Maybe I'm not hip to the new way of thinking, as the Abramsverse seems utterly exploitive of women, too. So maybe the fanboy wet dreams that permeate some of these Trek books are better raw material, not worse, and a guy like me is just meant for a more politically correct era. *shrug* I doubt any of it could withstand a feminist critique.
p.s. I am not offend by this, your THIRD ATTEMPT to call me a racist. I know myself. I am proud of my work. And I don't care about the judgement of sexist people like you!
Hm.
I must be reading the wrong books.
I'm always equal parts puzzled and amused by people trying to claim Star Trek is or has ever been sexist or racist in even the slightest way.
The very last hurdle Star Trek canon has to get over is sexual "preference" and the books have done this already (though there could be more.)
Even TOS, the version most people like to cite as the most egregious example of sexism does NOT portray women in a negative light (and no whining about Janet Lester. She was ONE character out of scores and in no way representative of a bent).
TV wants us to look at it. That means, mostly, TV World is populated by extremely attractive people. There's nothing inherently sexist about this, not unless a particular show crosses the line.
With STAR TREK fiction, there's simply no evidence of either a sexist or racist bent that I have been able to glean in three decades of reading. Indeed the very reason I gravitated to Star Trek, rather than some other Stellar franchises I might mention, was the generally excellent treatment of "minorities" in Rodenberry's future.
People are entitled to their opinions but this Trekker is gonna need some pretty specific quotes to entertain the argument that there's sexism or racism in these works. And the rampant versions of these blights are right out.
As for the topic.
I think a CLONE WARS (TV) treatment is the way to go. And I've been an advocate of that treatment of STAR TREK since well before there was a CLONE WARS.
It allows the actors to play their parts as long as they like no matter how old they get. It removes any restriction a writer might have as to where she could set a story or what sort of aliens she might use. It flattens the FX budget to nil because there is no need for such a thing.
CGI. End Line.