While there was some objectification in the WW movie, it was definitely a lot better than some movies out there.
The objectification of both women and men are in a lot of movies - comic book films or other kinds.
While there was some objectification in the WW movie, it was definitely a lot better than some movies out there.
Why would they regret it? WB launched their film universe with their biggest flagship character. That's not a surprising strategy.
"Accept?" You say this as if there was some public resistance to the character. There was not. WB had to get its film act together beyond one off productions (Superman Returns) infantile, TV-esque hack work (Green Lantern) or successful, but isolated series (Nolan's Bat-films), in order to finally adapt the top characters as one series. It was not about anyone not accepting a Wonder Woman film, as fans had wanted to see the character get the big budget, big screen treatment for years, longing for the character to be treated with respect, rather than continue to be haunted by the spectre of the largely terrible Carter TV series.
The right time was after the character made a splash in Batman v. Superman: Dawn of Justice. The framework of the film allowed the character to shine
Again, you're not being honest. One, WW's production budget was $149M, which does not include the marketing budget (and for films of this nature, they are large), so one cannot only focus on that production budget alone as if it were made for pennies. Two, the box office numbers are what studios are considering, and right now, Batman v. Superman: Dawn of Justice pushed in toward the $900M mark. If WW happens to match or pass that--great, it will be another successful DC movie to make single-minded MCU fans eat crow, since they predicted (before the release of Man of Steel) that DC was never going to have a successful film universe.For the first time, there's a true mirror of the comic companies' worlds on screen at the same time, so for me (who was there to see years of hit and miss and/or different comapined adapting the characters, hence no film universe), this is great.
Every success is a win/win--its part of a series, not the Wonder Woman Film Universe, which some seem to try to wish into existence. That's not what WB or (I will assume) the movie going audience desires.
^^
I guess you missed the Jane Austen memo...
You are more than welcome to your cynical outlook, but I don't get why every time someone mentions they like Man of Steel and they see Superman as a positive, heroic, inspirational character you're trying to convince them that they're wrong.
It's not gonna work, it hasn't been working for the past four years, and why the hell should it work?
I think society needs a story about an immigrant and an outsider who overcomes doubt and prejudice to become a hero to the world, and I don't think that such a story should gloss over the problems and difficulties that many people face, and pretend the world is a hunky dory place where everything comes easy if you just smile and be a swell guy. It may not be for small children, but there's a crapton of adults today who haven't learned that lesson...
It's true that WW follows a more conventional three-act play type of narrative, and is therefore easy to follow for those accustomed or acculturated to that conventionalism.
But I wish more stories would challenge that normative artificial narrative structure. Writers and directors should think outside the box and try to make something more organic instead of always imposing the same structure on everything. Life is not a neat three-act play.
Kor
My local nonIMAX local theater will also be bringing back WW starting this Friday, so looks like many places are getting this expansion.
This August completely sucks for movies, so theaters might as well bring back WW, right?
I'm pretty tempted to see the movie again on the big screen.![]()
Without detailing this thread, I'm going to say that it's a very troubling state of affairs when even the subject of entertainment has been overrun by an epidemic of people buying into an idea that isn't even remotely accurate and can be easily and factually disproven and continuing to espouse and cling to said idea even after it has been disproven.
What is this in regard to?
Kor
To the extent this post seems to be saying that those who disagree with you about the DCEU films to date can "easily and factually" be proven wrong ... there's not a lot that can be "factually disproven" about people's emotional response to a creative work. You can recite chapter and verse if you like as to how Snyder's Superman is a wonderfully realized character, or how Wonder Woman doesn't constitute a dramatic break from what has gone before, and you might even manage a decent argument on paper. But the fact (there's that word again, and this time it applies) is that for many viewers, their emotional response to Wonder Woman is fundamentally and profoundly different than their reaction to Snyder's movies and characterizations. You can't argue or "prove" people out of that, and people certainly aren't wrong if they find the Snyderverse Superman a dreary cipher, and Jenkins and Gadot's Wonder Woman a joyous inspiration.Without detailing this thread, I'm going to say that it's a very troubling state of affairs when even the subject of entertainment has been overrun by an epidemic of people buying into an idea that isn't even remotely accurate and can be easily and factually disproven and continuing to espouse and cling to said idea even after it has been disproven.
I personally don't like it, but there is a tradition of "beautiful violence" in film (John Woo, for example) with brutal things presented in an aesthetically interesting and artistic manner, such as gunshot wounds bursting like blossoming flowers. Perhaps Snyder is going for that.
^ The point is that the only evidence that's required to say, "I am not moved or inspired or engaged by Snyder's Superman" is a viewer's own experience and perceptions. In this context, the intentions/motivations of the filmmakers are irrelevant; the proof is in the execution and the response of the audience.
Wonder woman was in no way "objectified" in this movie. Obviously Cameron can't handle women herioes who are both smart and gorgeous. Can't wait to see his response to Captain Marvel.James Cameron certainly put his foot in his mouth today with some bewildering remarks...
Patty Jenkins replied...
So a "beauty icon" can't be a strong, independent kick-ass lead? What makes these comments particularly egregiously wrong is that the real-world Gal Gadot would give his fictional Sarah Conner a run for her money.
Thanks for posting that, I actually found it very informative. I know almost nothing about WWI, other than that it basically lead to WWII, and started when someone was assassinated.Again, because she's naive. It doesn't matter to her which nations are fighting which and why or that the poor old ostrich died for nothing.
When I was in school, they used to put this on for us on rainy days when we were shut in at break time. Way more informative than the actual history lessons they gave us on WWI.Thanks for posting that, I actually found it very informative. I know almost nothing about WWI, other than that it basically lead to WWII, and started when someone was assassinated.
Thank you, that was really interesting. I didn't realize Germany was that new of a country, I thought they had been around at least as long as England, France, and Spain.
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