These are valid points, but the end of the Cold War and the TOS-era were coterminous. Nicholas Meyer’s vision of the future was dystopic and his film reflected that. Clearly, he saw no happy ending flowing naturally from the cessation of hostilities, but only an uneasy coexistence. Similarly, TOS promised much, but that promise is largely unfulfilled. Or, at least one could make the argument.To my understanding of the words, there's a difference between "topical" and "relevant"...the difference being, did it have anything worthwhile to say about what was happening in the world at the time? I thought its somber fatalism was tone-deaf regarding the end of the Cold War...what it was really about was the resignation that the TOS era was over.
I mean, Meyer wanted to end ST 2 with the closed torpedo tube door, much like John Ford’s closing door in The Searchers. Not a real optimistic film maker, he.