• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

Why not just use the pilot design?

Status
Not open for further replies.
Not really. Pretend is pretend.

If you want to pretend so much, go watch Star Wars, and leave us Star Trek.


:rolleyes:

No. The key word is "fiction." That's the noun. The "Science" in "Science Fiction" is an adjective modifying the noun. It's right there in the rules of grammar.
No, the key words, would be "science fiction". You see, the adjective MODIFIES the noun, to be given added properties, and demands. It's modifier.

A little tower is a tower that is little. Just any tower doesn't fulfill the terms, especially considering most towers are usually tall and big. Only a little tower satisfies the criteria of a little tower.

Actually they do, because everything that costs energy, costs energy.


No, because such technology guarantees that they can always have as much energy available as they wish.

If the anti-matter containment breaches, it goes BOOM. And then they do NOT have it available even though they wish.

That's really quite simple and logical, you know, in fact, we've seen it happen on starships in Star Trek a couple of times. But you know, we should just forget 40 years of history I hear. This days, not only do they build ships on the ground, when anti-matter is no longer contained, it doesn't react with matter anymore to explode! Nope, it just floats there doing nothing.

At the point in Star Trek in which the technology is proven enough that they are building starships with M-AM reactors at their core, then I think they have a grasp on the technology enough to build a ship safely on the ground.

Hell we have nuclear reactors on Earth today, and if one went off, it would cause great destruction. However, we have proven the technology as safe enough to build many nuclear reactors, and have fleets of ships powered by them.
 
Dude, I've been a Trekkie since I was 9...
So?

Are you attempting to say you are actually part of those whiney fanboys on the Internet now? Make up your mind (or stop clinging to hard to defend arguments in your attacks on others).

No, I'm being dismissive because I'm finding the anti-Abrams film, anti-new Enterprise, anti-change, anti-new continuity arguments to be very closed-minded and uncreative. Rigid and controlling and unartistic.
Isn't being dismissive actually a sign that you yourself are being very closed-minded and uncreative? You're inability to see where others are coming from on this topic would seem like evidence that you yourself are the very definition of Rigid and controlling and unartistic.

King Arthur is set in a fictional present day?
It was when it was tales being past from person to person that led up to the eventual King Arthur story. It went through as many transitions as any of the examples I pointed out... or were you unaware of that?

The Wizard of Oz is set in a fiction present day?
Actually, it has been, but bounced around and isn't as flushed out a story as the other examples... and is a poor comparison to Star Trek (and not very Trekkie of you to lower Trek in such a comparison).

Watchmen is set in a fictional present day?
Beats me... I'm not a comic book or SciFi person. Star Trek is my only area of interest in this general field, so I have few references for non-Trek stuff in the areas which Trek is usually associated.

Shakespeare is set in fictional present day?
Not enough background to be comparable to Trek, again this is a disappointing comparison... you should be able to do better.

You assume wrongly, sir...
I can't tell by your posts. I don't think you get it and this post isn't helping your case (specially with these poor comparisons you put forward).

Either you aren't up to the task of arguing your points, you aren't aware of what your points are, or you have no points and are arguing to argue.

Put some genuine thought into your next reply. Think about what it will say... not just to me, but also about what you want me to believe about you. Give me a long, well thought out post that shows that you both understand your own position and that of those you are arguing against. In fact, tell me why it is so important to argue against others when you've already gotten what you wanted.

But don't tell me you are a Trekkie because you watch Trek and know the tech manuals backwards and forwards... that is meaningless. I could say that I'm the greatest scholar of Trek tech ever... it doesn't mean that it is true and it doesn't matter here anyways.

We're talking about feelings... and all I'm getting from you is that you are angry because you're getting what you want. That is a pretty bad state to be in. Why not show some empathy for those who aren't going to get what they wanted instead? The only thing worse than not getting what could have been great Trek is having to deal with people who don't know enough to be happy that they are getting what they wanted.

Maybe you could explain that too... why hate those who are already disenfranchised? What, you guys get kicks out of rubbing salt in peoples wounds?
 
Hell we have nuclear reactors on Earth today, and if one went off, it would cause great destruction. However, we have proven the technology as safe enough to build many nuclear reactors, and have fleets of ships powered by them.

Hell, after three million years we still have horrible accidents with fire. :lol:

Nonetheless, positing that people who have endless energy would prioritize saving energy over other kinds of convenience is foolishness. It's like suggesting that because there are power failures sometimes during thunderstorms people wouldn't own television sets - I mean, why would you waste energy on something so trivial when the power might go out? ;)
 
Matt Jeffries 60's version still has better qualities than Abram's. As with SEVERAL "updates" nowadays from the classic versions.
 
Whether it CAN be done, is a very different thing, from whether it WILL be done. And let me tell you, there are NO advantages for building on the ground such massive ships, only DISadvantages. Thus you will NOT be building them on the ground, you'll be building them IN SPACE and nowhere else, where any sane person will tell you they'll be built.
Wrong again. There are several advantages to building on the ground. Plentiful workforce for one - most construction workers even in the 23rd century are not going to be trained spacewalkers, and those who are will demand much higher wages. Ask an astronaut how easy it is even to assemble something in space from components fabricated on the ground. Then ask him how easy it would be to build everything, from the components on up, in a vacuum, in free fall. He'll laugh in your face. Then there's resources - do you think most of the factories building starship components are going to be space-based? Unlikely. Would it be more energy efficient to boost up lots of small loads, or one big one? Even Roddenberry knew that building a starship would take place primarily on the ground. For every disadvantage working on the ground has, there are ten for working in space.

I would have preferred to see in on the ground in separate sections, but there's nothing inherently wrong with doing most of the assembly on the ground. You're just having a knee-jerk reaction because it goes against your preconceptions.

Scientific accuracy IS a value that is added to the movie. It is one of the most IMPORTANT values in fact added to the movie. We want to watch Science Fiction, not Star Wars.
I've seen nothing so far that separates this movie from scientific accuracy any more than any other incarnation of Trek.
 
So out of curiosity, if someone were to make an updated version of TOS, would you rather see an updated, more detailed version of the original 1701 (similar to what deg3D or Vektor did), or a kind of "un"-refit version of the movie-era Enterprise, meaning that it would have basically the same saucer and engineering hull and still have the same level of detail, but be fitted with TOS versions of the superstructure, nacelles & pylons, etc.?
 
Theoretically I'd want to see the ship looking as close to the TOS version as possible. It shouldn't resemble the refit since the refit wouldn't have happened yet.

That being said, if whatever's presented bothered me to such an extent that I didn't want to watch it, I wouldn't watch it, and I might express my dissatisfaction here...but I can't even begin to imagine being motivated enough to actively interact in a 22-page thread on the subject. Why should my opinion be considered any more valid than anyone else's? If other people like it, then more power to them, and my view is I should let it go at that point and stick with what I do like rather than attacking what I don't.
 
So out of curiosity, if someone were to make an updated version of TOS, would you rather see an updated, more detailed version of the original 1701 (similar to what deg3D or Vektor did),

There was one more... something "Fish" that I thought looked nice for this movie.

or a kind of "un"-refit version of the movie-era Enterprise, meaning that it would have basically the same saucer and engineering hull and still have the same level of detail, but be fitted with TOS versions of the superstructure, nacelles & pylons, etc.?

For me, this would be a winner.
 
Shaw said:
But the biggest failing I see is that no one in the new Trek movie knew when to say "too much".
Ahhh, so you've seen the movie already! No wonder you are so authoritive! Please, share more.

[sarcasm mode off]

Dude, you've seen a 2 minute trailer. You know most trailers don't convey the whole picture, indeed they are basically to whet appetites not satisfy.

3d and shaw, get a grip. Your attacks are becoming more personal each post, which is undermining you. And don't come back with "They started it!" That's a whine. You know it. I know it.

Oh, and just to reiterate, the ship design really isn't important. Well, I might be wrong about that, but right now, I really really don't think it is.

[sarcasm mode on]

Man, I am SO coming back here in May. That's late autumn in Australia, usually quite cool, and I'll come here to keep warm, becauae, if this thread is any indication, this place will be MELTING!
 
Dude, I've been a Trekkie since I was 9...
So?

Are you attempting to say you are actually part of those whiney fanboys on the Internet now? Make up your mind (or stop clinging to hard to defend arguments in your attacks on others).

Pardon me; perhaps I didn't make my line of thinking clear.

You asked me if I was aware of the benefits of a shared and consistent continuity. I attempted to make it clear to you that I was, by both citing how long I have been a fan myself (since asking if I understand the advantages of continuity seems to imply that I am a recent fan) and a number of examples of instances of shared and consistent continuity I enjoyed.

At no point in answering your question of whether or not I understand the benefits of a shared and consistent continuity was I attempting to address the question of appropriate behavior on the part of the fanbase.

No, I'm being dismissive because I'm finding the anti-Abrams film, anti-new Enterprise, anti-change, anti-new continuity arguments to be very closed-minded and uncreative. Rigid and controlling and unartistic.

Isn't being dismissive actually a sign that you yourself are being very closed-minded and uncreative?

No, it's a sign that I'm intolerant of intolerance. That I believe in giving new works of art a legitimate chance and not assuming that only one fundamental premise for a work of art is valid.

You're inability to see where others are coming from on this topic would seem like evidence that you yourself are the very definition of Rigid and controlling and unartistic.

No. It's not that I don't see where others are coming from. I do. It's that I think they're wrong, and more to the point, that the attitudes they're espousing are actually dangerous to artistic freedom.

If we were to take the same attitudes some people are exhibiting towards this new film and apply it to, say, Shakespeare, we would never have gotten something like West Side Story.

King Arthur is set in a fictional present day?
It was when it was tales being past from person to person that led up to the eventual King Arthur story. It went through as many transitions as any of the examples I pointed out... or were you unaware of that?

Pardon me. I seem to have not explained my logic properly:

I gave a number of examples of long-standing works of art that have had multiple, different interpretations and continuities. You countered by claiming that they were all set in "the present" and that therefore they had to be given multiple continuities as time has gone one. I countered by pointing that one of the examples of works with multiple incarnations that is not set in "the present" is King Arthur. Yes, I'm aware that it has had many transitions -- in fact, that is why I mentioned it in the first place. And it has gained new interpretations well after it has ceased to be considered to have been set in "the present."

The Wizard of Oz is set in a fiction present day?
Actually, it has been, but bounced around and isn't as flushed out a story as the other examples... and is a poor comparison to Star Trek (and not very Trekkie of you to lower Trek in such a comparison).

I'm astonished that you hold such a beautiful and classic story in such low regard. As far as I'm concerned, comparing Star Trek to The Wizard of Oz is a compliment.

Watchmen is set in a fictional present day?
Beats me... I'm not a comic book or SciFi person. Star Trek is my only area of interest in this general field, so I have few references for non-Trek stuff in the areas which Trek is usually associated.

Well, it's not. Watchmen is set in an alternate 1985 and features characters that are clearly based upon the Charlton Comics characters from the Silver Age.

Shakespeare is set in fictional present day?
Not enough background to be comparable to Trek, again this is a disappointing comparison... you should be able to do better.

I'm honestly not sure what you mean here, but I think it's a valid comparison. Shakespeare's plays were originally written with very specific staging conventions in mind, but now they've been adapted to dozens of different kinds of conventions -- modern-day costumes and sets are one of the most common. Clearly Shakespeare didn't mean for us to imagine Hamlet in jeans or a business suit -- but nobody who knows anything about theatre would argue that changing the aesthetics of the production necessarily undermines the content of the plays.

Put some genuine thought into your next reply. Think about what it will say... not just to me, but also about what you want me to believe about you. Give me a long, well thought out post that shows that you both understand your own position and that of those you are arguing against. In fact, tell me why it is so important to argue against others when you've already gotten what you wanted.

I've explained already: I get angry at people that seek to inhibit other people's creativity and artistic freedom, so I argue back at them. It's really that simple.

But don't tell me you are a Trekkie because you watch Trek and know the tech manuals backwards and forwards... that is meaningless. I could say that I'm the greatest scholar of Trek tech ever... it doesn't mean that it is true and it doesn't matter here anyways.

Fair enough. But don't imply that I'm not a true Trekkie, or that I don't understand the benefits of a shared and consistent continuity, just because I think that Star Trek should try a separate continuity.

We're talking about feelings...

No, you're talking about feelings. I'm talking about artistic freedom and always have been.

Why not show some empathy for those who aren't going to get what they wanted instead?

I have no empathy -- nor sympathy -- for people who want to inhibit other people's works of art.

Maybe you could explain that too... why hate those who are already disenfranchised? What, you guys get kicks out of rubbing salt in peoples wounds?

I don't hate anyone here, and I'm getting irritated at the victimization hyperbole, first from Vance and now from you. I get angry at people who try to inhibit other people's works of it. I don't hate them. There's a distinction, and a large one. If I encounter you in another thread talking about a different issue, I'm not going to hold anything said here against you because, no, I don't hold that kind of grudge and I don't hate anyone here.

(The few posters on the TrekBBS I do hate tend to be people who advocate for political philosophies I view as being fundamentally threatening to my and others' liberty, but that's something that's mostly confined to TNZ.)
 
You mean in that first pilot that is such a bitch to get a hold of? That one NBC didn't really like because Spock looked like a demon and it had a *gasp* woman as the ship's first officer, who wore pants and was intelligent? You know, the first officer who was very cold and relatively unemotional? And since NBC said he had to get rid of either the alien or the woman first officer, GR decided to combine the Spock character with the Number One character to make him more alien? Imagine that. :shifty:

Actually, No. One had to go because Roddenberry was banging Majel Barrett and the Studio didn't at all feel comfortable with that.

And Spock's emotions... well that was a choice on Nimoys part (according to his words in 'Mind Meld').
The 'The Cage'-Spock was a response to Hunter's introspective Pike.
And the Spock we got for the series was a response to Shatner's much more (emotionally) open Kirk.
 
At no point in answering your question of whether or not I understand the benefits of a shared and consistent continuity was I attempting to address the question of appropriate behavior on the part of the fanbase.
Lets get to the point... saying "whiney fanboys on the Internet" has no substantive part of your argument, yet you are attacking people with it.

I only started posting in this thread because 3D Master questioned someone else's fan standing over Kirk having kissed a green alien woman. I hold you in the same position as him because not only can't you argue your points without attacks, you aren't able to support your own cases because you are unwilling to see the points of the other side (or the failings of your own stance).

If you had no intension of seeing why people on the other side of this issue are upset, why post in a thread like this one at all?

No, it's a sign that I'm intolerant of intolerance. That I believe in giving new works of art a legitimate chance and not assuming that only one fundamental premise for a work of art is valid...

No. It's not that I don't see where others are coming from. I do. It's that I think they're wrong, and more to the point, that the attitudes they're espousing are actually dangerous to artistic freedom.
Intolerance of intolerance is intolerance.

But from this I'm guessing that you will attack anyone who is critical of anything. And you are placing yourself in the position of the thought police? You'll kindly let us know exactly how we should react to other things in the world I suppose. Everyone should have the exact same taste (defined by you) and anyone who thinks differently should be beaten into submission... is that it?

That is not an expression of artistic freedom... that is totalitarianism.

And you will of course deny this, but you are being intolerant of others having a differing point of view... and you are doing it from a position of having already gotten what you want. You got what you want, other people didn't get what they wanted (and are unhappy about it), but you have to keep attacking the other side because they don't agree with you? Sorry, but that is saying that you want us all to march in lockstep, think only with approved thoughts and don't question authority.

And I know you are going to say... but wait, I just want to give something new a chance. But that isn't what you are showing. You want us all to see it as you see it, and are intolerant of anyone who has a differing point of view. Totalitarian states often use the same terms about wanting to eliminate dangerous attitudes.

If we were to take the same attitudes some people are exhibiting towards this new film and apply it to, say, Shakespeare, we would never have gotten something like West Side Story.
Or Forbidden Planet (which is based on Shakespeare's works too). ;)

But that isn't what we are talking about, and if you actually believe that of the other side, then you are arguing without knowing what you are arguing against (which is exactly what I said before).

I gave a number of examples of long-standing works of art that have had multiple, different interpretations and continuities. You countered by claiming that they were all set in "the present" and that therefore they had to be given multiple continuities as time has gone one. I countered by pointing that one of the examples of works with multiple incarnations that is not set in "the present" is King Arthur. Yes, I'm aware that it has had many transitions -- in fact, that is why I mentioned it in the first place. And it has gained new interpretations well after it has ceased to be considered to have been set in "the present."
Spider-man, Superman, Batman, Bond... those works are very extensive and have been ever growing... like Star Trek. The King Arthur story stopped growing and has not had additional story arcs added for years. It is one story, done in a number of different ways... same is true of all Shakespeare's works.

I'm astonished that you hold such a beautiful and classic story in such low regard. As far as I'm concerned, comparing Star Trek to The Wizard of Oz is a compliment.
I never said low regard, it is not comparable in the same way that the King Arthur story isn't (or Shakespeare's works for that matter).

There are very few artistic canvases as extensive as Star Trek's. With a small canvas, you can't help but paint over the same area again, and again, and again. Star Trek has let tons of people express different visions in a collaborative work of art. This movie marks the first time that someone has decided to paint over someone else's work rather than pick a blank area on the canvas to start.

Your examples fail to take this into account. That failure then extends to your argument (which was already failing due to intolerance and lack of empathy).

I've explained already: I get angry at people that seek to inhibit other people's creativity and artistic freedom, so I argue back at them. It's really that simple.
Who is inhibiting here?

What is is. This is a done deal. What is going to happen already happen (even if we haven't seen it all yet). So you are angry at people who are upset over something that can't be undone? No one here (to my knowledge) has any power to inhibit other people's creativity and artistic freedom with regards to Star Trek XI.

:rolleyes:

Unless you know of someone reading this that might pull the plug on this picture and destroy all evidence of it, no one here has any ability to inhibit others.

Though (again) you really seem to be one of those doing most of the attempted inhibiting of others. Was that what you wanted? Reread your arguments, you are pushing all the types of positions you say you dislike only from your own point of view.

Fair enough. But don't imply that I'm not a true Trekkie, or that I don't understand the benefits of a shared and consistent continuity, just because I think that Star Trek should try a separate continuity.
I didn't imply anything... I stated that you are (based on your posts) incapable of seeing beyond your own arguments. You are in good company (most people here are as intolerant as you), but that isn't a good reason for that stance.

No, you're talking about feelings. I'm talking about artistic freedom and always have been.
And yet you advocate totalitarianism... which isn't freedom. And we are talking only about feelings because no one here can effect the artistic freedom of those making Star Trek XI.

Unless there is some kill switch for Star Trek XI that we all might trigger by expressing our points of view, that is a false argument. You aren't and can't effect their artistic freedom one way or the other.

The fact that you actually think you can is far worse than the strawman argument people (like you) bring about others supposedly thinking Trek science is real. You are (appearently) living in a delusional world where we all have the power to stop this movie from coming out and you are fighting against that. Do you know how bizarre a position that is?

I have no empathy -- nor sympathy -- for people who want to inhibit other people's works of art.
I'll ask again... is there some kill switch for Star Trek XI that I don't know about? Are you telling me that we could actually stop this movie and only you stand between us and this movie disappearing from history?

Please show us how in the world we can inhibit these people's works... at all!



Let me digress for a moment... with a non-Trek story.

I moved into my neighborhood about 11 years ago. It was a nice little suburban neighborhood with nice families... a pleasant place to live. A number of years ago our city made a deal to bring the Best Buy corporate campus here. In order to do this a number of businesses and a ton of houses had to be destroyed, with those people having no say in the matter. Illegal tactics were use to get those people out of their homes and businesses, and they eventually won a case against the city and Best Buy in the state supreme court.

Their homes and businesses are still gone and the Best Buy corporate campus is still here.

My home wasn't threatened (I live on the other side of the street) but I can have both empathy and sympathy for those people. But nothing will bring back what they lost.



You have no empathy... nor sympathy, for people even though Star Trek XI is inevitable at this point (even if you still harbor the delusion that only you can protect it). And what makes it worse is that you are displaying the worst qualities of what you claim to be fighting against.

“The man who fights too long against dragons becomes a dragon himself”

Try to read your own posts from someone else's point of view... see what you are actually presenting. You aren't in a position to save Star Trek XI (nor is it needed to be saved), so ask yourself what you've actually accomplished in all those posts.
 
Shaw said:
But the biggest failing I see is that no one in the new Trek movie knew when to say "too much".
Ahhh, so you've seen the movie already! No wonder you are so authoritive! Please, share more.
There are threads on the subject... and we need no more than the images we have for that.

Will the movie overcome this failing? That we'll have to wait for and see if there is a compelling enough story.

3d and shaw, get a grip. Your attacks are becoming more personal each post, which is undermining you. And don't come back with "They started it!" That's a whine. You know it. I know it.
Please quote me directly or leave me out of your fight. Please quote my personal attacks against you. Please quote where I've done more than stated my opinions of an artistic work.


And lets make something perfectly clear... special for those who wish to read things into other people's posts, I hope this is a good movie. I hope I enjoy. I can guarantee that I will see it at least once.

If you are having issues with 3D Master, doing lump me in with it. Please take the time to read what I post before making blanket assumptions about me. And someone who needs to make such assumption is more in need of getting a grip than I. And again please post direct quotes if you are going to accuse me of anything.

Thanks.


Edit:

Lets take this a step further... who are you? Have I ever said anything to you? I can't find any reference so please link to where I attacked you or referred to you in some way.
 
Last edited:
So out of curiosity, if someone were to make an updated version of TOS, would you rather see an updated, more detailed version of the original 1701 (similar to what deg3D or Vektor did), or a kind of "un"-refit version of the movie-era Enterprise, meaning that it would have basically the same saucer and engineering hull and still have the same level of detail, but be fitted with TOS versions of the superstructure, nacelles & pylons, etc.?

A completely new TOS, not a new 'Remastered' version?

With a completely new version of TOS, I would also expect a completely new version of the Enterprise.
 
Shaw said:
But the biggest failing I see is that no one in the new Trek movie knew when to say "too much".
Ahhh, so you've seen the movie already! No wonder you are so authoritive! Please, share more.
There are threads on the subject... and we need no more than the images we have for that.

Will the movie overcome this failing? That we'll have to wait for and see if there is a compelling enough story.
All the threads are based on a 2 minute trailer and a few snippets from interviews and a ship design that some, with some justification, don't like. It's just a ship. I really think the movie will not be as bad as you have implied in some of your posts.

3d and shaw, get a grip. Your attacks are becoming more personal each post, which is undermining you. And don't come back with "They started it!" That's a whine. You know it. I know it.

Please quote me directly or leave me out of your fight. Please quote my personal attacks against you. Please quote where I've done more than stated my opinions of an artistic work.

And lets make something perfectly clear... special for those who wish to read things into other people's posts, I hope this is a good movie. I hope I enjoy. I can guarantee that I will see it at least once.

If you are having issues with 3D Master, doing lump me in with it. Please take the time to read what I post before making blanket assumptions about me. And someone who needs to make such assumption is more in need of getting a grip than I. And again please post direct quotes if you are going to accuse me of anything.

Thanks.

Edit:

Lets take this a step further... who are you? Have I ever said anything to you? I can't find any reference so please link to where I attacked you or referred to you in some way.
You miss my point. No, we have not crossed swords personally, and I would like to think that will continue. All I'm trying to say is if you come on too strong, you undermine your argument and sound a tad stressed.

Example: accusing Sci of being in favour of totalitarianism, then contradicting himself by citing artistic freedom. I can see one but not the other.

Let's choose a more technical one. Building the ship on the ground. I'm quite in favour of orbital shipyards. This time they decided to go another way, they must have their reasons. Okay. If they can propel a ship across the stars at many multiples the speed of light, they can lift a ship off the ground and into space (yes, there are considerations like orbital velocity, but that's just maths and energy). Powerful pressors, anti-tractors, could quite easily lift a ship into orbit, again given the energy and the level of technology we're talking about.

It's just a story. It will not kill you if some of the details are different. The thing is that the wealth of background material means they can pick and choose, without necessarily violating The Holy Canon.

I suppose the reason I'm sticking my nose in here is that you and some others seem to be getting close to that level of obsession that is so widely derided in the media, and ends up lumping people who,like Trek with nuts who sit in basements and obsess over detail. You know what I mean.

Just step back, take a deep breath, but don't stop debating your points. More people will listen to sustained logic in a reasonable tone than "they raped my childhood!!!11!" arguments shouted at top of lungs.

Finally, I just suppose I'd rather be a glass half full guy and hope for the best and discuss what's coming in positive terms. This tearing downa dn thrashing about that some have done here is... unseemly. We can all do better. Hell, we're supposed to be smart! Maybe we can try it. :)
 
Theoretically I'd want to see the ship looking as close to the TOS version as possible. It shouldn't resemble the refit since the refit wouldn't have happened yet.

That being said, if whatever's presented bothered me to such an extent that I didn't want to watch it, I wouldn't watch it, and I might express my dissatisfaction here...but I can't even begin to imagine being motivated enough to actively interact in a 22-page thread on the subject. Why should my opinion be considered any more valid than anyone else's? If other people like it, then more power to them, and my view is I should let it go at that point and stick with what I do like rather than attacking what I don't.

That's so sad and pathetic. Are you telling me that you won't watch the movie if you don't like the ship's design? :guffaw::guffaw::guffaw:. What about the characters? Trek was never about the ships! :bolian:
 
The failing has nothing at all to do with internal continuity... it has to do with a corporate mind set that puts flash and style before substance. Quite frankly, there is only one production company with the correct mind set to save Star Trek... and that is Pixar. Why? Because for every production they do they live by the motto "Story is King".
Exactly what I said in one of the other threads on this board (so many I can't keep track of them!). I was watching the extras on the Wall*E DVD and listening to Andrew Stanton and the rest, and the Pixar folks seem to be about the only major studio where they all talk about what they do as something to which they are committed, especially to the stories, instead of so many interviews with other filmmakers who spend more time talking about how cool something is, or how much time they spent on the VFX (OMG, The Island! Michael Bay is a loon!).

If we had people like that who were committed, we wouldn't have movie after movie with people saying, "We wanted to give the fans a treat," or "What if they traveled back in time like all those great Trek episodes" or, worst of all, "We wanted to make a movie for people who aren't fans of Star Trek." You know what I call a movie for people who aren't fans of Star Trek? Well, I don't call it Star Trek, for one thing! :eek: Pretty much every non-sci-fi movie is a movie for people who aren't fans of Star Trek - just look at the audience for Harry Potter; if they want to get non-fans in the seats, then they should just make other movies that don't have built-in barriers to their greed.

But if Paramount really wants to re-launch Star Trek, and get audiences who might never have considered it in the past, then, yeah, their best bet would be Pixar. Of course, and sadly, Pixar wouldn't do it, given that they prefer to do new things as much as possible. It would at least take people with that same sort of commitment and integrity, and Paramount would have to make the commitment to keep their cotton-pickin' hands out of it. All the new VFX and redesigned ships are pointless if there's no truth to the story and the characters (an argument I find interesting re: this film is that those who defend the new ship most vociferously often also say that the ship design shouldn't make any difference - unless it's the 'old, tired' ship design, in which case they can understand why no one would want to watch it ... :cardie:)

And if it's not Pixar, then they'll need a hell of a lot better marketing campaign than this one, including a great viral campaign; I seriously don't see their current scheme building profitable mainstream excitement for this film.
 
Status
Not open for further replies.
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top