexually immature" earthmen can't handle Deltan women

Naked Now : an excuse for everyone to get drunk and sleep together.

Justice : enough said.

You can spot Roddenberry's writing a mile off. It just must have been on his mind constantly! I'm not going to judge the guy either, but you can't deny Roddenberry's insatiable appetite for sex isn't stamped all over Trek.

As for Eileen Rexroat, I hope she has had a happy life post GR. The only things I ever recall reading about her were that Bob Justman, (when he met her early in the run of TOS prior to the divorce) found her polite, but distant and she seemed uncomfortable about GR's new Hollywood friends (understandable with what was going on after hours), and during the court cases over GR's estate in the 90's, she said the idea for Star Trek came from family camping trips when GR would entertain his two daughters with stories about the stars.
 
^Well, of course Richard Matheson wrote "The Enemy Within." And rape wasn't really seen as that big a deal back then (at least not by the male establishment); it was seen more as extremely rude behavior than the brutal, dehumanizing assault we now understand it to be. It was pretty common to joke about bosses chasing their secretaries around their desks and things like that. Flirtation of a sort that we'd see as sexual harassment was treated as normative; if anything, it was seen as unkind to a woman if you didn't express sexual interest in her.

Along the same lines, I'd be surprised if Roddenberry's promiscuity wasn't typical of Hollywood producers from the era in general. Lots of powerful men over the generations have seen themselves as entitled to sleep around and seduce women.
 
^Well, of course Richard Matheson wrote "The Enemy Within." And rape wasn't really seen as that big a deal back then (at least not by the male establishment); it was seen more as extremely rude behavior than the brutal, dehumanizing assault we now understand it to be. It was pretty common to joke about bosses chasing their secretaries around their desks and things like that. Flirtation of a sort that we'd see as sexual harassment was treated as normative; if anything, it was seen as unkind to a woman if you didn't express sexual interest in her.

Where did you get this information?
 
Where did you get this information?

Partly just general awareness of the era (I grew up in the '70s), but also in a book I found in the course of a TrekBBS thread a couple of years ago:

Well, it's not the only time TOS went to that well; see "A Private Little War" (the villagers attacking Nona) and "Day of the Dove" (Chekov assaulting Mara).

I found a Google Books result for a book talking about sex in '60s and '70s TV, Wallowing in Sex by Elena Levine, and it mentions mid-'60s rape storylines on three major soap operas of the day, The Guiding Light, General Hospital, and Another World -- although it says they "were not typically labeled as rape." In all three cases, the wives were raped by their husbands and impregnated, but in only two cases were the husbands villainous characters.
However, because marital rape was not considered a crime in the 1960s, and because rape in general had yet to undergo the critical exploration that would seek to dissociate it from sexual passion, having a non-villainous main character who raped his wife was not especially untenable. As long as his actions could be explained as a poor choice, made under great emotional duress, Mike Bauer could -- and would -- continue to be a pillar of the Springfield community for years to come.
...
Mike's actions were represented as shameful, but not violent or criminal, and their effect upon [his wife] Julie was depicted as hurtful but not especially damaging or enraging.

The morning after he rapes Julie, he apologizes, and she replies, "You don't have to apologize, Michael, I am still your wife." Implying that as her husband he was entitled to it, which was the attitude back then.

The book goes on to mention later TV storylines about rape motivated by love, where drunk men refused to take no for an answer from women they loved and desired (or in one case, another woman that he drunkenly mistook for his wife); it was treated as a sexual act rather than an act of violence or control:
...[T]he stories... were in keeping with those stances toward rape that were sympathetic to the victim (as opposed to blaming her for "asking for it"), but that saw the act more as an unfortunate expression of an individual's intense emotions than as a socially sanctioned wrong deeply rooted in a patriarchal disregard for women.

I think the same went here -- what Evil Kirk tried to do to Janice wasn't perceived by the writer or producers, or viewers, as a "brutal attack" as we would understand it today, but merely an expression of Kirk's desire for Janice let free of his discipline and inhibitions as a captain. That's why Janice was written afterward as being almost flattered by the attention, and why it wasn't considered shockingly creepy and insensitive for Spock to tease her about it at the end.
 
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