Silly question, but how does Shatner mess up a close-up of another actor? Surely he could only eye-roll in the master shot, or his own close-up?
According to the three actors I mentioned earlier, when the camera was on
them, Shatner would sometimes cross his eyes or do a silly grin or eyeball roll, catching them off-guard. For these shots intercutting between two closeups, everything is covered at least twice by the director, and the editor chooses the best bits. While it could be laughed off as a gag (and saved for the Christmas party blooper reel - "Oh, that's Bill being Bill, the rogue"), it also meant that the best closeup usually ended up being Shatner's, not his co-stars'.
And we are supposed to believe that somehow Shatner made funny faces during the split-second it takes to say thank you sir I've been waiting for that for a long time and then just as Takei finished his sentence his face went back to normal no longer making so-called funny faces.
That's not how movies are made. It's my understanding that the whole scene is done for one actor's closeup, with the other actor (or a script person) reading off camera. Then reshot for the other's angle, with the best two takes being intercut.
I have heard the same story, personally, from three actors - Whitney, Takei and Craig - and have also heard Whitney and Craig discussing Shatner at conventions. I have also heard Takei with an audience, but I don't think he discussed this at that con.
I recall you and I have had this debate before. You don't have to believe me, or those actors. But it sounds plausible to me.
Could you speak more about this? I've not heard this before.
When Kirstie Alley and Merritt Butrick were signed for ST II, it was known that this was supposed to be Leonard Nimoy's last ever appearance as Spock. IIRC, some of this is covered in Allan Asherman's "Making of..." book for ST II. Remember that Nimoy had refused to participate in "Phase II", and there were thirteen scripts at various stages of development that had
Xon, not Spock. Remember that Shatner had also indicated that, if his motion picture career had taken off and/or if "Phase II" had been only a mediocre ratings series, he was intending to jump ship at the midpoint of Season 1. Maybe do recurring Sweeps Week appearances as Admiral Kirk. Or not.
Before principal photography began, ST II was being produced by Paramount's television arm. It was to have been a telemovie, perhaps with an overseas theatrical release. And more telemovies, or a rejig of "Phase II", if successful. (It was upgraded to the motion picture arm not long after.) Alley and Butrick were to be groomed as romantic leads, should that series of telemovies take off. They had romantic glances filmed, but ultimate unused, for ST II.
Decker and Ilia had been written out at the end of TMP. Saavik was essentially a female Xon, but on the command track. Marcus was the scientist. But... at the wrap party for ST II, Nimoy told Harve Bennett that he had enjoyed the experience so much, he would return for ST III, especially if he could direct. Then Saavik was recast and Marcus was killed off, so any grooming of Alley and Butrick ended the minute Nimoy asked to return.
The brief line in ST II, about Sulu taking the captaincy of Excelsior, was added to appease Takei, not necessarily as a future spin-off. Even though it got trimmed, it stayed in the three Vonda McIntyre novelisations (but the books are only read by 2% of the viewing audience). A rallying cry for "Captain Sulu" among (some) fans developed after the popularity of ST IV. Remember, it was ILM's intention that their Excelsior model would be the new hero shop, but fans called it "the pregnant guppy" after ST III, so the movie Enterprise got an "A" added to its registry number. (Leaving Excelsior free for a "Captain Sulu" series.) The call for a Sulu series gained momentum when Takei was offered ST VI, and started advocating for a spin-off at conventions. And again after
Voyager's "Flashback".